SCHUBERT.
375
3. Mixed Voices. (continued.) |
No. | Voices. | Peters ed. (1045) |
Herbeck- Spina.
|
Begräbnisslied, PF. | 9 Ge. 8 | 4 | ||
Benedictus es Domine, Orch. | Op. 150 | 4 | i. 92 | ii. 13 |
Cantata (Spendou), Orch. | Op. 128 | 4 | i. 31 | |
Chor der Engel (Faust) | . . . | 4 | i. 122 | |
Constitutionslied, Orch. | Op. 157 | 4 | i. 107 | |
Des Tages Weihe. PF. | Op. 146 | 4 | i. 85 | ii. 12 |
Deutsche Messe & Lord's Prayer, Org. (in F) | Gotth. | 4 | ||
Gebet ('Du Urquell'). PF. | Op. 130a | 4 | i. 75 | ii. 11 |
Gott der Weltschöpfer, PF. | Op. 112, 2 | 4 | i. 23 | |
Gott im Ungewitter, PF. | Op. 112, 1 | 4 | i. 16 | |
Hirtenchor (Rosamunde), Orch. | Op. 26. 4 | 4 | i. 6 | ii. 2 |
Hochzeitsbraten, der | Op. 104 | 4 | ||
Hymne an d. Unendlichen, PF | Op. 112, 3 | 4 | i. 26 | |
Jägerchor (Rosamunde), Orch. | Op. 26, 2 | 4 | i. 2 | ii. 1 |
Lebenslust, PF. | 9 Ge. 7 | 4 | ||
Osterlied ('Ueberwunden'), PF. | 9 Ge. 9 | 4 | ||
Psalm xcii | . . . | 1 & 4 | i. 118 | |
Salve Regina, Org. | . . . | 4 | ||
Tantum ergo, Orch. | Op. 45 | 4 | i. 12 | ii. 3 |
3. Works for the Stage. (18.)
O. = Opera. Opt. = Operetta. Dr. = Drama. S. = Singspiel. Mel. = Melodrama
Title. | Desc. | Acts. | Date. | Op. etc. |
Des Teufels Lustschloss | Opt. | 3 | Sept. 13–Oct. 12, 1814 | MS. |
Die vierjährige Posten | S. | 1 | May8–19, 1815 | MS. |
Fernando | S. | 1 | July 1815 | MS. |
Claudine v. Villabella (Fragm.) | S. | 3 | July 26, 1816 | MS. |
Der Spiegelritter | Opt. | 3 | 1815 | MS. |
Adrast (Fragm.) | O. | . | 1815 | MS. |
Die Freunde v. Salamanka | S. | 2 | Dec. 31, 1815 | |
Die Burgschaft (Fragm.) | O. | 3 | May 1816 | |
Die Zwillingsbrüder | Posse | 1 | Jan. 1819 | PF. |
Die Zauberharfe | Mel. | 3 | 1820 | MS. |
Sakontala (Fragm.) | O. | 3 | Oct. 1820 | MS. |
Alfonso u. Estrella1 | O. | 3 | Sept. 20. 1821–Feb. 27. 1822 | Op. 69 |
Die Verschworenen, or Der häusliche Krieg | Opt. | 1 | Ap. 1823 | PF. |
Fierabras | O. | 3 | May 25–Oct. 23, 1823 | MS. |
Rosamunde | Dr. w. music | 4 | Dec. 23, 1823 | Op. 25 |
Der Graf v. Gleichen (Sketch in Score) | O. | 3 | 1827 | MS. |
Die Salzbergwerke (Do.) | O | | Not known | MS. |
Der Minnesänger | S. | | Not known | MS. |
1 Revised by Capellmeister Johann Fuchs, and published by Schlesinger, 1882.
4. Sacred Works. (8)
| Key. | Date. | Opus. | Publisher. |
Mass 1 | F | 1814 | … | PF score. Augener (Prout), Novello; Peters |
{{{1}}}„2 | G | 1815 | … | Do. |
{{{1}}}„3 | B♭ | 1815 | Op. 41 | Do. |
{{{1}}}„4 | C | 1818 | Op. 48 | Do. |
{{{1}}}„5 | A♭ | 1819–22 | Do. Full score. Schreiber | |
