In the Moonlight
Well merited was the name "soldier of God" by the Abbe Marignan. He was a tall, thin priest, fanatical to a degree, but a just and exalted soul. All his beliefs were fixed, with never a waiver. He thought he understood God thoroughly, that he penetrated His designs, His wishes, His intentions.
Striding up and down the garden walk of his little country parsonage, sometimes a question arose in his mind: "Why did God make that?" Then in his thoughts, putting himself in God's place, he searched obstinately and nearly always was satisfied that he found the reason. He was not the man to murmur in transport of pious humility, "O Lord, thy ways are past finding out!" What he said was, "I am the servant of God, I ought to know the reason of what he does or divine it if I do not."
Everything in nature seemed to him created with an absolute and admirable logic. The "wherefore" and the "because" were always balanced. The dawn were made to rejoice you on waking, the days to ripen the harvests, the rains to water them, the evenings to prepare for sleeping and the nights dark for sleep.
The four seasons corresponded perfectly to all the needs of agriculture, and to him the suspicion could never have come that nature has no intention and that all which lives has accustomed itself, on the contrary, to the hard conditions of different periods, of climates and of matter.
But he hated women; he hated them unconsciously and despised them by instinct. He often repeated the words of Christ, "Woman, what have I to do with thee?" and he would add, "One would almost say that God himself was ill pleased with that particular work of his hands." Woman for him was indeed the "child twelve times unclean" of whom the poet speaks. She was the temptress who had ensnared the first man who still continued her damnable work; she was the being who is feeble, dangerous, mysteriously troublous (sic). And even more than her poisonous beauty he hated her loving soul.
He had often felt women's tenderness attack him, and though he knew himself to be unassailable he grew exasperated at this need of loving which quivers continuously in their hearts.
To his mind God had only created woman to tempt man and to test him. Man should not approach her without those precautions for defense which he would take, and the fears he would cherish, near an ambush. Woman, indeed, was just lie a trap, with her arms extended and her lips open toward a man.
He had only toleration for nuns, rendered harmless by their vow; but he treated them harshly notwithstanding, because, ever at the bottom of their chained-up hearts, their chastened hearts, he perceived the eternal tenderness that constantly went out to him although he was a priest.
He had a niece who lived with her mother in a little house nearby. He was bent on making her a sister of charity. She was pretty and harebrained and a great tease. When the abbe sermonized she laughed; when he was angry at her she kissed him vehemently, pressing him to her heart while he would seek involuntarily to free himself from her embrace. Notwithstanding, it made him taste a certain sweet joy, awaking deep within him that sensation of fatherhood which slumbers in every man.
Often he talked to her of God, of his God, walking beside her along the footpaths through the fields. She hardly listened but looked at the sky, the grass, the flowers, with a joy of living which could be seen in her eyes. Sometimes she rushed forward to catch some flying creature and, bringing it back, would cry: "Look, my uncle, how pretty it is; I should like to kiss it." And the necessity to "kiss flies" or sweet flowers worried, irritated, and revolted the priest who saw, even in that, the ineradicable tenderness which ever springs in the heart of women.
One day the sacristan's wife, who kept house for the Abbe Marignan, told him very cautiously that his niece had a lover!
He experienced a dreadful emotion, and he stood choking, with the soap all over his face, in the act of shaving.
When he found himself able to think and speak once more he cried, "It is not true; you are lying, Melanie!"
But the peasant woman put her hand on her heart. "May our Lord judge me if I am lying, Monsieur le Cure. I tell you she goes to him every evening as soon as your sister is in bed. They meet each other beside the river. You have only to go there between ten o'clock and midnight and see for yourself."
He ceased scratching his chin and commenced to pace the room quickly, as he always did in his hours of gravest thought. When he tried to begin his shaving again he cut himself three times from nose to ear.
All day long he remained silent, swollen with anger and with rage. To his priestly zeal against the mighty power of love was added the moral indignation of a father, of a teacher, a keeper of souls, who has been deceived, robbed, played with by a child. He felt the egotistical sorrow that parents feel when their daughter announces that she has chosen a husband without them and in spite of their advice.
