In the Forbidden Land/Chapter LII
- What the men were like—Their timidity—Leather work—Metal work—Blades and swords—Filigree—Saddles and harness—Pack saddles.
THE men of the party were extremely picturesque, with hair flowing down their shoulders and long pigtails ornamented with pieces of red cloth, circles of ivory and silver coins. Nearly all had the stereotyped pattern coat, with ample sleeves hanging well over the hands, and pulled up at the waist to receive the paraphernalia of eating-bowls, snuff-box, &c., employed in daily life. Most of them were dressed in dark red, and all were armed with jewelled swords.
With flat, broad noses and slits of piercing eyes, high cheek-bones and skin giving out abundant oily excretions, most of the men stood at a respectful distance, scrutinising our faces and watching our movements apparently with much interest. I have hardly ever seen such cowardice and timidity as among these big, hulking fellows; to a European it scarcely seems conceivable. The mere raising of one's eyes was sufficient to make a man dash away frightened, and, with the exception of the chief, who pretended to be unafraid, notwithstanding that even he was trembling with fear, they one and all showed ridiculous nervousness when I approached them to examine their clothes or the ornaments they wore round their necks, the most prominent of which were the charm-boxes that dangled on their chests. The larger of these charm-boxes contained an image of Budda, the others were mere brass or silver cases with nothing in them.
I was struck here, as well as in other camps, by the skill of the Tibetans in working leather, which they tan and prepare themselves, often giving to it a fine red or green colour. As a rule, however, the natural tint is preserved, especially when the leather is used for belts, bullet and powder-pouches, and flint-and-steel cases. The hair of the skins is removed by plucking and scraping, and preference is shown for skins of the yak, antelope, and kiang. The Tibetans are masters of the art of skinning, the hides being afterwards beaten, trodden upon and manipulated to be rendered soft. There were simple ornamentations stamped upon some of the leather articles, but in most instances either metal or leather ornaments of various colours were fastened on the belts and pouches, iron clasps inlaid with silver or silver ones being the commonest.
These metals are found in the country, and the Tibetans smelt and cast the ore when sufficient fuel is obtainable for the purpose. Earthen crucibles are employed to liquefy the metals, and the castings are made in clay moulds. For the inlaid work, in which the Tibetans greatly excel, they use hammer and chisel. Inlaid ornamentation is frequently to be seen on the sheaths of Tibetan swords, the leaf pattern, varied scrolls and geometrical combinations being most commonly preferred. The process of hardening metals is still in its infancy, and Tibetan blades are of wrought-iron, and not of steel. They succeed, however, in bringing them to a wonderful degree of sharpness, although they entirely lack the elasticity of steel blades. Grooves to let in air, and thus make wounds incurable, are generally ground in the sides of the daggers, but the blades of the common swords are perfectly smooth and made to cut on one side only. As can be seen from the illustrations, these weapons are hardly adapted to meet the requirements of severe fighting, as they do not allow a firm grip, nor have they any guard for the hand. The sheaths and handles of some of the more valuable swords are made of solid silver inlaid with turquoises and coral beads, others of silver with gold ornamentations. At Lhassa and at Sigatz (Shigatze), silver filigree decorations are used on the best daggers; but nowhere else in Tibet is fine wire-making practised.
It must not be inferred from the above remarks that there are no steel swords in Tibet, for indeed many fine blades of excellent Chinese steel can be seen all over the country in the possession of the richer officials, such as the huge two-handed, double-edged swords of Chinese importation, used by Tibetan executioners.
The saddles, though possibly lacking comfort, are nevertheless skilfully made. The frame is made of solid wood (imported) and set in hammered iron (often inlaid with silver and gold, as in the saddle here reproduced), which, like a Mexican saddle, is very high in front and at the back. Lizard skin or coloured leather is employed to decorate certain parts, and a pad covers the seat. A rug is, however, invariably placed over this pad for comfort, and the short iron stirrups compel one to sit with legs doubled up, a really not uncomfortable position when one gets used to it. Breastpiece, crupper, bridle and bit are of leather ornamented with inlaid metal pieces. Double bags for tsamba, butter, &c. are fastened behind the saddle, together with the inevitable peg and long rope, with which no Tibetan rider is unprovided, for the tethering of his pony at night.
Pack-saddles for yaks are made on the same principle, but are of much rougher construction, as can be judged from the illustrations,[1] in which the two saddles I used on my journey are represented. The baggage is made fast by means of ropes to the two upper bars. To keep the saddle in position on the yak, and to prevent sores being inflicted, pads and blankets are laid upon the animal's back. Add to this protection the long coat possessed by the beast itself, and it will be clear why it very seldom sustains the slightest injury from these apparently cruel burdens.
Footnotes[edit]
- ↑ See page 223.