Page:A Dictionary of Music and Musicians vol 4.djvu/968

From Wikisource
Jump to: navigation, search
This page needs to be proofread.


128

��Greed, i. 41 5 & ; Division Vio- lin, i. 451 a ; D'Urfey, i. 472 a; English Opera, i. 4890, etc. ; Farmer (Th.), i. 5070; Finger- ing, i. 5260, etc. ; Fitzwilliam Collection, i. 5306 ; God save the King, i. 606 &; Ground- bass, i. 6346, etc. ; Hall (H.), i. 6460; Handel, i. 6520; Harmony, i. 6806 ; Hawkins, i. 7006; Holmes (E.), i. 744 a ; Hudson (M.), i. 755 a; Hunt (A.), 758 a; Lilliburlero, ii. 138 a, etc.; Lock, ii. 1 58 a; Macbeth Music, ii. 1836, etc. ; Mus. Antiqua, ii. 4110; Mus. Antiquarian Soc., ii. 4166; Mus. Libraries, ii. 41 8a, etc.; Novello (V.), ii. 4810; Oboe di Caccia, ii. 4890; Ode, ii. 4920; Opera, ii. 5070, etc.; Orpheus Britannicus, ii. 6140 ; Overture, ii. 6186; Page, ii. 632^ ; Part Music, ii. 6566 ; Part-song, ii. 658 a; Playford, iii. 2 a, etc. ; Priest, iii. 30 a ; Programme Music, iii. 36 a; Round, iii. i8ob; Schools of Comp., iii. 283 a, etc.; Service, iii. 4726, etc.; Shore (C.), iii. 4886; Siface, iii. 4926; Sonata, iii. 558^;

��INDEX.

Song, iii. 603 b, etc. ; Sons of the Clergy, iii. 6336; Speci- mens, Crotch's, iii. 6500 ; Subject, iii. 750 b ; Suite, iii. 7560; Te Deum, iv. 68 b, etc. ; Trdsor des Pianistes, iv. 1 68 a; Trinity Coll., Dublin, iv. I7ia; Tune, iv. 187*1; Tudway, 1990 ; Variations, iv. 219^; Voices, iv. 3346; Weldon (J.), iv. 4350 ; York- shire Feast Song, iv. 4960; Dorset Garden Theatre, iv. 6i8a; Mus. Lib., iv. 7236; Tonal Fugue, iv. 7996.

PURCELL, K., iii. 526.

PUBCELL, M., iii. 5 2 a.

PURCELL, Matthew, iii. 52 b.

PURCELL, T., iii. 526; Humfrey, i. 757 a; King's Band, ii. 58 a ; Specimens, Crotch's, iii. 649 b ; Burney, iv. 571 a.

PURCELL CLUB, The, iii. 52 b; Taylor (E.), iv. 66 a.

PURCELL COMMEMORATION, The, iii. 5 3 a.

PURCELL SOCIETY, The, iii. 530; iv. 766 a.

PURDAY, C. H. ; Mus. Periodi- cals, ii. 427 a; Analysis, iv.

52lb.

PURFLING, iii. 53 a ; Belly (Vio- lin, i. 22ob.)

��PURITANI, I, iii. 53 b; Bellini,

��PURITAN'S DAUGHTER, The, iii.

53 b; Balfe, i. I27b. PURKIS, J. ; Apollonicon, i. 750;

Interlude, ii. 7b. PUSCHMAN, A. ; Song, iii. 6i6a. PUTZLI, iii. 53b. Puzzi; Royal Academy of

Music, iii. 1850. PYAT; Singing, iii. 5130. PYE, K. J., iii. 53 b ; Royal Aca-

demy of Music, iii. 185 a. PYGOT ; Part-books, iv. 7400. PYNE, G., iii. 540. PYNE, Jas.; Addison (J.), i.

30 b.

