Page:A Dictionary of Music and Musicians vol 4.djvu/1007

Verdelet. (See Boissard, J.)

Verdelot, P., iv. 239b; iv. 810a; Attaignant, i. 100b; Lassus, ii. 94a; Madrigal, ii. 188b; Mass, ii. 228b; Programme Mus., iii. 35a; Schools of Comp., iii. 261b; Sounds and Signals, iii. 643a; Mus. Lib., iv. 726a; Sistine Chapel, iv. 794b; Trésor Mus., iv. 803b.

Verdi, G., iv. 239b; iv. 811a; Académie de Mus., i. 9b; Basevi, i. 147b; Basili, i. 147b, etc.; Donizetti, i. 453b; Ernani, i. 492a; Forza del Destino, i. 556b; Gardoni, i. 583a; Grand Opera, i. 617b; Jerusalem, ii. 34a; Lombardi, I., ii. 162b; Luisa Miller, ii. 172a; Macbeth, ii. 183a; Mapleson, ii. 308b; Masnadieri I., ii. 224b; Nabucco, ii. 440a; Opera, ii. 525a; Rigoletto, iii. 135a; Schools of Comp., iii. 301a, etc.; Scribe, iii. 453a; Simone Boccanegra, iii. 533b; Stiffellio, iii. 714b; Traviata, La, iv. 163b; Trovatore, Il, iv. 179b; Ventadour Théâtre, iv. 238b; Vêpres Siciliennes, iv. 238b; Aïda, iv. 519a; Dies Iræ, iv. 614a; Hueffer, iv. 681a; Napoleon (H.), iv. 728a; Pougin (A.), iv. 751a; Requiem, iv. 770b.

Verdié, R.; Vingt-quatre Violons, iv. 266b.

Verdonck, C., iv. 811a; Madrigal, ii. 191a; Mus. Divina, ii. 412b; Mus. Transalpina, ii. 416a; Trésor Mus., iv. 803b.

Vereeniging, etc., iv. 255a; iv. 811b; Sweelinck, iv. 8a; Eitner, iv. 626b.

Verger; Strakosch, iii. 734b.

Verhulst, J. J. H., iv. 255a; Felix Meritis, i. 511a; Leipzig, ii. 115b; Lemmens, ii. 120a; Tours, iv. 155a.

Verimmst; Chanson, i. 336b.

Verlorene Paradies, Das, iv. 255b; Rubinstein, ii. 192b.

Vermont; Attaignant, i. 100b.

Vernarecci, A.; Part-books, iv. 740a, note.

Vernio, Conte di; Intermezzo, ii. 8b.

Vernizzi, O.; Intermezzo, ii. 8b.

Vernon, J., iv. 255b.

Veron, L. D.,iv. 256a.

Verona; Accademia, i. 11b; Hist. of Mus., iv. 675b.

Verpré: Vingt-quatre Violons, iv. 266b.

Verroust; Conservatoire de Mus., i. 392b; Vogt, iv. 332a.

Verschiebung, iv. 256b; Notation, ii. 478b; Pedals, ii. 682b, note; Sordini, iii. 637a; U. C., iv. 200a.

Verschworenen, Die, iv. 256b; Schubert, iii. 337b.

Verse, iv. 257a; Accents, i. 17b; Anthem, i. 71a; Service, iii. 475a.

Versicle, iv. 257a; Cathedral Mus., i. 323b; Plain Song, ii. 766a; Response, iii. 116a, etc.; Vespers, iv. 257a.

Verstovsky, A.; Song, iii. 613b.

Vertical and Horizontal Methods, iv. 811b.

Vert-Vert, iv. 257a; Offenbach, ii. 493b.

Verve, iv. 257a.

Vervoille, C.; Part Mus., ii. 657a.

Veselovsky; Song, iii. 614b.

Vesperale, iv. 257a; Gradual, The Roman, i. 615a; Hymn, i. 760b; Intonation, ii. 12b; Plain Song, ii. 764b; Versicles, iv. 257a; Vespers, iv. 257b.

Vespers, iv. 257a; Mozart, ii. 401a; Versicle, iv. 257a.

