SCHUBERT.
381
| Name. | Key | Opus No. or Publ. |
Date.
| |
| 823 | 12 Grätzer Waltzer | . | Op. 91 | September |
| 835 | Grätzer Galoppe | . | Hasl. | {{{1}}}„ |
| 836 | Winterreise, nos. 13–24 (Müller) | . | Op. 89, 13–24 | Oct. |
| 848 | Kindermarsch, PF., 4 hands | G | Gotth. | Oct. 12 |
| 849 | Trio no. 1, PF., V., Cello | B♭ | Op. 99 | October (?) |
| 850 | Altschottische Ballade (Herder) | . | Op. 155, 5 | November |
| 851 | Der Wallenstelner Lanzknecht (Leitner) | . | Lf. 27, 1 | {{{1}}}„ |
| 852 | Der Kreuzzug (Do.) | . | Lf. 27, 2 | {{{1}}}„ |
| 853 | Des Fischers Liebesglück (Do.) | . | Lf. 27, 3 | {{{1}}}„ |
| 854 | Trio no. 2. PF., V., Cello | E♭ | Op. 100 | {{{1}}}„ |
| 855 | A la bella Irene. Cantata, 2 PFs. | . | MS. | Dec. 26 |
| 856 | Deutsche Messe, à 4 M. | A♭ | Spina | 1827 |
| 857 | Song of Annot Lyle (W. Scott) | . | Op. 85, 1 | {{{1}}}„ |
| 858 | Norna's Song (Do.) | . | Op. 85, 2 | {{{1}}}„ |
| 859 | Der Hochzeitsbraten. Trio | . | Op. 104 | {{{1}}}„ |
| 860 | L'incanto | . | Op. 83, 1 | {{{1}}}„(?) |
| 861 | Il traditor | . | Op. 83, 2 | {{{1}}}„(?) |
| 862 | Il modo | . | Op. 83, 3 | {{{1}}}„(?) |
| 863 | Phantasie, P.F. & V. | G | Op. 159 | {{{1}}}„(?) |
| 1828. [31 years old.] | ||||
| 864 | Die Sterne (Leitner) | . | Op. 96, 1 | January |
| 865 | Der Winterabend (Do.) | . | Lf. 26 | {{{1}}}„ |
| 866 | Miriam's Siegesgesang, Oratorio | . | Op. 138 | March |
| 867 | Auf dem Strom (Rellstab), Sop. & Horn | . | Op. 119 | {{{1}}}„ |
| 868 | Symphony no. 10, Orchestra | C | B. & H. | March |
| 869 | Characteristic Allegro, 'Lebenstürme.' PF., 4 hands | Am | Op. 144 | May |
| 870 | Hymn (Schanidl), 4 Solos à Chorus (see no. 885) | . | Op. 154 | {{{1}}}„ |
| 871 | Wiederschein (Schlechta) | . | Lf. 15, 2 | {{{1}}}„ |
| 872 | Allegro, PF. | E♭m | Biet.-B. | {{{1}}}„ |
| 873 | Allegretto, PF. | E♭ | {{{1}}}„ | {{{1}}}„ |
| 874 | Fugue, PF., 4 hands | Em | Op. 152 | 'June 3 |
| 875 | Rondo ('Grand Rondeau'), PF., 4 hands | A | Op. 107 | June |
| 876 | Mass no. 5, à 4 with Orch. | E♭ | Biet.-B. | July |
| 877 | Psalm xcii. Bar. à 4 M. | . | Gotth. | August |
| 878 | Schwanengesang, nos. 1–13 | . | Hasl. | Sept. 28 |
| 879 | Sonata, PF. | B♭ | {{{1}}}„ | September |
| 880 | Do. | Cm | {{{1}}}„ | {{{1}}}„ |
| 881 | Do. | A | Diabelli | October |
| 882 | Die Taubenpost (Seidl) | . | Schw. 14 | {{{1}}}„ |
| 883 | Benedictus to Mass in C (no. 549) | C | Op. 48, no. 7 | {{{1}}}„ |
| 884 | Der Hirt auf den Felsen (Chezy), Sop. & Clar. | . | Op. 129 | {{{1}}}„ |
| 885 | Rearrangement and Orchestration of Hymn no. 870 | . | Op. 154 | 1828 |
| 886 | String Quintet (2 Celli) | C | Op. 163 | {{{1}}}„ |
| 887 | Tantum ergo | E♭ | MS. | |
Pieces without date of month or year.