{{{1}}}„6 | E♭ | 1828 | Do. Full do. B. Biedermann | |
Miriamssiegungesang | Mar. 1828 | Op. 136 | Senff, Peters, Novello. | |
Lazarus, Fragm. | Feb. 1820 | … | Spina, Peters. |
5. String Quartets.
No. | Key. | Date. | Opus No. or Publisher. |
1 | ? | 1811 | MS. |
2 | B♭ | 1812 | MS. |
3 | C | {{{1}}}„ | MS. |
4 | D | {{{1}}}„ | MS. |
5 | C | 1813 | MS. |
6 | B♭ | {{{1}}}„ | MS. |
7 | E♭ | {{{1}}}„ | MS. |
8 | D | {{{1}}}„ | MS. |
9 | D | 1814 | Peters, No. 796 (8) |
10 | Cm | {{{1}}}„ | MS. |
11 | B♭ | {{{1}}}„ | MS. |
12 | B♭ | {{{1}}}„ | Op. 168 |
13 | Gm | 1815 | Peters, No. 796 (7) |
14 | F | 1816 | MS. |
15 | Cm | 1820 | MS. |
16 | E♭ | 1824 | Op. 125, No. 1 |
17 | E | {{{1}}}„ | Op. 125, No. 2 |
18 | Am | {{{1}}}„ | Op. 29 |
19 | Dm | 1825 or 6 | Czerny |
20 | G | 1826 | Op. 161 |
6. Symphonies.
b. = begun. e. = ended.
No. | Key. | Date. | Place. | MS. or Publisher. |
1 | D | e. Oct. 28, 1813 | Convict, Vienna | MS. |
2 | B♭ | b. Dec. 10, 1814 e. Mar. 24, 1815 |
Vienna | MS. |
3 | D | b. May 24, 1815 | Do. | MS. |
4 | Cm | April 1816 | Do. | MS. |
"Tragische" | Score of Andante, and PF. arr. of Symphony, 4 hds. Peters, No. 766. | |||
5 | B♭ | b. Sept. 1816 e. Oct. 3, 1816 |
Do. | MS. Arr. PF. 4 hds. Peters, 787 |
6 | C | e. Feb. 1818 | Do. | MS. |
7 | E | b. Aug. 1821, sketch |
Do. | MS. (see pp. 334, 335) |
8 | Bm | b. Oct. 30, 1822 Allegro and Andante, and 9 bars Scherzo |
Do. | Spina, score and PF. arr. 4 hds. |
9 | ? | Aug. 1825 | Gasteln | MS. has disappeared |
10 | C | b. March 1828 | Vienna | B. & H., score and PF. arr. 4 hds. |
7. Pianoforte Sonatas.
No. | Key. | | Date. | Op. No. etc. |
1 | E | 2 hands | Feb. 11. 1815 | MS. |
2 | E | {{{1}}}„ | Feb. 18. 1815 | MS. |
3 | F | {{{1}}}„ | 1815 | MS. |
4 | C | {{{1}}}„ | {{{1}}}„ | MS. |
5 | F | {{{1}}}„ | 1816 | MS. |
6 | Em | {{{1}}}„ | June 1817 | MS. |
7 | B | {{{1}}}„ | Aug. 1817 | Op. 147 |
8 | Am | {{{1}}}„ | 1817 | Op. 164 |
9 | E♭ | {{{1}}}„ | {{{1}}}„ | Op. 122 |
10 | Fm | {{{1}}}„ | {{{1}}}„ | MS. |
11 | A♭ | {{{1}}}„ | {{{1}}}„ | MS. |
12 | C | {{{1}}}„ | 1818 | MS. |
13 | F | {{{1}}}„ | {{{1}}}„ | MS. |
14 | Am | {{{1}}}„ | Feb. 1823 | Op. 143 |
15 | B♭ | 4 hands | May or June, 1824 | Op. 30 |
16 | C | {{{1}}}„ | June 1824 | Op. 140 |
17 | Am | 2 hands | Early 1825 | Op. 42 |
18 | D | {{{1}}}„ | 1825 (?) | Op. 53 |
19 | {{{1}}}„ | 1825 (?) | Op. 120 | |
20 | G Fant. | {{{1}}}„ | 1826 | Op. 78 |
21 | Cm | {{{1}}}„ | Sept. 1828 | Diabelli |
22 | A | {{{1}}}„ | {{{1}}}„ | Do. |
23 | B♭ | {{{1}}}„ | Sept. 26, 1828 | Do. |
24 | Em | 4 hands | 1828 | MS. |