After dinner he tried to read a little, but could not attune himself to it and he grew angrier and angrier. When it struck ten he took his cane, a formidable oaken club which he always carried when he had to go out at night to visit the sick. Smugly he regarded the enormous cudgel, holding it in his solid, countryman's fist and cutting threatening circles with it in the air. Then suddenly he raised it and, grinding his teeth, he brought it down upon a chair, the back of which, split in two, fell heavily to the ground.
He opened the door to go out, but he stopped upon the threshold, surprised by such a splendor of moonlight as you seldom see.
Endowed as he was with an exalted spirit, such a spirit as must have belonged to those dreamer-poets, the Fathers of the Church, he felt himself suddenly softened and moved by the grand and serene beauty of the pale-faced night.
In his little garden, bathed in the soft brilliance, his fruit trees, all arow, were outlining in shadow upon the walk their slender limbs of wood scarce clothed with green; while the giant honeysuckle climbing on the house wall exhaled delicious sugared breaths which hovered through the warm clear night like perfumed soil.
He began to breathe deep, drinking the air as drunkards drink their wine and walking slowly, ravished, surprised and almost oblivious of his niece.
As he stepped into it he open country he stopped to contemplate the whole plain, inundated by this caressing radiance and drowned in the tender and languishing charm of the serene night. In chorus the frogs threw into space their short metallic notes, and with the seduction of the moonlight distant nightingales mingled the fitful music of theirs which brings no thoughts but dreams, a light and vibrant melody which seemed attuned to kisses.
The abbe continued his walk, his courage failing, he knew not why. He felt, as it were, enfeebled and suddenly exhausted; he had a great desire to sit down, to pause right there and praise God in all His works.
Below him, following the bends of the little river, wound a great line of poplars. On and about the banks, wrapping all the tortuous watercourse in a kind of light, transparent wadding, hung suspended a fine mist, a white vapor, which the moon rays crossed and silvered and caused to gleam.
The priest paused yet again, penetrated to the depths of his soul by a strong and yet growing emotion. And a doubt, a vague uneasiness, seized on him; he felt that one of those questions he sometimes put to himself was now being born.
Why had God done this? Since the night is destined for sleep, for unconsciousness, for repose, for forgetfulness of everything, why, then, make it more charming than the day, sweeter than dawns and sunsets? And this slow, seductive star, more poetical than the sun and so discreet that it seems designed to light up things too delicate, too mysterious for the great luminary-why had it come to brighten all the shades? Why did not the sweetest if all songsters go to rest like the others? Why set himself to singing in the vaguely troubling dark? Why this half veil over the world? Why these quiverings of the heart, this emotion of the soul, this languor of the body? Why this display of seductions which mankind never sees, since the night brings sleep? For whom was this sublime spectacle intended, this flood of poetry poured from heaven to earth? The abbe did not understand it at all.
But then, down there along the edge of the pasture, appeared two shadows walking side by side under the arched roof of the trees all soaked in glittering mist.
The man was the taller and had his arm about his mistress's neck; from time to time he kissed her on the forehead. They animated the lifeless landscape which enveloped them, a divine frame made, as it were, expressly for them. They seemed, these two, a single being, the being for whom this calm and silent night was destined; and they approached the priest like a living answer, the answer vouchsafed by his Master to his question.
He stood stock-still, overwhelmed and with a beating heart. He likened it to some Bible story as the loves of Ruth and Boaz, the accomplishment of the will of the Lord in one of those scenes talked of in Holy Writ. Through his head ran the versicles of the Song of Songs, the ardent cries, the calls of the body, all the passionate poetry of that poem which burns with tenderness and love. And he said to himself, "God perhaps has made such nights as this to clothe with his ideals the loves of men."
He withdrew before the couple, who went on arm in arm. It was really his niece, and now he asked himself if he had not been about to disobey God. For does not God indeed permit love, since He surrounds it visibly with splendor such as this?
And he fled in amaze, almost ashamed, as if he had penetrated into a temple where he had no right to enter.
This work published before January 1, 1923 is in the public domain worldwide because the author died at least 100 years ago.