10 of the Woody Guthrie songs/Introduction

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10 of the Woody Guthrie songs by Woody Guthrie
Introduction

IN THESE TEN SONGS you will hear a lot of music of a lot of races. Songs of every color. Every people loves and copies the songs and the music, the ideas, the customs, of all the other races.

SONGS LIKE THESE soak into every wall, *all, factory, every hull of every ship, every hammer coming down on every anvil, every seed falling down into every row, every hand moving *** dust rag, a wheel, a lever, a dial, a handle, a button push ***

IF YOU WILL LISTEN TO YOURSELF while you do ***** you will hear yourself hum and sing your own song about yo***. You are making up a folk song. You have really made ***** ballad tunes in your own mind about the folks that you **** be famous as a composer.

I HAVE NEVER HEARD a nation of people sing on editorial out of a paper. A man sings about the little things that help him or hurt his people and he sings of what has got to be done to fix this ... like it ought to be. These songs are singing history. History is being sung. I have sung them in several hundred Union Halls and not one single time have I seen them fail. People clap and yell, get hot and sweat, unloosen their collars, and sing on for hours.

OUR SHIPS ARE MANNED BY MEN OF ALL TONGUES and colors and I saw the whole world there before my eyes while I sang to the men a dozen spells a day, between working hours washing dishes. No matter who you are or where you're from, no matter what your color or your language, you will taste, hear, see and feel an old spark of your life somewhere in these songs. Cubans, Mexicans, Philipinos, Chinese, Scotch, Irish, Russian, French and German, all have told me, "This sounds exactly like it is in my country". These songs are a world mixture. The tunes and the words have been sung across all of the oceans by all of us, and up out of the past dark centuries.

I HAVE WALKED AND LISTENED to these songs in the Tennessee Valley and heard versions on top of Pike's Peak and along the Columbia River. But I did not hear any of them on the radio. I did no hear any of them in the movie house. I did not hear a single ounce of our history being sung on the nickel juke box. The Big Boys don't want to hear our history of blood, sweat, work, and tears, of slums, bad housing, diseases, big blisters or big callouses, nor about our fight to have unions and free speech and a family of nations. But the people want to hear about all of those things in every possible way. The playboys and playgals don't work to make our history plain to us nor to point out to us which road to travel next. They hire out to hide our history from us and to point toward every earthly stumbling block.

HOLLYWOOD SONGS DON'T LAST. Broadway songs are sprayed with hundreds of thousands of dollars to get the sprouted and going. They sprout, the burst, they bloom and they fade. Wagon loads of your good money are shoveled and scattered onto them, but they are not our true history and we don't take them deep into our heart.

THE MONOPOLY ON MUSIC pays a few p** writers to go screwy trying to write and rewrite the same old notes under the same old formulas and the same old patterns. The songs have no guts. They sound sissified, timid, the spinning dreams of a bunch of neurotic screwballs. How can they be otherwise when they have no connection with the work and the fight of the whole human race? They are bad. They are hurtful, poisonous, complascent, distracting, full of jerky headaches and jangled nerves. I have seen soldiers and sailors on ships sail these insane records over into the water by the dozens. I have heard fighting men in the war zones scream and demand that the gibbery radio be shut off or it would be smashed.

SEVERAL MILLION SKULLS HAVE BEEN CRACKED WHILE OUR HUMAN RACE has worked and fought its way up to be union. Do the big bands and the orgasm gals sing a solitary thing about that? No. Not a croak. our spirit of work and sacrifice they cannot sing about because their brain is bought and paid for by the big Money Boys who own and control them and who hate our world union. They hate our real songs, our fight songs, our work songs, our union songs, because they are the Light of Truth and the mind of the racketeer cannot face our Light. I would not care so much how they choose to waste the own personal lives but it is your money that they are using to hide your own history from you and to make your future a worse one. Some day you will have a voice in how all of your money is spent and then your songs will have some meaning. The British Government and the Soviets were forced to take over all of these things and their songs, records and programs are a thousand times better, they had to milk out all traces of complascency, sissiness, cowardliness, and tendencies to run and hide, or to turn into a nation of jerks. They took away all racial hatred, racial teasing, racial insults, racial jokes that were narrow and shallow, and it was been for the good of the people. They sing of the dignity of the work of the people and no racketeer cashes in on foney sexual fits. Workers smile and work and soldiers smile and fight, with no rattled brained mouth frothers to wreck your nerves.