Catholic Encyclopedia (1913)/Tiepolo

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Giovanni Battista (Giambattista) Tiepolo

Born in Venice in 1696; died at Madrid, 27 March, 1770. The son of a sea-captain and marine merchant, who left behind him a considerable fortune, Tiepolo married, in 1721, Cecilia, the sister of the painter Guardi, by whom he had nine children. His earliest master was Lazzerini, but his artistic career was derived from a careful study of the works of Titian, Piazzeta, Ricci, and especially Veronese. Up to 1750 he worked in Venice and various places in the north of Italy, painting some remarkable works at Milan, in Brescia, and in one or two villages near Venice. He then, accompanied by his son, travelled to Würzburg, where he resided for three years, executing some magnificent ceiling paintings in the palace of the archbishop. He was back again in Venice in 1753, full of commissions, elected President of the Academy of Padua, and holding high distinction in his native town. In 1761 he accepted the invitation of Charles III, King of Spain, to come to that country to decorate the royal palace of Madrid. Unfortunately, during his residence there he incurred the jealousy and the bitter opposition of Raphael Mengs. He is the last of the great Venetian painters; his works are magnificent in force, brilliance, and skill. As a draughtsman and colourist, few have approached him; as an etcher, he took a high position.


Giovanni Domenico Tiepolo

Son and pupil of the elder Tiepolo, b. in Venice, 30 August, 1727; d. there, 3 March, 1804. He was his father's assistant but far inferior in every respect in draughtsmanship and colouring. His best work is the ceiling of the Palazzo Ducale at Genoa. In his latter years, having satisfactory means, he retired to a villa near Venice and lived in comfort. His marriage had taken place in 1776, and was a scene of great pomp and magnificence. His widow married again after his decease, and the male line of Tiepolo died out with him.

SACK, Giambattista und Domenico Tiepolo (Berlin, 1910); MOLMENTI, G. B. Tiepolo (MILAN, 1909); LANZI, Storia Pittorica della Italia (Bassano, 1809); PITTONI, Dei Pitoni Artisti Veneti (Bergamo, 1905).

GEORGE CHARLES WILLIAMSON