PYNE, J. K., iii. 54 a. PYNE, J. K. ; Mus. Instruments,

Collection of, iv. 7 23 a. PYNE, L. F., iii. 540 ; iv. 766b;

English Opera, i. 489 b; Harri-

son ( W.), i. 692 b ; Mellon, ii.

248 b; Philh. Soc., ii. 669 b ;

Opera, ii. 524 b ; Singing, iii.

512 a; Thirl wall (A.), iv.

1 03 a. PYRKER, J. L. ; Schubert, iii.

3250, etc. PYROPHONE ; Kastner (G. F. E.),

iv. 688 b. PYTHAGOREAN COMMA ; Comma,

i. 380 b.

��Q.

��Q UADRAT. (See Accidentals, i.

19 a.) QUADRILLE, iii. 550; Contre-

danse, i. 3966 ; Cotillon, i.

407 b; Jullien, ii. 44 b; Strauss

(J.), iii. 738 b. QUADRIO, II.; Accademia, i.

lob; Song, iii. 5910. QUADRIS, J. de; Lamentations,

ii. 88 a. QUADRUPLUM ; Organum, ii.

609 a. QUAGLIATI, P. ; Opera, ii. 502 a;

Violin-playing, iv. 288 a. QUALITY; Timbre, iv. n6b;

Tone, iv. 141 b. QUANTITY, iii. 556. QUANTZ, J. J., iii. 55 b; Benda

(F.), i. 221 a; Carestini, i.

309 a ; Flute, i. 537 b; Fran-

ciscello, i. 558b ; Frederic the

Great, i. 561 b ; Nicolini,

ii. 4550; Song, iii. 62ib;

Tartini, iv. 61 a ; Tesi

Tramontini, iv. 93 b; Trio,

��iv. 1720; Vivaldi, iv. 317 b; Violoncello-piccolo, iv. 8130.

QUARANTOTTI. (See CORELLI.) QUARENGHI, G., iv. 766 tt.

QUARLES, C., iii. s6b.

QUART-GEIGE, iv. 766 b; Violino Piccolo, iv. 8130.

QUARTERLY Mus. MAGAZINE, iii. 56 b; Bacon, i. 288 a.

QUARTERLY Mus. REVIEW; Mus. Periodicals, iv. 726b.

QUARTET, iii. 56 b; Beethoven, i. 204 a ; Chamber Music, i. 332 b; Form, i. 547 a ; Haydn, i. 7 19 a; Mendels- sohn, ii. 302 b; Mozart, ii. 3990, etc ; Muller (The Bro- thers), ii. 4080; Rasoumowsky, iii. 77 ; Schumann, iii. 414^

QUARTET DOUBLE, iii. 59 a ; Spohr, iii. 66 ib.

QUARTETT ASSOCIATION, The, iii. 590.

QUASI, iii. 59 a.

QUATRE FILS AYMON, Les, iii. 59<i; Balfe, i. 1270.

��QUAVER, iii. 59 a ; iv. 766 b ;

Anerio (G.), i. 67 b ; Notation,

ii. 47 1 a, etc.; Slur, iii. 5370. QUEISSER; C. T., iii. 60 a ; Trom-

bone, iv. I78b. QUICK- STEP, iii. 60 b. QUILISMA, iii. 60 b; Notation, ii.

468 a. QuiNAULT,P.,iii.6ob; Academic

de Mus., i. 70; Act, i. 26a;

Libretto, ii. isoa; Lulli,

ii. 172?); Vaudeville, iv.

��QUINT ; Organ, ii. 583 b, etc. QUINTA FALSA, iii. 6ob ; Modes

Eccles., ii. 342 a ; Mus. Ficta,

ii. 41 4 a, etc.

QUINTERN; Virdung, iv. 3030. QUINTET, iii. 60 a; Chamber

Mus;, i. 33-2 b; Mendelssohn,

ii. 259, 286b; Mozart, ii.

399b; Onslow,ii. 497b; Schu-

bert, iii. 351 a; Schumann,

iii. 415 a. QUINTIANI; Mus. Transalpina,

�� �