Page. | Num- ber. |
Description. | Sec- tions. |
Composer.
|
306 | 185 | A Gigge. Dr. Bulls Myselfe. | 2 | Dr. Bull.[1] |
307 | 186 | Sr Jhon Grayes Galiard | 3 | W.B. |
307 | 187 | Praeludium | … | Dr Bull.[2] |
307 | 188 | A Toy | 2 | |
308 | 189 | Giles Farnaby's Dreame | 3 | Giles Farnaby. |
308 | 190 | His Rest. Galiard | 3 | {{{1}}}„{{{1}}}„ |
308 | 191 | His Humour | 4 | {{{1}}}„{{{1}}}„ |
309 | 192 | Fayne would I wedd | 3 | Richard Farnaby. |
309 | 193 | A Maske | 6 | Giles Farnabye. |
310 | 194 | A Maske | … | {{{1}}}„{{{1}}}„ |
310 | 195 | An Almain | 2 | |
310 | 196 | Corranto | 2 | |
310 | 197 | Alman | 2 | |
311 | 198 | Corranto | 2 | |
311 | 199 | Corranto | ||
311 | 200 | Corranto | 2 | |
311 | 201 | Dannce | 2 | |
312 | 202 | Worster Braules | 3 | Thomas Tomkins. |
312 | 203 | Fantasia | … | Giles Farnabye.[3] |
313 | 204 | A Maske | 2 | {{{1}}}„{{{1}}}„ |
314 | 205 | Praeludium | … | Dr. Bull.[4] |
314 | 206 | … | 2 | {{{1}}}„{{{1}}}„ |
314 | 207 | Martin sayd to his Man[5] | … | |
315 | 208 | Almand | 2 | William Tisdall. |
315 | 209 | Pauana Chromatica | 3 | {{{1}}}„{{{1}}}„[6] |
317 | 210 | Vt, re, mi, fa, sol, la | 23 | Dr. Bull.[7] |
321 | 211 | Gipseis Round | 7 | Wm. Byrd.[8] |
324 | 212 | Fantasia. 4 | … | Jhon Pieterson Sweeling. Organista a Amstelredä. |
327 | 213 | Corranto | 2 | 'William Byrd sett.' |
328 | 214 | Pauana. Clement Cottō. 3 | 3 | Wm. Tisdall. |
328 | 215 | Pauana. 4 | 3 | {{{1}}}„{{{1}}}„ |
329 | 216 | Corranto | 2 | |
329 | 217 | Alman | 2 | Hooper. |
329 | 218 | Corranto | 3 | |
329 | 219 | Corranto | 2 | |
330 | 220 | Corranto | 2 | |
330 | 221 | Corranto | 3 | |
330 | 222 | Alman | 3 | |
331 | 223 | Corranto | 2 | Hooper. |
331 | 224 | Fantasia. 20 | … | Giles Farnaby. |
333 | 225 | Loth to depart. 21 | 6 | {{{1}}}„{{{1}}}„[9] |
334 | 226 | '22. Fantasia' | … | {{{1}}}„{{{1}}}„ |
335 | 227 | Fantasia. 23 | … | {{{1}}}„{{{1}}}„ |
338 | 229 | {{{1}}}„ 24 | … | {{{1}}}„{{{1}}}„ |
340 | 230 | {{{1}}}„ 25 | … | {{{1}}}„{{{1}}}„ |
341 | 231 | Walter Earle's Pauen. 26 | 3 | {{{1}}}„{{{1}}}„ |
343 | 232 | {{{1}}}„{{{1}}}„ 27 | … | {{{1}}}„{{{1}}}„ |
344 | 233 | Fantasia. 28 | … | {{{1}}}„{{{1}}}„ |
346 | 234 | {{{1}}}„ 29 | … | {{{1}}}„{{{1}}}„ |
347 | 235 | L. Zouches Maske. 30 | … | {{{1}}}„{{{1}}}„ |
349 | 236 | A Grounde. 31 | 14 | {{{1}}}„{{{1}}}„ |
351 | 237 | Corranto | 2 | W. Byrd. |
352 | 238 | Vp T(ails) All. 32 | 19 | Giles Farnaby.[10] |
355 | 239 | Thomson's Medley | 7 | Edward Johnson. |
356 | 240 | Nowel's Galiard | 3 | |
357 | 241 | Tower Hill | 2 | Giles Farnaby. |
358 | 242 | Praeludium. 33 | … | {{{1}}}„{{{1}}}„ |
358 | 243 | The King's Morisco | 6 | |
