Kings may encore; that is quite another matter; it delights everybody to see that the king is pleased; and as to the actor encored, his pride and gratification are simply boundless. Still, there are circumstances in which even a royal encore—
But it is better to illustrate. The King of Bavaria is a poet, and has a poet's eccentricities—with the advantage over all other poets of being able to gratify them, no matter what form they may take. He is fond of the opera, but not fond of sitting in the presence of an audience; therefore, it has sometimes occurred, in Munich, that when an opera has been concluded and the players were getting off their paint and finery, a command has come to them to get their paint and finery on again. Presently the king would arrive, solitary and alone, and the players would begin at the beginning and do the entire opera over again with only that one individual in the vast solemn theatre for audience. Once he took an odd freak into his head. High up and out of sight, over the prodigious stage of the court theatre is a maze of interlacing water-pipes, so pierced that in case of fire, innumerable little thread-like streams of water can be caused to descend; and in case of need, this discharge can be augmented to a pouring flood. American managers might make a note of that. The King was sole audience. The opera proceeded, it was a piece with a storm in it; the mimic thunder began to mutter, the mimic wind began to wail and sough, and the mimic rain to patter. The King's interest rose higher and higher; it developed into enthusiasm. He cried out,—
"It is good, very good indeed! But I will have real rain! Turn on the water!"
The manager pleaded for a reversal of the command; said it would ruin the costly scenery and the splendid costumes, but the king cried,—
"No matter, no matter, I will have real rain! Turn on the water!"
So the real rain was turned on and began to descend in gossamer lances to the mimic flower beds and gravel walks