Frida Kahlo, Paris, France letter to Nickolas Muray, New York, N.Y., 1939 Feb. 16
My adorable Nick. Mi Niño,
I am writing you on my bed in the American Hospital, yesterday it was the first day I didn’t have fever and they aloud me to eat a little, so I feel better. Two weeks ago I was so ill that they brought me here in an ambulance because I couldn’t even walk. You know that I don’t know why or how I got coli-bracilus on the kidneys thru the intestines, and I had such an inflamation and pain that I thought I was going to die. They took several eXrays of the kidneys and it seems that they are infected with those damn colibacilus. Now I am better and next monday I will be out of this rotten hospital. I can’t go to the hotel, because I would be all alone, so the wife of Marcel Duchamp invited me to stay with her for a week while I recover a little. Your telegram arrived this morning and I cried very much –of happiness, and because I miss you with all my heart and my blood. Your letter, my sweet, came yesterday, it is so beautiful, so tender, that I have no words to tell you what a joy it gave me. I adore you my love, believe me, like I never loved anyone-only Diego will be in my heart as close as you-always. I haven’t tell Diego a word about all this trouble of being ill – because he will worry so much – and I think in few days I will be allright again, so it isn’t worthwhile to alarm him.
Don’t you think so?
Besides this damn sickness I had the lousiest luck since I arrived. In first place the question of the exibition is all a damn mess. Until I came the paintings were still in the custum house, because the s. of a b. of Breton didn’t take the trouble to get them out. The photographs which you sent ages ago, he never received. So he says- the gallery was not arranged for the exibit at all and Breton has no gallery of his own long ago. So I had to wait days and days just like an idiot till I met Marcel Duchamp (a marvelous painter) who is the only one who has his feet on the earth, among all this bunch of coocoo lunatic son of bitches of the surrealists. He immediately got my paintings out and tried to find a gallery. Finally there was a gallery called “Pierre Colle” which accepted the damn exibition. Now Breton wants to exibit together with my paintings, 14 portraits of the XIX century (Mexicans) about 32 photographs of Alvarez Bravo, and lots of popular objects which he bought on the markets of Mexico – all this junk, can you beat that? For the 15th of March the gallery supose to be ready. But…. The 14 oils of the XIX Century must be restored and the damn restoration takes a whole month. I had to lend to Brenton 200 bucks (Dlls) for the restoration because he doesn’t have a penny. (I sent a cable to Diego telling him the situation and telling that I lended to Breton that money – he was furious, but now is done and I have nothing to do about it) I still have money to stay here till the beginning of March so I don’t have to worry so much.
Well, after things were more or less settled as I told you, few days ago Breton told me that the associated of Pierre Colle, an old bastard and son of a bitch, saw my paintings and found that only two were possible to be shown, because the rest are too “shocking” fir the public!! I could of kill that guy and eat it afterwards, but I am so sick and tired of the whole affair that I have decided to send everything to hell, scram from this rotten Paris before I get nuts myself. You have no idea the kind of bitches these people are. They make me vomit. They are so damn “intelectual” and rotten that I can’t stand them any more. It is really too much for my character- I rather sit and sell tortillas, than to have any thing to do with those “Artistic” bitches of Paris. They sit for hours on the “cafés” warming their precious behinds, and talk without stopping about “culture” “art” “revolution” and so on and so forth, thinking themselves the gods of the world, dreaming the most fantastic nonsense, and poisoning the air with theories and theories that never come true. Next morning they don’t have anything to eat in their house because none of them work and they live as parasites of the bunch of rich bitches who admire their “genius” of “Artists”, Shit and only shit is what they are. I never seen Diego or you wasting their time on stupid gossip and “intelectual” discussions. That is why you are real men and not lousy “artists”- Gee weez! It was worthwhile to come here only to see why Europe is rottening, why all this people - good for nothing - are the cause of all the Hitlers and Mussolinis. I bet you my life I will hate this place and its people as long as I live. There is something so false and unreal about them that they: drive me nuts.
I am hoping to get well soon and scram from here. My ticket will last for a long time but I already have acommodations for the “Isle de France” on the 8 of March. I hope I can take this boat. In any case I won’t stay here longer than the 15th of March. To hell with the exhibition in London. To hell with everything concerning Breton and all this lousy place. I want to go back to you. I miss every movement of your being, your voice, your eyes, your hands, your beautiful mouth, your laugh so clear and honest. YOU. I love you my Nick. I am so happy to think I love you – to think you wait for me – you love me.
My darling give many kisses to Mam on my name, I never forget her. Kiss also Aria and Lea. For you my heart full of tenderness and caring. One special kiss on your neck your give my love to Mary Skear if you see her and to Ruzzy
This anonymous or pseudonymous work is in the public domain in the United States because it was in the public domain in its home country or area as of 1 January 1996, and was never published in the US prior to that date. It is also in the public domain in other countries and areas where the copyright terms of anonymous or pseudonymous works are 70 years or less since publication.