359 | 244 | A Duo | … | Richard Farnaby. |
359 | 245 | Alman | 2 | |
359 | 246 | A Galliard Ground | 5 | William Inglot. |
362 | 247 | The Leaues bee greene. 2 | 13 | {{{1}}}„{{{1}}}„ W. Byrd. |
364 | 248 | Pauana | 3 | {{{1}}}„{{{1}}}„ |
365 | 249 | Galiarda | 3 | {{{1}}}„{{{1}}}„ |
366 | 250 | Pauana | 3 | {{{1}}}„{{{1}}}„ |
367 | 251 | Galiarda | 3 | {{{1}}}„{{{1}}}„ |
368 | 252 | Pauana | 3 | {{{1}}}„{{{1}}}„ |
370 | 253 | Pauana Fant(astica) | 3 | {{{1}}}„{{{1}}}„ |
370 | 254 | Galiarda | 3 | {{{1}}}„{{{1}}}„ |
371 | 255 | The Earle of Oxford's Marche | 2 | {{{1}}}„{{{1}}}„[11] |
373 | 256 | Galiarda | 3 | Jehan Oystermayre |
374 | 257 | Fantasia | … | W. Byrd.[12] |
377 | 258 | The Duchesse of Brunswick's Toye. | 2 | Dr. Bull.[13] |
377 | 259 | A Toye | 2 | |
378 | 260 | Corranto | 3 | |
378 | 261 | Corranto Lady Riche | 2 | |
378 | 262 | Corranto | 3 | |
379 | 263 | A Gigge | 4 | Giles Farnaby. |
381 | 264 | A Toye | 2 | {{{1}}}„{{{1}}}„ |
381 | 265 | The Primerose | 2 | Martin Peerson. |
382 | 266 | The Fall of the Leafe | 2 | Martin Peereson. |
383 | 267 | Farnaby's Conceit | … | Giles Farnabye. |
383 | 268 | Allemanda | 3 | |
384 | 269 | Pauana. Canon. 2 parts in one. | 3 | Wm. Byrd. |
385 | 270 | Pescodd Time | 11 | {{{1}}}„{{{1}}}„[14] |
388 | 271 | Pauana Delight | 3 | Edward Johnson. Sett by Will. Byrd. |
390 | 272 | Galiarda | 3 | Edward Johnson. Sett by Wm. Byrd. |
391 | 273 | Miserere, 3 parts | … | Dr. Bull.[15] |
393 | 274 | Tell mee, Daphne | 3 | Giles Farnaby[16] |
394 | 275 | Mal Sims | 2 | {{{1}}}„{{{1}}}„[17] |
395 | 276 | Munday's Gioy | 2 | Munday. |
396 | 277 | Rosseter's Galiard | 3 | Sett by Giles Farnaby.[18] |
397 | 278 | The Flatt Pauan | 3 | Giles Farnaby. |
398 | 279 | Pauana | 3 | {{{1}}}„{{{1}}}„[19] |
401 | 280 | Why aske you | 3 | {{{1}}}„{{{1}}}„[20] |
403 | 281 | Farmer Pauen | 3 | {{{1}}}„{{{1}}}„ |
405 | 282 | Dalling Alman | 3 | |
405 | 283 | The Old Spagnoletta | 3 | Giles Farnaby. |
406 | 284 | Lachrimae Pauan | 3 | J.D. Sett by Giles Farnaby. |
408 | 285 | Meridian Alman | 3 | Sett by Giles Farnaby.[21] |
409 | 286 | Pauana | 3 | Orlando Gibbons. |
410 | 287 | Muscadin | 2 | Giles Farnaby.[22] |
411 | 288 | Lady Montegle's Pauen | 3 | Wm. Byrd. |
412 | 289 | Galiarda 5 | 3 | Wm. Tisdall. |
413 | 290 | Fantasia | … | Giles Farnaby. |
416 | 291 | Hanskin | 5 | Richard Farnaby.[23] |
The music ends on p. 418. At the end of the volume is an index of the contents signed 'Henry Smith Richmond, scripsit, from a MS. Index in the Possession of Mr. Bartleman. 24 March, 1816.' In this pieces, copies of which occur in Lady Novell's book, are marked with an asterisk.
