Fond lover of the Ideal Fair,
My soul, eluded everywhere,
Is lapsed into a sweet despair.
Perpetual pilgrim, seeking ever,
Baffled, enamored, finding never;
Each morn the cheerful chase renewing,
Misled, bewildered, still pursuing;
Not all my lavished years have bought
One steadfast smile from her I sought,
But sidelong glances, glimpsing light,
A something far too fine for sight,
Veiled voices, far off thridding strains,
And precious agonies and pains:
Not love, but only love's dear wound
And exquisite unrest I found.
At early morn I saw her pass
The lone lake's blurred and quivering glass;
Her trailing veil of amber mist
The unbending beaded clover kissed;
And straight I hasted to waylay
Her coming by the willowy way;--
But, swift companion of the Dawn,
She left her footprints on the lawn,
And, in arriving, she was gone.
Alert I ranged the winding shore;
Her luminous presence flashed before;
The wild-rose and the daisies wet
From her light touch were trembling yet;
Faint smiled the conscious violet;
Each bush and brier and rock betrayed
Some tender sign her parting made;
And when far on her flight I tracked
To where the thunderous cataract
O'er walls of foamy ledges broke,
She vanished in the vapory smoke.
To-night I pace this pallid floor,
The sparkling waves curl up the shore,
The August moon is flushed and full;
The soft, low winds, the liquid lull,
The whited, silent, misty realm,
The wan-blue heaven, each ghostly elm,
All these, her ministers, conspire
To fill my bosom with the fire
And sweet delirium of desire.
Enchantress! leave thy sheeny height,
Descend, be all mine own this night,
Transfuse, enfold, entrance me quite!
Or break thy spell, my heart restore,
And disenchant me evermore!
|This work is in the public domain in the United States because it was published before January 1, 1923.
The author died in 1916, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.