Hanneman, Adriaen (DNB00)
|←Hannay, Patrick||Dictionary of National Biography, 1885-1900, Volume 24
HANNEMAN, ADRIAEN (1601?–1668?), painter, born at the Hague about 1601, was admitted in 1619 to the guild of St. Luke at the Hague, as a pupil of Antony van Ravesteyn. He is also stated to have been a pupil of or assistant to Daniel Mytens [q. v.], his fellow-townsman, and he may have accompanied him to England. Hanneman was in England for sixteen years during the reign of Charles I. He is usually stated to have copied the manner and colouring of Vandyck, but he possessed a forcible and effective style of his own, which gives him high rank among portrait-painters. While in London he was an unsuccessful suitor for the daughter of Nicasius Russel, niece of Cornelius Jansen the painter ; Vertue saw a picture of Jansen with his wife and daughter by Hanneman in the possession of Antony Russel. About 1640 Hanneman returned to the Hague and became one of the leading painters there. He was employed to paint an allegorical figure of 'Peace' for the state council chamber, and others of 'Justice' and 'Mars' for the chamber of finance at the Hague. Hanneman was appointed the first director of the new guild of St. Luke, constituted in 1656. Hanneman was especially patronised by William II of Orange and his wife Mary, daughter of Charles I. He painted their portraits (including one of Mary painted in 1660, now at St. James's Palace, and engraved in mezzotint by W. Faithorne, jun.) and others of the exiled court at the Hague, among them being one of Charles II (engraved by H. Danckerts). There are portraits by Hanneman of Charles II and the Duke of Hamilton (painted in 1650) at Windsor Castle; of William III as a boy (1664), Peter Oliver, and Mary, princess of Orange, at Hampton Court ; of Charles I and of Vandyck at Vienna ; of William Frederick of Orange at Weimar; of Constantyn Huygens and family at the Hague ; of Jan de Witt at Rotterdam. A portrait, said to be of Andrew Marvell, painted by him in 1658, was exhibited at the National Portrait Exhibition in 1866. Hanneman's portrait of Sir Edward Nicholas (1654) was engraved by A. Hertocks, and his portrait of Mr. Honywood is in the library of Lincoln Cathedral. He occasionally painted subject pictures. Various portraits of himself are recorded. One was engraved by Bannerman in Walpole's 'Anecdotes of Painting,' and another was engraved as after Vandyck. Hanneman died at the Hague in 1668 or 1669. A son William Hanneman, was buried in the church of St. Martin-in-the-Fields, London, in 1641.
[Immerzeel's Diet, of Dutch and Flemish Artists, and Kramm's continuation of the same; Seguier's Dict. of Painters; Walpole's Anecdotes of Painting; Obreen's Archief voor Nederlandsche Kunstgeschiedenis, vols. iii. and iv.; Champlin and Perkins's Dict. of Artists.]