Page:A Dictionary of Music and Musicians vol 4.djvu/985

nini, ii. 631b; Tablature, iv. 48a; Violin, iv. 278b.

Score, iii. 426b; Abbreviations, i. 4a; Accompaniment, i. 20b, etc.; Additional Accompaniments, i. 30b; A Due, i. 38a; All' Ottava, i. 56a; All' unisono, i. 56a; B, i. 108a; Fétis (F. J.), i. 517b; Notation, ii. 475a; Opera, ii. 500b; Orchestration, ii. 572b; Partition, ii. 656a.

Score, Arranging from, iii. 434a.

Score, Playing from, iii. 435b; Transposition, iv. 161b.

Scoring, iii. 437a.

Scotch Snap, iii. 437b; Scotish Mus., iii. 448a; Strathspey, i. 735a; Negro Mus., iv. 728b.

Scotch Symphony, The, iii. 437b; Mendelssohn, ii. 264a, etc.

Scotish Music, iii. 438a; iv. 791b; Beethoven, i. 188b; Dauney, i. 431b; Gow, i. 615a; Graham, i. 616b; Haydn, i. 715a; Mudie, ii. 407a; Skene Manuscript, iii. 523b, etc.; Smith (R. A.), iii. 541a, etc.; Specimens, Crotch's, iii. 648b; Strathspey, iii. 735a; Thomson (G.), iv. 106a; Coronach, iv. 599a; Dun (Finlay), iv. 619a; Hist. of Mus., iv. 674b; Lambeth (H.), iv. 696a; Pentatonic Scale, iv. 745b.

Scotson Clark, Rev., iii. 452b.

Scott, J., iii. 452b.

Scott, J. and H.; Irish Mus., ii. 19a.

Scottish Musical Society, The, iii. 452b.

Scribano, J.; Schools of Comp., iii. 263a, etc.; Sistine Choir, iii. 520b; Sistine Chapel, iv. 794a.

Scribe, E., iii. 453a; iv. 792a; Academic de Mus., i. 9b; Auber, i. 102b; Libretto, ii. 130a; Mendelssohn, ii. 289b; Meyerbeer, ii. 323a, etc.

Scudo, P., iii. 453b; Hérold, i. 732b; Mus. Periodicals, ii. 429a; Song, iii. 593a, etc.

Seagar, F.; Psalter, iv. 753b.

Seasons, The, iii. 453b; Haydn, i. 714a, etc.

Sebald, A., iii. 454a; Beethoven, i. 190a.

Sebald, Auguste, iii. 454b.

Sebastiani, J.; Passion Mus., ii. 665b.

Secanilla, F.; Eslava, i. 495a.

Secchi; Milan, ii. 329a.

Secco Recitative, iii. 454b; Opera, ii. 504a, etc.; Opera Buffa, ii. 530b; Operetta, ii. 531b; Recitative, iii. 83b, etc.; Rossini, iii. 176a.

Sechter, S., iii. 455a; Bagge, i. 123a; Bibl (R.), i. 241a; Blumenthal, i. 250b; Dragonetti, i. 462a; Ecclesiasticon, i. 481b; Kéler Béla, ii. 49a; Kucken, ii. 75a; Lachner (F.), ii. 81b; Nottebohm, ii. 479a; Pauer, ii. 674b; PF. Mus., ii. 727b; Pohl (C. F.), iii. 5a; Preyer, iii. 30a; Rappoldi, iii. 76b; Richter (H.), iii. 128b; Schubert, iii. 353a; Siboni (E. A. W.), iii. 491a; Sucher, iii. 754b; Thalberg, iv. 95a; Vieuxtemps, iv. 262b; Bruckner, iv. 566a; Vaterländische Künstlerverein, iv. 808a; Vesque von Püttlingen, iv. 811b.

Second, iii. 456a.

Secondo, iii. 456b.

