One Who Comes at Eventide
 | Scans of this work are available at https://archive.org/details/in.ernet.dli.2015.58422/page/n209/mode/2up.
If this work (and the scans) are in the public domain, or under a compatible licence: Please see the Beginner's guide to Index: files for details on how to upload the scans and create an Index page for them. If you would like to assist once scans have been uploaded, please see Help:Match and Split and Help:Proofread. |
I think when I am old a furtive shape
Will sit beside me at my fireless hearth,
Dabbled with blood from stumps of severed wrists,
And flacked with blackened bits of mouldy earth.
My blood ran fire when the deed was done;
Now it runs colder than the moon that shone
On shattered fields where dead men lay in heaps
Who could not hear a ravished daughter's moan.
(Dim through the bloody dawn on bitter winds
The throbbing of the distant guns was brought
When I reeled like a drunkard from the hut
That hid the horror my red hands had wrought.)
So now I fire my veins with stinging wine,
And hoard my youth as misers hug their gold,
Because I know what shape will come and sit
Beside my crumbling hearth - when I am old.
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
- For Class A renewals records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
- For other renewal records of publications between 1922–1950 see the University of Pennsylvania copyright records scans.
- For all records since 1978, search the U.S. Copyright Office records.
- See also the Rutgers copyright renewal records for further information.
Works published in 1933 would have had to renew their copyright in either 1960 or 1961, i.e. at least 27 years after they were first published/registered but not later than 31 December in the 28th year. As this work's copyright was not renewed, it entered the public domain on 1 January 1962.
The longest-living author of this work died in 1936, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 87 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
It is imperative that contributors search the renewal databases and ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse