Page:A Dictionary of Music and Musicians vol 3.djvu/210

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198

��RUCKERS.

��A'o.

�Form.

�Date.

�Dimensions.

�General Descriptions.

�Present Owner.

�Source of inform-

� � � �ft. in. ft. in.

� � � �16

�Bent side.

�1627

�6 o by 2 7i

�1 original keyboard ; 4^ Oct., C E ; white natu-

�M. Vander Straeten

�E. Vander Straeten,

� � � � �rals ; 2 stops ; Rose No. 4 ; painting inside top,

�Brussels.

� � � � � �drawn in ' La Musique auz Pays-Bas,' tome 3.

� � � � � � �Inscribed as No. 15, and MUSICA DONUM DEI.

� � �W

�Oblong.

�1628

�59 by 1 7$

�1 keyboard; 4$ oct., C F, without lowest C#;

�M. Lon Jouret, Brus-

�V. Mahillon.

� � � � �appears to have been extended by the maker

�sels.

� � � � � �from 3J oct., E C. A sourdine ' a genouillere.'

� � �IS

�Bent side.

�1630

�4 10 ^ by 2 10

�2 keyboards ; 4J oct., G E ; black naturals ;

�Baroness James de

�Georges Pfeiffer.

� � � � �painting inside top said to be by Lancret. In-

�Rothschild, Paris.

� � � � � �scribed JOANNES BUCKERS ME FECIT ANTVEB-

� � � � � � �PIAE. Case and top black and gold lacquer.

� � � � � � �Chinese. Drawn In ' L' Illustration 13 March,

� � � � � � �1858, and as frontispiece to Chevalier de Bur-

� � � � � � �bure's pamphlet.

� � �19

�Bent side.

�1632

�82 by S 3

�2 keyboards ; 5 oct. and 1 note, F G ; white

�M. Snoeck, Renaix.

�C. Meerens.

� � � � �naturals ; 4 stops ' a genouillere.' Bose No. 3.-

� � �20

�Bent side.

�1637

�6 1 by 2 94

�1 keyboard ; 4>j oct.. A F ; white naturals. In-

�John Callcott Horsley,

�J. C. Horsley.

� � � � �scribed as No! 18, with date.

�Esq.. R.A., London.

� �21

�Oblong.

�1638

�59 by 1 7

�1 keyboard; 4 oct., etc,, C D ; white naturals.

�M. Snoeck, Renaix.

�C. Meerens.

� � � � �Inscribed as No. 15, with date, and MUSICA

� � � � � � �MAONORUM EST SOLAMEN DULCB LABOKUM.

� � � � � � �Rose No. 2.

� � �22

�Bent side.

�1639

�5 9 by 2 7i

�1 keyboard ; no keys ; 4 stops ; Rose No. 4 ; black

�South Kensington Mu-

�A. J. Hipkins.

� � � � �and gold case.

�seum (gift of Messrs.

� � � � � � �Kirkman).

� �23

�Bent side.

�1642

�7 4* by 2 8

�2 keyboards ; 4$ oct., B-D ; 4 stops at the side as

�F. R. Leyland, Esq.,

�A. J. Hipkins.

� � � � �originally placed ; Rose No. 4 ; paintings.

�London.

� �24

�Bent side.

�Un-

�7 11 by 3

�2 keyboards ; 5 oct.. F F ; painted outside by

�Musee du Conserva-

�G. Chouquet.

� � �dated

� �Teuiers or Brouwer, inside by Breughel and

�toire, Paris (Clapis-

� � � � � �PaulBril. Rose No. 3.

�son Collection).

� �25

�Bent side.

� �71 by 2 7

�1 keyboard ; 4 oct., G D ; black naturals ; Rose

�Musee de 1'Hotel de

�A. J. Hipkins.

� � � � �No. 4 ; blackwood case with incrusted ivory; ac-

�Cluny, Paris. Cat.

� � � � � �cording to M. du Sommerard, Italian work.

�1875, No. 2825.

� �20

�Bent side.

� �511 by 2 54

�2 keyboards ; each 3g oct., E C ; black naturals ;

�M. Snoeck, Renaix.

�C. Meerens.

� �with oblong

� � �2 stops to the bent side instrument and Rose

� � � �clavecin at-

� � �No. 4 ; to the oblong one, Rose No. 2 ; superbly

� � � �tached.

� � �painted. The two instruments together form

� � � � � � �an oblong square.

� � �27 28

�Bent side. Bent side.

�...

�5 11 by 2 74 60 by 2 7

�4 oct., C E ; white naturals ; superb paintings. 1 original keyboard, 44 oct., C F ; 5 keys added

�M. Snoeck, Renaix. M. Regibo, Renaix.

