Page:A Dictionary of Music and Musicians vol 4.djvu/980

649b; Subject, iii. 751b, etc.; Dance Rhythm, iv. 608a.

Saraceni; Begnis, i. 209b.

Saran, A.; Song, iii. 631a; Volkslied, iv. 337b; Hist. of Mus, iv. 675a.

Sarasate, M. M., iii. 227b; iv. 780a; Jota, ii. 43a; Philh. Soc., ii. 700b; Stradivari, iii. 733a; Svendsen (J. S.), iv. 7a; Violin-playing, iv. 289, etc; Guiraud (E.) iv. 661a; Lalo, iv. 695a.

Saratelli; Lotti, ii. 167b.

Sarrette; Conservatoire de Mus., i. 391b, etc.

Sarri; Metastasio, ii. 316a.

Sartarelli; Clementi, i. 372b.

Sarti, G., iii. 228a; Cherubini. i. 341b; Haydn, i. 708b; Ifigenia, i. 765b; Latrobe, ii. 103b; Marchesi (L.), ii. 214a; Martini, ii. 222a; Meister, Alte, ii. 247b; Mozart, ii. 389b; Olimpiade, ii. 496b; PF. Mus., ii. 724b; Semiramide, iii. 461a; Siroe, Re di Persia, iii. 534a; Sonata, iii. 566b; Te Deum, iv. 68b; Todi, iv. 130b.

Sarton, J.; Sistine Chapel, iv. 794a.

Sartoretti, iii. 229b.

Sartori, B.; Sistine Chapel, iv. 794a

Sartorio, A.; Opera, iii. 503b.

Sartoris, Mrs., iii. 229b; iv. 780b; Kemble, ii. 50a.

Sarum Missal; Mus. Lib., ii. 422b.

Sass, Marie; Ugalde, iv. 200b.

Satanella, iii. 229b; Balfe, i. 127b.

Sattel; Nut, ii. 485b.

Satter, G.; PF. Mus., ii. 736a; Lang (B. J.), iv. 696b.

Saturday Concerts, Crystal Palace, iii. 229b; Analysis, i. 63a; Concert, i. 384a; Manns, ii. 207a.

Saturday Popular Concerts, The, iii. 230a; Concert, i. 384a; Monday Popular Concerts, iv. 719b.

Satz. (See Movement, ii. 379a.)

Sauer and Leidesdorf, iii. 230a; Leidesdorf, ii. 114a.

Saul, iii. 230a; Handel, i. 651a.

Sauret, E., iii. 230a; Philh.Soc., ii. 700b; Violin-playing, iv. 296a.

Sautereau; Jack, ii. 26a.

Sauters. (See Pinto, G. F., ii. 754a.

Sauveur, J.; Metronome, ii. 318b.

Sauzay, C. E., iii. 230b.

Savage, R.; Stevens, iii. 712b.

Savage, W.; Arnold (S.), i. 86b; Battishill, i. 156a.

Savard; Gr. Prix de Rome, iv. 654b; Lenepveu, iv. 699b.

Savart, F., iii. 231a; Timbre, iv. 117a; Vuillaume, iv. 341a.

Savary; Bassoon, i. 152a; Oboe di Caccia, ii. 489b.

Savetta, A.; Bodenschatz, i. 253b.

Savile, J., iii. 231a; Fa-la, i. 501a; Part Mus., ii. 656b; Waits, The, iv. 375a.

Savonarola, iv. 780b; Stanford, iv. 796b.

Savoy. (See Old Hundredth, The, ii. 496a.)

Savoy Chapel Royal, iii. 231a.

Sax, iii. 233b; Bass-clarinet, i. 149b; Clarinet, i. 362b; Comettant, i. 379b; Piston, ii. 757a; Wind-band, iv. 468a, etc.; Saxophone, iv. 780b.

Saxhorn, iii. 233a; Althorn, i. 57b; Baritone, i. 139b; Bass Tuba, i. 150b; Bombardon, etc., i. 259b; Euphonium, i. 497b; Instrument, ii. 6a; Niedermeyer, ii. 455b; Sommerophone, iii. 553b; Tuba, iv. 183a.

