Flint and Feather/Part III/Day Dawn
All yesterday the thought of you was resting in my soul,
And when sleep wandered o'er the world that very thought she stole
To fill my dreams with splendour such as stars could not eclipse,
And in the morn I wakened with your name upon my lips.
Awakened, my beloved, to the morning of your eyes,
Your splendid eyes, so full of clouds, wherein a shadow tries
To overcome the flame that melts into the world of grey,
As coming suns dissolve the dark that veils the edge of day.
Cool drifts the air at dawn of day, cool lies the sleeping dew,
But all my heart is burning, for it woke from dreams of you;
And O! these longing eyes of mine look out and only see
A dying night, a waking day, and calm on all but me.
So gently creeps the morning through the heavy air,
The dawn grey-garbed and velvet-shod is wandering everywhere
To wake the slumber-laden hours that leave their dreamless rest,
With outspread, laggard wings to court the pillows of the west.
Up from the earth a moisture steals with odours fresh and soft,
A smell of moss and grasses warm with dew, and far aloft
The stars are growing colourless, while drooping in the west,
A late, wan moon is paling in a sky of amethyst.
The passing of the shadows, as they waft their pinions near,
Has stirred a tender wind within the night-hushed atmosphere,
That in its homeless wanderings sobs in an undertone
An echo to my heart that sobbing calls for you alone.
The night is gone, beloved, and another day set free,
Another day of hunger for the one I may not see.
What care I for the perfect dawn? the blue and empty skies?
The night is always mine without the morning of your eyes.
|This work is in the public domain in the United States because it was published before January 1, 1923.
The author died in 1913, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.