Apologia Pro Poemate Meo

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Apologia Pro Poemate Meo
by Wilfred Owen
Written in 1917. Version presented here is that found in the 1920 edition of Poems by Wilfred Owen.


[ 4 ]

I, too, saw God through mud,—
      The mud that cracked on cheeks when wretches smiled.
      War brought more glory to their eyes than blood,
      And gave their laughs more glee than shakes a child.

Merry it was to laugh there—
      Where death becomes absurd and life absurder.
      For power was on us as we slashed bones bare
      Not to feel sickness or remorse of murder.

I, too, have dropped off Fear—
      Behind the barrage, dead as my platoon,
      And sailed my spirit surging, light and clear
      Past the entanglement where hopes lay strewn;

And witnessed exultation—
      Faces that used to curse me, scowl for scowl,
      Shine and lift up with passion of oblation,
      Seraphic for an hour; though they were foul.

I have made fellowships—
      Untold of happy lovers in old song.
      For love is not the binding of fair lips
      With the soft silk of eyes that look and long,

By Joy, whose ribbon slips,—
      But wound with war's hard wire whose stakes are strong;
      Bound with the bandage of the arm that drips;
      Knit in the webbing of the rifle-thong.

I have perceived much beauty
     In the hoarse oaths that kept our courage straight;
     Heard music in the silentness of duty;
     Found peace where shell-storms spouted reddest spate.

Nevertheless, except you share
     With them in hell the sorrowful dark of hell,
     Whose world is but the trembling of a flare,
     And heaven but as the highway for a shell,

[ 5 ]

You shall not hear their mirth:
      You shall not come to think them well content
      By any jest of mine. These men are worth
      Your tears: You are not worth their merriment.

November 1917.


PD-icon.svg This work is in the public domain in the United States because it was published before January 1, 1923.

The author died in 1918, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.