2. My Ladye Nevells Booke. This valuable collection of Byrd's Virginal music belongs to the Marquess of Abergavenny, in whose family it has remained since it was written. [App. p.813 "correct the statement that the book has always been in the possession of Lord Abergavenny. It formerly belonged to Burney, and was sold at his sale for £11 0s. 6d. According to Rimbault, it was at one time in his (Rimbault's) library."] It is an oblong folio volume, beautifully bound in morocco enriched with gold, green, and red, and lined with blue watered silk. On the title-page is an illuminated coat of arms and the monogram 'H. N.' The music is written on a 6-line stave in square-headed notes, and was copied by John Baldwin of Windsor, a fine volume of whose transcribing is preserved in the Queen's Library at Buckingham Palace. Hawkins, who alludes to this MS. in vol. iii. (p. 288) and vol. iv. (p. 386) of his History of Music, states that the book was given by Byrd to his scholar, Lady Nevill, but there is no evidence in support of this assertion. The MS. was examined by Mr. Chappell when
- ↑ In Ward's List.
- ↑ Ibid.
- ↑ In the margin are some words which Mr. Chappell reads 'R. Rysd silas.'
- ↑ In Ward's List.
- ↑ Chappell, p. 76.
- ↑ In the margin is written 'Mrs. Katherin Treglan's Pauen.'
- ↑ Ward calls this 'Fantasia with 23 Variations upon Ut, re, mi, fa, sol, la.'
- ↑ Chappell. pp. 171. 772.
- ↑ Ibid. pp. 173, 708, 772.
- ↑ Ibid. pp. 196, 773
- ↑ Burney says this is the same as 'The Marche before the Batell' at fol. 13b of Lady Nevell's Book.
- ↑ In the margin is written 'Vied P. Philippl scrp. la medesima fuga, pag. 158.' The subject is the same as that of Philips' Fantasia (No. 84). Against the third line is written '… (illegible) ls fuga e fuggira.'
- ↑ In Ward's List. A copy is In Cosyn's Book, p. 199.
- ↑ Chappell, p. 196. Same air as No. 59 (p. 108). See Lady Nevell's Book, fol. 46.
- ↑ In Ward's List.
- ↑ Chappell. p, 158.
- ↑ Ibid. pp. 177, 789.
- ↑ Rossiter published a volume of 'Consort Lessons' in 1609.
- ↑ In the margin is written 'Vedi Mor. 287.' This refers to a curious piece of plagiarism, section 3 of Morley's Pavan, on p. 287, being nearly identical with section 3 of Farnaby's on p. 400.
- ↑ At p. 59 of Cosyn's Book is a setting of this air signed 'B. C.,' and at fol. 95b of Add. MSS. 30,485 is another by Bull. Vide supra, p. 279.
- ↑ Vide supra, p. 222.
- ↑ The air of this is the same as that of No. 19.
- ↑ Chappell, p. 23.