�C. Meerens. A. Regibo

� � � � �in treble ; white naturals ; 3 stops ; Rose No. 2 ;

� � �29

�Bent side.

� � �painting of Orpheus playing a bass viol. 1 original keyboard ; \\ oct., C F ; 4 keys added

�M. Regibo, Renaix.

�A. Regibo.

� � � � �in treble ; Rose No. 3, cut in hard wood.

� � ��III. ANDRIES RUCKERS DE OUDE (the Elder).

��so

�Oblong.

�1613

�3 84 by 1 44

�1 keyboard ; 4 oct., C-C ; white naturals. In-

�Musee du Conserva-

�V. Mahillon.

� � � � �scribed ANDREAS RUCKERS ME FECIT ANTVER-

�toire, Brussels.

� � � � � �PIAE, 1613. Belonged to the clavecinist and

� � � � � � �carilloneur, Matthias Vanden Gheyn, who put

� � � � � � �his mark upon it in 1740.

� � �31

�Bent side.

�1614

�76 by 8 8

�2 keyboards, not original ; 4$ Oct., A E ; white

�Colonel Hopkinson,

�A. J. Hipkins.

� � � � �naturals ; buff leather, lute and octave stops ;

�London.

� � � � � �pedal, not original ; case veneered last century.

� � � � � � �Inscribed as No. 30. Rose No. 6. Painting inside

� � � � �IfflK

�4 A Xw

�top attributed to Van der Meulen.

� �LcSon de Burbure.

�32

�Bent side.

�lolO

�DJ

�DISCORDIA . MAXIMAE . DIL ABUNT U R ; was in the

� �p. 26.

�33

�Bent side.

�1618

�74 by 2 10

�Collegiate Church of St. Jacques, Antwerp. 4i oct., C F ; white naturals. Inscribed SOLI

�M. Snoeck, Renaix.

�C. Meerens.

�34

�Bent side.

�1619

�8 104 by 2 10

�"DEO GLORIA. 2 keyboards ; 5 oct., C C ; the lowest note 8ve.

�M. Regibo, Renaix.

�A.Beglbo,

� � � � �below cello C ; belly gilt and diapered in Moor-

� � � � � � �ish style ; painting of Orpheus outside. In-

� � �35 36

�Bent side. Oblong.

�1620 1620

�5 10 by 2 8 4 1 by 1 3

�scribed as No. 30, with date. Hose No. 5. 4 oct., C F ; white naturals ; 4 stops. 1 keyboard ; S3 oct., E-C ; white naturals. In-

�M. Snoeck, Benaix. M. Alfred Campo, Brus-

�C. Meerens. V. Mahillon.

� � � � �scribed as No. 30, and inside the top Sic TRAN-

�sels.

� � � � � �SIT GLORIA MUNDI.

� � �37

�Oblong.

�1623

�5 74 by 1 74

�1 keyboard ; 4 oct., C C ; white naturals. In- scribed as No. 30, with date.

�MM. Victor and Joseph Mahillon. Brussels.

�V. Mahillon.

�38

�Bent side.

�1623

�79 by 3 1

�2 keyboards ; 5 oct., F F ; white naturals ; 3

�Dr. Hullah. London.

�H. Holiday.

� � � � �stops ; pedal not original ; case veneered last

� � � � � � �century. Rose No. 6.

� � �39

�Bent side.

�1624

�80 by 210

�5 oct., F F ; 3 stops. Inscribed MusiOA LAE-

�Mus&s Archeologique,

�V. Mahillon.

� � � � �TITIAE COMES, MEDICINA DOLORUM.

�Bruges.

�E. Vander Straeten.

�40

�Oblong.

�1626

�4 by 3 1$

�added in the last century. Inscribed as No. 30,

� � � � � � �and inside top as No. 36. The stand a row of

� � � � � � �five balusters.

� � �41

�Oblong.

�1632

�58 by 1 74

�1 original keyboard to right hand of front ; 4j

�M. Bi'-gibo, Benaix.

�A. Regibo.

� � � � �oct., C F ; white naturals. Inscribed inside

� � � � � � �top MUSICA . MAQNORUM . SOLAMEX . DULCE .

� � � � � � �LABORUM. Rose No. 6.

� � �42

�Oblong.

�1633

�2 14 by 1 6

�1 original keyboard to left hand of front ; 4. oct..

�M. Bi'gibo, Renaix.

�A. Regibo.

� � � � �C F ; white naturals. Inscribed ANDREAS

� � � � � � �RUCKERS FECIT ANTVERPIAE. Hardwood jacks

� � � � � � �of double thickness ; painting inside top.

� � �43

� �1634

� �Rose No. 6. Inscribed ANDREAS RUCKEBS ANTVERPIAB.

�In a Tillage in Flanders.

�E. Vander Straeten,

�� �� �