Author:Ross Winn
From Wikisource
| ←Author Index: Wi | Ross Winn (1871–1912) |
| An anarchist writer and publisher who was best known for publishing several radical political journals and trying to promote anarchism within the historically conservative southern United States. |
Contents |
[edit] Works
[edit] Essays
- Let Us Unite (January 1894)
- Government by the Majority (January 1895)
- A Vision of Anarchy (October 1895)
- Remembering Haymarket (October 1895)
- The American Flag (1898?)
- Saturday Night Musings (November 1898)
- The Man in the Tower (July 1900)
- Free Marriage (September 1900)
- Anarchist "Organization" (December 1900)
- A Christmas Sermon (December 1902)
- Plutocracy Triumphant (December 1902)
- Current Comment (December 1902)
- Editorial Comment (January 1903)
- Hath Man Eternal Life? (January 1903)
- The Literature of Romance and of Realism (January 1903)
- Voltairine De Cleyre (January 1903)
- Crumbling Creeds (January 1903)
- The Archic (January 1903)
- Current Comment II (January 1903)
- The Man On Horseback (December 1903)
- A War-Cloud in the East (December 1903)
- The Fallibility of the Church (December 1903)
- Man Is Not a Free Moral Agent (December 1903)
- Graft (December 1903)
- The Case of John Turner (December 1903)
- The Breakdown of the State (May 1911)
[edit] Poems
- America (December 1895)
- A Legend (March 1897)
- Be Brave (November 1899)
- Political Alphabet (April 1902)
- The Agnostic (September 1905)
[edit] Letters to the editor
- Letter to the Editor 1 (October 1908)
- Letter to the Editor 2 (October 1908)
[edit] Miscellaneous
- Winn's Firebrand, newspaper, 1902
- Obituary for Kate Austin (December 1902)
[edit] See also
| Some or all works by this author are in the public domain in the United States because they were published before January 1, 1923.
The author died in 1912, so works by this author are also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. Works by this author may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works. |