Page:A Dictionary of Music and Musicians vol 4.djvu/841

INDEX.

A.

A, i. 1a; Alphabet, i. 57a.

Aalst, J. A. van; Hist. of Mus., iv. 674b.

Aaron, P., i. 1a; Catelani (A.), i. 323b; Hexachord, i. 735a; Isaac, ii. 23a; Josquin Despres, ii. 41a; Mus. ficta, ii. 413a; Mus. Lib., ii. 421a, etc.; Obrecht, ii. 489b; Strict Counterpoint, iii. 740b; Zarlino, iv. 502a; Mus. Lib., iv. 725b.

Abaco, E. F. dall', i. 1a.

A Battuta, i. 1b; Battuta, i. 157a.

Abbatini, A. M., i. 1b; Baini, i. 288b; Colonna. i. 378b.

Abbé, P. P. de St. Sevin, i. 1b.

Abbey, J., i. 2a.

Abbreviations, i. 2 a; B. i. 108a; Dot, i. 457a; Clarinet, iv. 591b.

Abegg, iv. 517a; Schumann, iii. 408a.

Abeille, J. C. L., i. 4b; PF. Mus., ii. 725b; Benedict, iv. 543a.

Abel, C. H., i. 4b.

Abel, F. L.; Mason (L.), ii. 225a.

Abel, K. F., i. 4b; Adagio, i. 27b; Banti, i. 135b; Baryton, i. 147a; Cramer, i. 413b; Gamba, Viola da, i. 580a, etc.; Hanover Square Rooms, i. 661a; Linley, ii. 144b; Mus. School, Oxford, ii. 437a; Schroeter (J. S.), iii. 318b; Symphony, iv. 14a; Cornelys, iv. 598b.

Abel, L. A., i. 5a.

Abele, H.; Hist. of Mus., iv. 676b.

Abell, J., i. 5b; iv. 517a.

Abella; Sterling (A.), iii. 711b.

Abellimenti; Improperia, ii 2a; Miserere, ii. 336b, etc.; Sistine Choir, iii. 522b.

Abert, J. J., iv. 517a; Wilder (J.), iv. 457a.

Abos, G., i. 5b; Ifigenia, i. 765b; Latrobe, ii. 102b; Paisiello, ii. 633b; Sala (N.), iii. 217b; Scarlatti (A.), iii. 239a.

Abraham, Dr.; Peters, ii. 695b.

Abrams, The Misses, i. 6a; iv. 517b; Ancient Concerts, i. 64a; Handel, Commemoration of, i. 657b.

Abranyi, K.; Magyar Mus., ii. 199a; Hist. of Mus., iv. 675b.

Abt, F., i. 6a; iv. 517b; Kücken, ii. 75a; Orpheus, ii. 613; Part-song, ii. 659a; Song, iii. 623a.

Abu Hassan, iv. 517a; Weber, iv. 396a, etc.

Abyngdon, H., i. 6b; Wydow, iv. 817a.

Academic Gazette; Mus. Periodicals, iv. 726b.

Academie de Musique, i. 6b, iv. 517b; Grand Opera, i. 616b; Habeneck, i. 643a; Lulli, ii. 172b; Opera. ii. 531b.

Academy of Ancient Music, i. 10a; iv. 517b; Arnold (S.), i. 86a; Astorga, i. 100a; Concert, i. 384a; Pepusch, ii. 684b; Steffani, iii. 698b.

Academy of Music, New York, i. 10b.

A Capella, i. 10b; Alla breve, i. 53b; Capella, i. 306b; Cherubini, i. 343b; Schools of Comp., iii. 312a; Time, iv. 118a.

A Capriccio, i. 10b.

Accademia, i. 10b; iv. 517b; Bologna, i. 259a; Este, i. 496a; Ferrara, i. 512b; Florence, i. 533a; Milan, ii. 329a; Padua, ii. 627b; Rome, iv. 774b.

Accelerando, i. 12a; Tempo, iv. 84b.

Accent, i. 12a; iv. 517b; Acciaccatura, i. 18b; Arsis and Thesis, i. 95b; Bar, i. 136b; Beat, i. 158b; Common Time, i. 381a; Metre, ii. 316b; Phrasing, ii. 706b; Rhythm, iii. 123a; Song, iii. 632a; Syncopation, iv. 44a; Tempo rubato, iv. 85b; Time, iv. 120a; Triple Time, iv. 174a.

Accent; Agrémens, i. 43a; Nachschlag, ii. 442a.

Accents, i. 17a; Gregorian Modes, i. 627a; Mass, ii. 232a; Micrologus, ii. 327b; Monotone, ii. 355a; Notation, ii. 468a; Plain song, ii. 764a, etc.; Requiem, iii. 109a; Response, iii. 116b.

Acciaccatura, i. 18b; Agrémens, i. 44a; Appoggiatura, i. 75b; Arpeggio, i. 87b; Beat, i. 158a; Grace-notes, i. 615a; Martelé, ii. 221b; Mordent, ii. 363b; Notation, ii. 477a.

Accidentals, i. 18b; iv. 517b; Alphabet, i. 57a; B, i. 107a; Bémol, i. 221a; Chromatic, i. 355b; Flat, i. 532a; H., i. 643a; Harmony, i. 671b; Key, ii. 52a; Mus. ficta, ii. 413a; Natural, ii. 447b; Signature, iii. 492b; Thoroughbass, iv. 110a; Part-writing, iv. 741b.

Accolade; Score, iii. 427a.

Accompaniment, i. 20a; iv. 517b; A capella, i. 10b;