Page:A Dictionary of Music and Musicians vol 4.djvu/897

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i. 705 & ; Favaclis (M. von), ii.

648 a. FRICHOT, i. 564?) ; Ophicleide,

ii. 5316.

PRICK, P. J., i. 564^. FRICKENHAUS, Fanny, iv. 6426 ;

Philh. Soc., iv. 747 a. FRICKER ; Klotz, ii. 650. FRIEDERICI, C. E., of Gera ;

PF., ii. 714(1; Square PF.,

iii.683a; Upright PF.,iv. 208 b. FRIEDLANDER, M., iv. 787 a ;

Schubert, iv. 7870;. FRIEDLANDER, T. ; Philh. Soc.,

ii. 700 b. FRIEDLOWSKT, Prof. ; Troyers,

iv. i8oa. FRIES, Count; Beethoven, i.

1 67 a ; Schubert, iii. 334a. FRIKE. (See FRICK.) FRITZ, B., i. 5646. FRIZ ; Violin-playing, iv. 289. FROBERGER, J. J., i. 565 a;

Bach (J. S.), i. U4&; Fres-

cobaldi, i. 563 a ; Kerl, ii.

51 a; Kircher, ii. 6ia; Kla-

vier-Mus. Alte, ii. 63 a;

Meister Alte, ii. 2476; Mus.

Lib., ii. 425 &; Programme-

mus., iii. 36 a ; Schebek,

iii. 243 ; Suite, iii. 756 a ;

Tresor des Pianistes, iv. 168 a;

Zachau, iv. 498 b. FROHLICH, Professor; Lauter-

bach, ii. 1056.

FROHLICH, B., i. 5656 ; iv. 643 a. FROHLICH, J., i. 565 & ; iv. 6436. FROHLICH, K., i. 5656 ; iv. 6436. FROHLICH, N., i. 565 &; iv. 643 a ;

Schubert, iii. 325(1, etc. FRONDONI ; Song, iii. 600 &. FROSCH ; Nut, ii. 4856. FROSCHIUS, J. ; Mus. Lib., iv.

725 &. FROTTOLE, i. 566 a; Madrigal,

ii. 1906 ; Schools of Comp., iii.

2646, etc.; Song, iii. 586^;

Tromboncino, iv. 1 760 ; Dance

Rhythm, iv. 606 a; Part- books, iv. 739 &. FRUTTIERS, J., i. 566 a;

L'Homme arme*, ii. 128 a. FRY, W. H. ; Opera, ii. 5300. FUCHS, A., i. 5660; Caecilia, i.

2946 ; Kiesewetter, ii. 566. FUCHS, J. ; Schubert, iii. 3356.

��INDEX.

FUCHS, J. G., Haydn, i. 7166.

FUCHS ; Wagner/iv. 3650.

FUHRER; Answer, i. 70 a; Sub- ject, iii. 7486.

FUHRER, R.,i. 5666; Schubert, iii. 3236, note.

FUENTES, P. ; Eslava, i. 495 a.

FURNBERG, K. von; Haydn, i. 7046.

FUERO, Don F. F. ; Hist, of Mus., iv. 676 a.

FURSTENAU, A., i. 566 & ; iv. 643 & ; Weber, iv. 4090.

FiJRSTENAU, C., i. 566 &.

FURSTENAU, M., i. 5666; Ton- kvinstlerverein, iv. 1506; Hist, of Mus., iv. 675 a.

FUERTES. (See SORIANO, iii. 6386.)

FUGA. (See FUGUE.)

FUGATO, i. 56 7 a.

FUGHETTA, i. 567 a; Fugue, i. 56 7 a.