| Name. | Key | Opus No. or Publ. | |
| 888 | Morgenlied (Werner) | . . | Op. 4, 2 |
| 889 | Die abgeblühte Linde (Széchényi) | . . | Op. 7, 1 |
| 890 | Der Flug der Zeit (Do.) | . . | Op. 7, 2 |
| 891 | Der Tod u. d. Mädchen (Claudius) | . . | Op. 7, 3 |
| 892 | 18 Original Tänze. PF. | . . | Op. 9, 1, 3, 4, 14–28 |
| 910 | Das Dörfchen (Bürger), à 4 | . . | Op. 11, 1 |
| 911 | Die Nachtigal (Unger), do. | . . | Op. 11, 2 |
| 912 | Frühlingslied (Schober), à 4 M. | . . | Op. 16, 1 |
| 913 | Jünglings wonne (Matthisson), à 4 M. | . . | Op. 17, 1 |
| 914 | Liebe (Schiller), à 4 M. | . . | Op. 17, 2 |
| 915 | Zum Rundtanz (Salis), à 4 M. | . . | Op. 17, 3 |
| 916 | Die Nacht | . . | Op. 17, 4 |
| 917 | 26 Ländler, PF. | . . | Op. 18, 4–12, 1–17 |
| 943 | 7 Ecossaises, PF. | . . | Op. 18, 1–4, 1–3 |
| 950 | Der Schiffer (Mayrhofer) | . . | Op. 21, 2 |
| 951 | Wehmuth (M. von Collin) | . . | Op. 22, 2 |
| 952 | Die Liebe hat gelogen (Platen) | . . | Op. 23, 1 |
| 953 | Selige Welt (Senn) | . . | Op. 23, 2 |
| 954 | Schwannengesang (Do.) | . . | Op. 27, 3 |
| 955 | 3 Marches heroiques, PF., 4 hands | Bm, C, D | Op. 27 |
| 958 | 7 Deutsche Tänze, PF. | . . | Op. 33, 3–7, 10, 11 |
| 965 | Overture, PF., 4 hands | F | Op. 34 |
| 966 | Der Pilgrim (Schiller) | . . | Op. 37, 1 |
| 967 | Six Grandes Marches, PF. 4 hands | . . | Op. 40 |
| 973 | Nacht und Träume (M. v. Collin) | . . | Op. 43, 2 |
| 974 | 'Tutus in corde' | . . | Op. 46 |
| 975 | 34 Valses sentimentales. PF. | . . | Op. 50 |
| 1009 | 3 Marches Militaires, PF., 4 hands | . . | Op. 51 |
| 1012 | An die Leier (Bruchmann) | . . | Op. 56, 2 |
| 1013 | Im Haine (Do.) | . . | Op. 56, 3 |
| 1014 | Der Schmetterllng (F. Schlegel) | . . | Op. 57, 1 |
| 1015 | Die Berge (Do.) | . . | Op. 57, 2 |
| 1016 | Du liebst mich nicht (Platen) | . . | Op. 59, 1 |
| 1017 | Dithyrambe (Schiller) | . . | Op. 60, 2 |
| 1018 | 6 Polonaises | . . | Op. 61 |
| 1024 | Mignon u. d. Harfner (Goethe) | . . | Op. 62, 1 |
| 1025 | Lied der Mignon. 'Heiss mich' (Do.) | . . | Op. 62, 2 |
| 1026 | Do.'So lasst' (Do.) | . . | Op. 62, 3 |
| 1027 | Do.'Sehnsucht' (Do.) | . . | Op. 62, 4 |
| 1028 | Divertissement. PF., 4 hands | Em | Op. 63 |
| 1029 | Wehmuth (Hüttenbrenner), à 4 M. | . . | Op. 64, 1 |
| 1030 | Ewige Liebe (Schulze), à 4 M. | . . | Op. 64, 2 |
| 1031 | Flucht (Lappe), à 4 M. | . . | Op. 64, 3 |
| 1032 | Hommage aux b. Viennoises, 15 Waltzes and 2 Ecossaises, PF. | . . | Op. 67 |
| 1049 | Die Advokaten, TTB | . . | Op. 74 |
| 1050 | 4 Polonaises, PF., 4 hands | . . | Op. 75 |
| 1054 | 10 Valses Nobles, PF. | . . | Op. 77 |