Vesque von Püttlingen, J., iv. 811b; Turandot, iv. 190b.

Vespri Siciliani. (See Vêpres Siciliennes, iv. 238b.)

Vestale, La, iv. 257b; iv. 812a; Spontini, iii. 666b, etc.

Vestoali; Strakosch, iii. 734a.

Vestris, A.; Haydn, i. 710a.

Vestris, G.; Ballet, i. 132a.

Vestris, L. E., iv. 257b; iv. 812a; Begnis, i. 210a; Treitschke (M.), iv. 166a; Vauxhall Gardens, iv. 234a.

Vetter Michel. (See Rosalia, iii. 160a.)

Veuve du Malabar, iv. 258b; Hervé, iv. 672a.

Viadana, L., iv. 258b; iv. 812a; Agazzari, i. 41b; Bodenschatz, i. 253b; Concerto, i. 387a; Faux-Bourdon, i. 510a; Figured Bass, i. 522a; Harmony, i. 673b; Milan, ii. 329a; Mus. Divina, ii. 412a; Plain Song, ii. 769a; Thoroughbass, iv. 108a; Vittoria, iv. 314b, note.

Viaggio a Reims, Il, iv. 258b; Rossini, iii. 171a.

Vialletti; Lamperti, ii. 89a.

Viana, M. (See Veana.)

Vianesi, A., iv. 812a.

Viard-Louis, Jenny, iv. 342a; iv. 812b; Weist Hill, iv. 434a.

Viardot-Garcia, M. F. P., iv. 259a; Alceste, i. 51a; Conservatoire de Musique, i. 393a; Don Giovanni, i. 452b; Garcia (M.), i. 582a; Gounod, i. 613b; Graun (K. H.), i. 621b; Joachim, ii. 34b; Mendelssohn, ii. 282b; Orgenyi, ii. 610b; Orphée et Euridice, ii. 611b; Philh. Soc., ii. 699b; Roger, iii. 145a; Singing, iii. 508a; Sterling, iii. 712a; Stockhausen (J.), iii. 716a; Taylor (F.), iv. 66b; Zeretelew, iv. 506a; Artôt (M.), iv. 524a; Brandt (M.), iv. 562a.

Viardot, J.; Sistine Chapel, iv. 794b.

Viardot, Paul, iv. 260a; Philh. Soc., ii. 700b; Godard, iv. 649b.

Vibrations; Acuteness, i. 26b; Beats, i. 159a; Bells, i. 216b; Belly, i. 220a; Belly (Soundboard), i. 220b; Comma, i. 380b; Dissonance, i. 449a; Harmonics, i. 663b; Helmholtz, i. 726a; Instrument, ii. 5b; La, ii. 79a; Node, ii. 461a, etc.; Octave, ii. 491b; Partial Tones, ii. 653b, etc.; Pedals, ii. 683a; Pipes, Vibration of Air in, ii. 754b; Pitch, ii. 757a; Resultant Tones, iii. 119a, etc.; Sarti, iii. 229a; Savart, iii. 231a; Scheibler, iii. 243b; Singing, iii. 498b; Soundholes, iii. 640b; Soundpost, iii. 642a; String, iii. 744b; Temperament, iv. 72b, etc.; Tone, iv. 142a, etc.; Tuning, iv. 189b; Violin, iv. 270b; Wolf, The, iv. 485b.

Vibrato, iv. 260b; Rubini, iii. 190b; Singing, iii. 509b, etc.; Tamberlik, iv. 55a; Tremolo, iv. 166b; Trill, iv. 169b.

Vibrators; Harmonium, i. 666b.

Vicars Choral, iv. 260b; Lay Vicar, ii. 107b.

Vicary, W.; Redhead, iv. 769a.

Vicentino, N., iv. 261a; Casini, i. 318b; Catelani, i. 323b; Harpsichord, i. 691a; Hawkins, i. 700b; Micrologus, ii. 327a; Mus. Lib., ii. 421a; Quaver, iii. 59b; Trasuntino, iv. 162a; Rome, iv. 773b.

Victimæ Paschali, iv. 812b;