FUGUE, i. 567(1 ; Abbrevia- tions, i. 4 a ; Answer, i. 70 a ; Arsis and Thesis, i. 956 ; Bach (J. S.), i. n7a; Bee- thoven, i. 2o6a ; Canon, i. 304?) ; Coda, i. 376(1; Coun- terpoint, i. 409 a ; Counter- subject, i. 409 a; Dominant,!. 452 6; Dux, i. 477 &; Foggia, i. 539 fr; Frescobaldi, i. 563 a ; In Nomine, ii. 40 ; Inversion, ii. i6a; Mass, ii. 2276, etc.; Pedal Point, ii. 6796; Philipps (Peter,) ii. 705 a ; Points, iii. 7 a ; Proposta, iii. 43 a ; Real Fugue, iii. 80 a ; Registra- tion, iii. 966 ; Ricercare, iii. 1266; Risposta, iii. 1366; Sala, iii. 21 7& ; Schools of Comp., iii. 2S8&; Schumann iii. 411 a ; Sonata, iii. 554&, etc. ; Stretto, iii. 739 & ; Subject, iii. 748 a, etc. ; Tonal Fugue, iv. I34& ; Andamento, iv. 522a; Attacco, iv. 5250; Episodes, iv. 628 6; Exposition, iv. 630 &; Part- writing, iv. 743 a, etc.

FULDA, A. de, iv. 643 &; Faux- Bourdon, i. 509 a ; Schools of Comp., iii. 266 a ; Dodeca- chordon, iv. 6i6a; Fay (G. du), iv. 635 a.

��57

FULL ORGAN, i. 5696; Organ,

ii. 5816; Pieno, ii. 752(1. FUMAGALLI, A., iv. 643?) ; PF.

Mus., ii. 734a ; PF. -playing,

ii. 745.

FUMAGALLI, D., iv. 643?;. FUMAGALLI, L., iv. 643??. FUMAGALLI, P., iv. 6436. FUNDAMENTAL BASS, i. 5696;

Harmony, i. 6746, etc. ; Root,

iii. I57&, etc. FUNDAMENTAL NOTE ; JEolian

Harp, i. 3901 ; Beats, i. 159^;

Harmonics, i. 664?^ ; Root, iii.

1576. FURBER, J. ; London "Violin

Makers, ii. 165 a; Violin, iv.

2830, etc. FURCHHEIM, J. W. ; Violin-play-

ing, iv. 2900. FURETIERE; Die. of Mus., i.

444 &

FURIANT ; Song, iii. 614!). FURINO, F. ; Rome, iv. 775 a. FURLANETTO, B. ; Pncim (G.),

ii. 6266 ; Mus. Lib., iv. 726(1. FURNITURE ; Organ, ii. 594 a. FURNO ; Rossi (L.), iii. 1630. FURSCH-MADI; Philh. Soc. iv.

747 a. Fusco, M. ; Catelani (A.), i.

��Fuss ; Orpheus, ii. 613 a. FusSEL,P. ; Dibdin (C.), i. 4426;

Kent (J.), ii. 50 & ; Mus. Lib.,

ii. 422 &. Fux,J.J.,i.570rt; Auswalil,etc.,

i. 1 05 a ; Beethoven, i. i66a;

Bind, 1.243 a ; Fugue, i. 5696 ;

Gradus ad Parnassum, i. 616 a ;

Haydn (M.), i. 701 a ; Haydn,

i. 7046 ; Holzbauer, i. 745 a ;

Imitation, i. 766 a ; Mozart,

ii. 382 a; Muffat (A.), ii.

407 & ; Mus. Divina, ii. 41 2 a ;

Mus. Lib., ii. 424?), etc.;

Nota Cambita, ii. 466 &; Op-

era, ii. 51 3&; Predieri, iii.

27&; Rochlitz, iii. 142(1; Ru-

dolph (Archduke), iii. 200 a;

Strict Counterpoint, iii. 7406;

Tuma, iv. 1866; Wagenseil,

iv. 344 & ; Wechselnote, Die

Fux'sche, iv. 4300 ; Dodeca-

chordon, iv. 6i6a. Fz, i. 571 a.

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