Page:A Dictionary of Music and Musicians vol 4.djvu/841

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INDEX.

��A.

��A, i. la; Alphabet, i. 5705. AALST, J. A. van; Hist, of Mus.,

iv. 6746. AAEON, P., i. i a; Catelani

(A.), i. 3236; Hexachord, i.

735 a; Isaac, ii. 23 a; Jos-

quin Despres, ii. 41 a ; Mus.

ficta, ii. 41305; Mus. Lib., ii. ,,421 a, etc.; Obrecht, ii. 4896;

Strict Counterpoint, iii. 740 b ;

Zarlino, iv. 502 a ; Mus. Lib.,

iv. 725 b.

ABACO, E. F. dall', i. i a. A BATTUTA, i. i b ; Battuta, i.

157 a. ABBATINI, A. M., i. i b ; Baini,

i. 288 J; Colonna.i. 3786. ABBE, P. P. de St. Sevin, i. 1 b. ABBEY, J., i. 2 a. ABBREVIATIONS, i. 2 a ; B. i.

1 08 a ; Dot, i. 457 a ; Clarinet,

iv. 591 b. ABEGG, iv. 517 a ; Schumann,

iii. 408 a. ABEILLE, J. C. L., i. 46; PF.

Mus.,ii. 7256; Benedict, iv.

543

ABEL, C. H., i. 46. ABEL, F. L.; Mason (L.), ii.

2250;. ABEL, K. F., i. 46 ; Adagio, i.

276; Banti, i. 1 35 b ; Baryton,

i. 14705; Cramer, i. 413 b;

Gamba, Viola da, i. 580 a, etc. ;

Hanover Square Rooms, i.

66105; Linley, ii. 1446; Mus.

School, Oxford, ii. 437 a;

Schroeter (J. S.), iii. 3186;

Symphony, iv. 140; Cornelys,

iv. 5986.

ABEL, L. A., i. 5 a. ABELE, H. ; Hist, of Mus., iv.

676 b. ABELL, J.,i. 56; iv. 51 7 a.

��ABELLA; Sterling (A.), iii. ABELLIMENTI ; Improperia, ii

205; Miserere, ii. 3366, etc.;

Sistine Choir, iii. 5226. ABERT, J. J., iv. 51 7 05 ; Wilder

(J.), iv. 45 7 a. ABOS, G., i. 5 6 ; Ifigenia, i. 765 b ;

Latrobe, ii. 102 b ; Paisiello,

ii. 633 b ; Sala (N.), iii. 2176;

Scarlatti (A.), iii. 23905. ABRAHAM, Dr. ; Peters, ii. 695 b. ABRAMS, The Misses, i. 6a; iv.

5176; Ancient Concerts, i.

6405 ; Handel, Commemoration

of, i. 6576. ABRANYI, K. ; Magyar Mus., ii.

199 a; Hist, of Mus., iv.

6755. ABT, F.,i. 6a; iv. 5176; Kiick-

en, ii. 7505; Orpheus, ii. 613;

Part-song, ii. 659 a ; Song, iii.

623 a. ABU HASSAN, iv. 517 a ; Weber,

iv. 396 a, etc. ABYNGDON, H., i. 66; Wydow,

iv. 8i7&. ACADEMIC GAZETTE; Mus. Perio- dicals, iv. 7266.

ACADEMIE DE MUSIQUE, i. 6 6,

iv. 5176; Grand Opera, i.

6166; Habeneck, i. 643 a;

Lulli, ii.172 6; Opera.ii. 531 b. ACADEMY OF ANCIENT Music,

i. ioa; iv. 5176; Arnold (S.),

i. 8605; Astorga, i. iooa;

Concert, i. 38405; Pepusch, ii.

684 b ; Steffani, iii. 698 b. ACADEMY OF Music, NEW YORK,

i. 10 b. A CAPELLA, i. io&; Alia breve,

i- 53& 5 Capella, i. 306 b ; Cheru-

bini,i. 343 b ; Schools of Comp.,

iii. 3120;; Time, iv. 11805. A CAPRICCIQ, i. lob. ACCADEMIA, i. 10 b; iv. 5176;

��Bologna, i. 2590; Este, i. 496 a ; Ferrara, 1.5126; Flor- ence, i. 53305; Milan, ii. 32905; Padua, ii. 6276; Home, iv. 7746. ACCELERANDO, i. 1205; Tempo,

iv. 846.

ACCENT, i. 1 2 a; iv. 5176; Acciac- catura, i. 1 8 b ; Arsis and Thesis, i. 95 b; Bar, i. 1366; Beat, 1.1586; Common Time,i. 381 a; Metre, ii. 316 6 ; Phras- ing, ii. 706 b ; Rhythm, iii. 12305; Song, iii. 632 a ; Syn- copation, iv. 44 a ; Tempo rubato, iv. 85 b ; Time, iv. 1 20 a; Triple Time, iv. 1 74 a. ACCENT ; Agre'mens, i. 4305 ;

Nachschlag, ii. 442 05. ACCENTS, i. 1705; Gregorian Modes, i. 627 a; Mass, ii. 232 a; Micrologus, ii. 3276; Monotone, ii. 35505; Notation, ii. 46805 ; Plain song, ii. 76405, etc.; Kequiem, iii. 10905; Re- sponse, iii. 1166. AcciACCATURA,i. 1 8 b; Agrdmens, i.44a; Appoggiatura, i. 75 b ; Arpeggio, i. 87 b ; Beat, i. 1580;; Grace-notes, i. 615 a; Martele, ii. 221 &; Mordent, ii. 363 b ; Notation, ii. 477 05. ACCIDENTALS, i. 18 b ; iv. 517 b ; Alphabet,!. 5705 ; 6.1.10705; Bemol, i. 22105; Chromatic, i. 3556 ; Flat, i. 5320:; H., i. 643 a ; Harmony, i. 6716; Key, ii. 5205; Mus. ficta, ii. 413 a; Natural, ii. 447 6 ; Sig- nature, iii. 4926; Thorough- bass, iv. no a; Part-writing, iv. 7416.

ACCOLADE ; Score, iii. 42705. ACCOMPANIMENT, i. 20 a; iv. 5176; A capella, i. io&; B

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