538
BEETHOVEN.
| Op. | Description. | Composed. | Original Publisher. | Dedicated to |
|---|---|---|---|---|
| 130 | Quartet. VV. Va. C. (B♭). (The 13th.) | 1825 and (finale) Nov. 1826.—Aut. First movement Mendelssohns, Berlin; second do. F. Gross; third do. J. Hellmesberger; Cavatina, Artaria; Finale Ascherall in Vienna. Produced with op. 133 as finale, Mar. 21. 1826. | Artaria. Vienna. May 7. 1827. | Prince N. Galitzin. |
| 131 | Quartet, V. V. Va. C. (C♯ minor). 'Fourth Quartet.' (The 14th.) | Oct. 1826.—Aut. First movement, Mendelssohns, Berlin. Revised MS. Schotts. Mainz. | Schott & Sons, Mainz, Ap. 1827. | Baron von Stutterheim. |
| 132 | Quartet. V. V. Va. C. (A minor), 'Second Quartet.' (The 15th.) | 1825. Produced Nov. 6, 1825.—Aut. Mendelssohns, Berlin. | Schlesinger, Berlin, Sept. 1827. | Prince N. Galitzin. |
| 133 | Grand Fugue. V. V. Va. C. (B♭) 'Tantôt libre. tantôt recherchée.' Originally the Finale to Op. 130. | Aut. ('Ouvertura'), Artaria, Vienna. | M. Artaria, Vienna, May 10. 1827. | Archduke Rudolph. |
| 134 | Grand Fugue (Op. 133), arranged by the Author for PF. 4 hands. | . . . . . . | M. Artaria, Vienna, May 10, 1827. | Archduke Rudolph. |
| 135 | Quartet, V. V. Va. C. (F.)—(the last.) | Gneixendorf, Oct. 30, 1826.—Aut. of second and fourth movements formerly with Ascher, Vienna. Aut. of the parts, Schlesinger, Baden-Baden. | Schlesinger. Berlin. Sept. 1827. | 'His friend Johann Wolfmayer.' |
| 136 | Der glorreiche Augenblick ('the glorious moment'}, Cantata, S. A. T. B. Chorus and Orch; words by A. Weissenbach. 6 numbers. | Sept. 1814. Produced Nov. 29, 1814.—Aut. C. Haslinger, Vienna. | T. Haslinger, Vienna, 1896. | The Sovereigns of Austria, Russia and Prussia. |
| Also as Preis der Tonkunst ('Praise of Music') by F. Rochlitz. | . . . . . . | T. Haslinger, Vienna, 1836. | ||
| 137 | Fugue, V. V. Va. C. (D). Composed for a collection of B.'s works projected by Haslinger, now in the Gesellschaft der Musikfreunde, Vienna. | Nov. 2, 1827. | T. Haslinger, Vienna. 1827. | |
| 138 | Overture, Orch. (C), known as 'Leonora, no. 1,' but really Leonora, no. 3. See Op. 72. | 1807(?). Revised MS. score. C. Haslinger, Vienna. | T. Haslinger, Vienna, 1898. Score. |
II. WORKS WITHOUT OPUS NUMBERS.
1. FOR ORCHESTRA, AND ORCHESTRAL INSTRUMENTS.
| 139 | 12 Minuets, D, B♭, G, E♭, C, A, D, B♭, G, E♭, C, F. | Before Nov. 22, 1795.—Rev MS. Parts, Artaria, Vienna | PF. arrangement, Artaria & Co. Dec. 1795. Score, B. & H. edition. | |
| 140 | 12 Deutsche Tnze, C, A, F, B♭, E♭, G, C, A, F, D, G, C. | Before Nov. 22, 1795. | PF. arrangement, Artaria & Co. Dec. 1795. Score, B & H. edition. | |
| 141 | 12 Contretnze, C, A, D, B♭, E♭, C, E♭, C, A, C, G, E♭. N.B. No. 7 is the dance used in the Finale of Prometheus, the Eroica, etc. No. 11 also used in Finale of Prometheus. | Nos. 2, 9, 10, 1802. | Nos. 8, 7, 10, 4, 9, 1, for PF. only. Mollo & Co. Vienna. April 1802. Early in 1803. Orch. Parts of the 12. Score. B & H. edition. | |
| 142 | Minuet of congratulation (E♭), for Hensler, Director of New Josephstadt Theatre. | Nov, 1822.[1] | Artaria, Parts 1835. Score, B. & H. edition. | |
| 143 | Triumphal March, for Kuffner's 'Tarpeia' or 'Hersilla' (C). | Before Mar. 26, 1813. Revised Parts, C. Haslinger, Vienna. | For PF. in 'Die musik, Biene' Pt. 5, No. 9, Vienna 1819. In Score after 1827, T. Haslinger, Vienna. | |
| 144 | Military March (D). | Before June 4, 1816. | For PF. Cappi & Czerny, Vienna. Ap. 1827. In Breitkopf's complete ed. | |
| 145 | Military March (F), (Zapfenstreich). For the Carrousel on Aug. 25, 1810. | 1809. | Schlesinger. Berlin, 1822. | |
| 146 | Rondino (E♭), 2 Ob. 2 Clar. 2 Cors. 2 Fags. | Very early.—Aut. C. A. Spina, Vienna. | ||
| 147 | 3 Duos, Clar. and Fag. (C, F, B♭). | . . . . . . | Lefort, Paris, 1815 (?). | |
| 148 | Allegro con Brio. V. Orch.(C). Fragment of 1st movement of a V. Concerto. Completed by Jos. Hellmesberger. | 1800?—Aut. Library of the Gesellschaft der Musikfreunde, Vienna. | F. Schreiber, Vienna. 1879. Score. | Dr. G. von Breuning. |
| 149 | Muslk zu einem Ritterballet. | 1791(?) | Rieter-Biedermann, Leipzig, 1872. Arranged for Piano by F. Dulcken. |
2. FOR PIANOFORTE, WITH AND WITHOUT ACCOMPANIMENT.
| 150 | Sonatina for the Mandoline and Cembalo (C minor). | Aut. British Museum Add. MSS. 29,801. | 'Dictionary of Music and Musicians' (Macmillans, London), under 'Mandoline.' Also by Ricordi. | |
| 151 | Rondo, PF. and Orch. (B♭). Probably finished by Czerny. Perhaps intended for op. 19. | Aut. Dlabelli. | A. Diabelli & Co., Vienna. June 1829. | |
| 152 | 3 Quartets. PF. V. Va. C. (E♭, D, C). N.B. Adagio of No. 8 is employed in Op. 2, No. 1. | 1785.—Aut. Artaria. | Artaria, Vienna, 1832. | |
| 153 | Trio, PF. V. C. (E♭). | 1785(?)—Aut. Wegeler. | Dunst, Frankfort, 1830. | |
| 154 | Trio in one movement, PF. V. C. (B♭). | June 2, 1812.—Aut. Brentanos at Frankfort. | Dunst, Frankfort, 1830. | |
| 155 | Rondo. Allegro, PF. and V. (G). | Probably sent to Eleonora von Breuning in 1794. | Simrock, Bonn, 1808. | |
| 156 | 12 Variations on 'Si vuol ballare.' PF. and V. (F). | . . . . . . | Artaria, Vienna. July 1793. | Eleonora von Breuning. |
- ↑ See 'Zweite Beethoveniana' p. 396 note.