Saxophone, iii. 233b; iv. 780b; Mouthpiece, ii. 378b; Windband, iv. 469b; Wotton, iv. 490a.

Saynète, iii. 234a.

Sbacci, G.; Zenobia, iv. 506a.

Sbolci; Mancinelli, iv. 709a.

Sbriglia; De Reszke (J.), iv. 612a.

Scacchi; Hawkins, i. 700b.

Scafati, D.; Williams (Anna), iv. 459b.

Scala, La, iii. 234a.

Scalchi, Sofia, iii. 235a.

Scalds; Song, iii. 600b.

Scale, iii. 235b; A, i. 1a; Accidentals, i. 19a; Alphabet, i. 57a; Ascending Scale, i. 97a; B, i. 107a; Bagpipe, i. 124a, etc.; C, i. 289a; D, i. 426a; E, i. 478a; F, i. 500a; G, i. 571a; Gamut, i. 580b; Harmonics, i. 664a; Helmholtz, i. 727b; Hexachord, i. 733b; Interval, ii. 11b; Irish Music, ii. 19b, etc.; Key, ii. 51b, etc.; Leading Note, ii. 109a; Magyar Music,ii. 197b; Notation, ii. 476a; Note, ii. 479a; Organum, ii. 610a; Proportion, iii. 43a; Register, iii. 94a; Scotish Mus., iii. 444a, etc.; Semitone, iii. 460b; Solmisation, iii. 549b; Song, iii. 612a, etc.; Tetrachord, iv. 94a; Vicentino, iv. 261a; Ellis (A. J.), iv. 627a; Guido d'Arezzo, iv. 660a; Harmonic Minor, iv. 666b; Negro Mus., iv. 728b; Pentatonic Scale, iv. 745b.

Scaliger; Harpsichord, i. 688b.

Scalzi; Durastanti, i. 471b.

Scandelli, A.; Programme Mus., iii. 35a; Schütz, iv. 787b.

Scandinavian Music; Afzelius, i. 41b; Song, iii. 608b, etc.; Hist. of Mus., iv. 675b.

Scappa; Pasta, ii. 688a.

Scaramuccia, iii. 237a; iv. 781a; Ricci (L.), iii. 125b.

Scaria, E., iii. 237b; iv. 781a; Wagner, iv. 365a.

Scarlatti, A., iii. 237b; iv. 781a; Air, i. 47a; Cantata, i. 305a, etc.; Carissimi, i. 314b; Corelli, i. 401b; Cotumacci, i. 407b; Durante, i. 471a, etc.; Epine, De l', i. 490b; Feo, i. 511b; Franciscello, i. 559a; Galuppi, i. 579b; Gasparini, i. 583b; Geminiani, i. 587a; Grecco, i. 624a; Harmony, i. 680a; Hasse (J. A.), i. 694b; Haym, i. 723a; Horn, i. 748b; Jommelli, ii. 36b; Klavier Mus., Alte, ii. 63a; Leo, ii. 121a; Mass, ii. 233b; Motet, ii. 376a; Mus. Lib., ii. 420a, etc.; Naples, ii. 445a, etc.; Nicolini (N. G.), ii. 454a; Notation, ii. 477a; Opera, ii. 504a, etc.; Oratorio, ii. 537a, etc.; Orchestra, ii. 562b; Overture, ii. 620a; Part Mus., ii. 656b; Pergolesi, ii. 687b; Practical Harmony, iii. 24a; Prince de la Moskowa, iii. 31b; Quantz, iii. 56a; Recitative, iii. 85a; Rochlitz, iii. 142a; Saggio di Contrappunto, iii. 212a; Schools of Comp., iii. 279b, etc.; Solfeggio, iii. 547b; Specimens, Crotch's, iii. 649b; Steffani, iii. 694b; Symphony, iv. 11b, etc.; Burney, iv. 571a; Metastasio, iv. 718a; Mus. Lib., iv. 726a; Part-writing, iv. 741a; Rome, iv. 773b; Sistine Chapel, iv. 794a.

Scarlatti, D., iii. 239a; iv. 781a; Bülow, i. 280b; Cantata, i. 305a; Form, i. 543b,