Page:A Dictionary of Music and Musicians vol 4.djvu/879

Coulisse; Lupot, ii. 175a.

Coulisse; Slide, iii. 536a.

Couly; Strakosch, iii. 735a.

Counter-Exposition; Exposition, iv. 630b.

Counterpoint, i. 407b; Answer, i. 69b; Art of Fugue, i. 96a; Bach (J. S.), i. 116a; Bellermann, i. 211b; Bind, i. 243a; Cathedral Mus., i. 324a; Diminution, i. 448a; Discant, i. 448b; Double Counterpoint, i. 459a; Faux Bourdon, i. 509a; Figured, i. 522a; Florid Counterpoint, i. 534b; Fugue, i. 567a, etc.; Hidden Fifths and Octaves, i. 736a; Imitation, i. 765b; Inversion, ii. 15b; Marpurg, ii. 218b; Martini, ii. 222b; Mass, ii. 227a; Mendelssohn, ii. 300a; Micrologus, ii. 327b; Motion, ii. 377a; Nanini (G. B.), ii. 443b; Nota cambiata, ii. 466b; Organum, ii. 608b, etc.; Partimenti, ii. 656a; Saggio di Contrappunto, iii. 212a; Schools of Comp., iii. 259b; Sechter (S.), iii. 455a; Strict Counterpoint, iii. 745a; Subject, iii. 748a, etc.; Wechselnote, Die Fux'sche, iv. 430a; Zarlino, iv. 502a; Part-writing, iv. 741b; Psalter, iv. 756a, etc.

Countersubject, i. 409a; Counterpoint, i. 407a; Double Fugue, i. 459a; Fugue, i. 567a, etc.; Subject, iii. 749a, etc.; Tonal Fugue, iv. 135a, etc.

Countertenor, i. 409b; Alto, i. 58a; Bass, i. 148b; Contralto, i. 395b; Falsetto, i. 502a; Singing, iii. 504a; Tenor, iv. 87b; Voices, iv. 334b.

Country-dance. (See Contredanse, i. 396b.)

Coupart, A. M., i. 409b.

Coup d'Archet; Attack, i. 100b.

Couperin, F., i. 409b; Allemande, i. 55b; Canarie, i. 302a; Chambonnières, i. 332b; Courante, i. 410b; Doubles, i. 460a; Echos du Temps passé, i. 482a; Fingering, i. 526a; Form, i. 542a; Harmony, i. 676a; Hawkins, i. 700a; Klavier Mus., Alte, ii. 63a; Maîtrise, ii. 200a; March, ii. 211b; Meister, Alte, ii. 247b; Modulation, ii. 348a; Passepied, ii. 662b; PF.-playing, ii. 736a; Programme Mus., iii. 36b; Suite, iii. 756b; Taskin, iv. 63a; Trésor des Pianistes, iv. 168a; Variations, iv. 222b; Chrysander, iv. 591b; Ordres, i. 735a; Programme-Mus., iv. 752a.

Coupler, i. 410a; Organ, ii. 596b, etc.; Treatment of Organ, iv. 164a.

Couplets; Chanson, i. 335a.

Couppey, Le, iv. 600b; Conservatoire de Mus., i. 392b; Montigny-Rémaury, ii. 360a; PF. Mus., ii. 731b; Delibes, iv. 610b.

Courante, i. 410a; Allemande, i. 55b; Form, i. 544b; Oratorio, ii. 534b; Orchésographie, ii. 560a; Song, iii. 592b; Specimens, Crotch's, iii. 649a; Subject, iii. 751b; Suite, iii. 756a, etc.

Courteville, J., i. 411a.

Courteville, Raphael, i. 411a.

Courteville, Raphael, i. 411a; iv. 600b; Mus. Lib., ii. 421b.

Courteville, Raphael, i. 411a.

Courtois, J., i. 411b.

Cousin, J.; Schools of Comp., iii. 260a.

Cousins, C.; Kneller Hall, iv. 692a.

Coussemaker, C. E. H. de, i. 411b; iv. 601a; Chanson, i. 336a; Gerbert, i. 590a; Hothby, i. 754b; Jahrbücher, etc., ii. 30b; Meibom, ii. 247b; Mus. Mensurata, ii. 415b; Mus. Lib., ii. 426b; Notation, ii. 468a; Ochetto, ii. 491a; Plain Song, ii. 763a; Schools of Comp., iii. 260a, etc.; Song, iii. 598a; Sumer is icumen in, iii. 768b; Volkslied, iv. 337b; Hist. of Mus., iv. 674a; Mus. Lib., iv. 724a; Tunsted, iv. 805a.

Cousser, J. S., i. 412a; Opera, ii. 508a.

Covent Garden Theatre, i. 412a; iv. 601a.

Coward, J., iv. 601a.

Cowen, F. H., i. 413a; iv. 601a; Hauptmann, i. 698a; Schools of Comp., iii. 307b, etc.; Song, iii. 608a; Suite, iii. 761a; Symphony, iv. 42b; Hueffer, iv. 681a; Philh. Soc., iv. 746b; University Mus. Soc., iv. 806b.

Cowper; Part-books, iv. 740a.

Cox and Box, i. 413a; Sullivan, iii. 764a.

Cracovienne. (See Krakoviak, ii. 70a.)

Craen, N.; Schools of Comp., iii. 260b; Dodecachordon, iv. 616a.

Cramer, C., i. 413b.

Cramer, Ch., iv. 601a; King's Band, ii. 58a.

Cramer, F., i. 413b; Blagrove, i. 247a; Giardini, i. 594a; King's Band, ii. 58a; Philh. Soc., ii. 698a; Royal Acad. of Mus., iii. 185a; Vocal Concerts, iv. 319a.

Cramer, H.; PF. Mus., ii. 732b.

Cramer, J., i. 413a.

Cramer, J., i. 413a.

Cramer, J. B., i. 413a; iv. 601a; Abel (K. F.), i. 5a; Bach (C. P. E.), i. 114a; Beale, i. 157b; Bigot, i. 241a; Chappell & Co., i. 339b; Clementi, i. 373a; Dreyschock, i. 463a; Dussek (J. L.), i. 476b; Études, i. 496b, etc.; Hart (J.), i. 693a; Herz, i. 733a; Jarnowick, ii. 32b; Jupiter, ii. 46b; Klavier Mus., Alte, ii. 63a; Melodists' Club, ii. 249a; Mendelssohn, ii. 263a; Moscheles, ii. 370a; Nägeli, ii. 442a; Onslow, ii. 497a; Paradies, ii. 647b; Philh. Soc., ii. 698a; PF. Mus., ii. 726a; PF.-playing, ii. 737b, etc.; Rosenhain, iii. 162a; Royal Acad. of Mus., iii. 185a; Schools of Comp., iii. 308a; Steibelt, iii. 701a; Studies, iii. 747a; Trésor des Pianistes, iv. 168b; Welsh, iv. 444a.

Cramer, W., i. 413b; Abel (K. F.), i. 5a; Ancient Concerts, i. 64b; Baker, i. 126a; Banti, i. 135b; Baumgarten, i. 157a; Haydn, i. 708b, etc.; Orchestra, ii. 564a, note; Smart (H.), iii. 537b; Violin-playing, iv. 293b, etc.

Cramer & Co., i. 414b.

Cranfield, W.; Psalter, iv. 763a.

Cranford, W. (See Cranfield.)

Crang & Hancock, i. 415a; Hancock, i. 647b; Spinet, iii. 656a.

Cranmer; Cathedral Mus., i. 324a.

Cranz; Beethoven, i. 180b; Diabelli, i. 442a.