| 1064 | 4 Impromptus,[1] PF. | . . | Op. 90 |
| 1068 | 6 Moments musicals, Pf. | . . | Op. 94 |
| 1074 | 4 Refrain-Lieder (Seidl) | . . | Op. 95 |
| 1078 | Glaube, Hoffnung u. Liebe (Kuffner) | . . | Op. 97 |
| 1079 | Phantasie, PF., 4 hands | Fm | Op. 103 |
| 1080 | D. Hochzeitsbraten, STB. & PF. | . . | Op. 104 |
| 1081 | Widerspruch (Seidl) | . . | Op. 105, 1 |
| 1082 | Wiegenlied (Do.) | . . | Op. 105, 2 |
| 1083 | Sehnsucht (Do.) | . . | Op. 105, 3 |
| 1084 | Gott im Ungewitter (Uz) | . . | Op. 112, 1 |
| 1085 | Gott der Weltschöpfer (Do.) | . . | Op. 112, 2 |
| 1086 | Der Mondabend (Ermin) | . . | Op. 131, 1 |
| 1087 | 'Notre amitié,' Rondo. PF. 4 hands | D | Op. 138 |
| 1088 | 4 Impromptus, PF. | . . | Op. 142 |
| 1092 | Nocturne, PF. & Cello | E♭ | Op. 148 |
| 1093 | Trinklied. 'Edit Nonna,' à 4 M. | . . | Op. 155 |
| 1094 | Nachtmusik (Seckendorf), à 4 M. | . . | Op. 156 |
| 1095 | Constitutionslied, à 4 M. & Orch. | . . | Op. 157 |
| 1096 | Der Wintertag, à 4 M. | . . | Op. 169 |
| 1097 | Die Blumensprache | . . | Op. 173, 3 |
| 1098 | An den Tod (Schubart) | . . | Lf. 17, 3 |
| 1099 | Atya (Mayrhofer) | . . | Lf. 22, 2 |
| 1100 | Ihr Grab | . . | Lf. 36, 3 |
| 1101 | Licht und Liebe (Collin) | . . | Lf. 41, 1 |
| 1102 | Fragm. a. d. Götter Griechnl. (Schiller) | . . | Lf. 42, 1 |
| 1103 | Im Gegenw. Vergangenes (Goethe) | . . | Lf. 43 |
| 1104 | Der Goldschmledsgesell (Do.) | . . | Lf. 48, 6 |
| 1105 | Augenlied (Mayrhofer) | . . | Lf. 80, 3 |
| 1106 | Täglich zu singen | . . | MS. |
| 1107 | Rüdigers Heimkehr; T., Chor. & Orch. | . . | Spina |
| 1108 | Morgengesang, à 4 V. & Orch. | . . | Spina |
| 1109 | Begräbnisslied (Kopstock). à 4 | . . | 9 Ges., 8 |
| 1110 | Osterlied (Do.), à 4 & PF. | . . | 9 Ges., 9 |
| 1111 | Wein und Liebe (Haug), à 4 M. | . . | Spina |
| 1112 | Der Entfernten (Salis), à 4 M. | . . | Spina |
| 1113 | Lob d. Einsamkeit (Do.), à 4 M. | . . | |
| 1114 | 5 Clavierstücke | E, E, C, A, E | Klemm |
| 1119 | Clavierstück | C | 3 Clavierst. no. 3 |
| 1120 | March, PF | E | Artaria |
| 1121 to 1131 |
10 Ländler PF. | . . | 20 Lindl., 1, 6, 7, 9, 10, 11, 13–16. |
It only remains for me to return my sincere thanks to those friends who have helped me with facts and suggestions and with much labour in execution of the preceding pages; such as Fräulein Caroline Geisler-Schubert, Father Hermann (Anton) Schubert, and other members of composer's family; to Heir Eugen Heilpern and the eminent photographers who act under the name of 'Adele' in Vienna; my ever kind friend Herr C. F. Pohl, Librarian of the Musikverein
- ↑ No. 3 originally in G♭.