Section; Air, i. 47a; Double Bar, i. 457b; Figure, i. 520b; Form, i. 542a.

Sedie, E. Delle, iii. 456b; Philh. Soc., ii. 700a.

See, the Conquering Hero comes, iii. 456b; iv. 792a; Joshua, ii. 40a; Judas Maccabseus, ii. 44a.

Seegner; Ecclesiasticon, i. 482a.

Seeling, H.; PF. Mus., ii. 734a; PF.-playing, ii. 745b.

Segert; Gelinek, i. 587a.

Segno, iii. 457a.

Segue, iii. 457a; Abbreviations, i. 3b.

Seguidilla, iii. 457a; Fandango, i. 502a; Song, iii. 598b, etc.; Tirana, iv. 128b.

Seguin, A. C., iii. 458a.

Seguin, E., iii. 457b.

Seguin, Elizabeth; Parepa-Rosa, ii. 648b.

Seguin, W. H., iii. 458a.

Sehnsucht, iii. 458a.

Seidel; Spontini, iii. 674b.

Seidl, A., iv. 792a.

Séjan; Léfebure-Wély, ii. 112a; Maîtrise, ii. 200a.

Seligmann; Offenbach, ii. 493a.

Sellenger's Round; Hawkins, i. 700b.

Sellerié, M.; Pacini (G.), ii. 627a.

Selmer, J.; Song, iii. 611a.

Selnecker, N.; Chorale, iv. 589b.

Sembrich, M., iii. 458b; Philh. Soc., iv. 746b.

Semele, iii. 458b; Handel, i. 651b.

Semet, T., iii. 459a; Orphéon, ii. 612b.

Semibreve, iii. 459a; Dot, i. 455b; Notation, ii. 471a, etc.; Franco (of Cologne), iv. 641a.

Semichorus, iii. 460a.

Semicroma, iii. 460a; Notation, ii. 471a, etc.

Semifusa, iii. 460a; Notation, ii. 471a.

Semiminima, iii. 460a; Hemiolia, i. 727b; Notation, ii. 471b.

Semiquaver, iii. 460b; Notation, ii. 471a.

Semiramide, iii. 461a; Rossini, iii. 170a, etc.

Semitone, iii. 460b; Accidentals, i. 18a; Appoggiatura, i. 75a; Basset-horn, i. 150b; Bassoon, i. 152b; Chromatic, i. 355b; Clarinet, i. 360b; Clavichord, i. 368a; Flat, i. 532a; Flute, i. 537a; Gregorian Modes, i. 626a; Harmony, i. 672a, etc.; Harp, i. 686b; Harpsichord, i. 691b; Hexachord, i. 733b; Horn, i. 749a; Interval, ii. 11b; Key, ii. 51b; Keys, ii. 56a; Lute, ii. 176b; Major, ii. 200a; Minor, ii. 333a; Modes, Eccles., ii. 341b; Modulation, ii. 345a; Musica Ficta, ii. 412b, etc.; Natural, ii. 448a; Notation, ii. 476a, etc.; Oboe, ii. 486b; Organ, ii. 579a; Pitch, ii. 757b; Scale, iii. 237a; Scotish Mus., iii. 445a; Sharp, iii. 485a; Shift, iii. 487b; Signature, iii. 492b; Solmisation, iii. 549b, etc.; Spinet, iii. 653a; Tablature, iv. 49a; Temperament, iv. 71b; Tetrachord, iv. 94b; Transposing Instruments, iv. 160a; Trombone, iv. 177a; Trumpet, iv. 182a; Tuning, iv. 188a; Violin, iv. 279a.

Semler, F. X., iii. 461a.

Semler, S., iii. 461a.

Semon, F.; Song, iii. 630b.

Semplice, iii. 461a.

Sempre, iii. 461b.

Senaillé; Violin-playing, iv. 289.

Senefelder; André (J. A.), i. 66a; Breitkopf und Härtel, i. 273a.