Page:A Dictionary of Music and Musicians vol 4.djvu/986

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146

SENESINO, F. B., iii. 4616 ;

Baldi, i. 1266; BerseUi, i.

236 a ; Bertolli, i. 237 a ; Fari-

nelli, i. 505 a; Handel, i.

649 &, etc. ; Lincoln's Inn

Fields Theatre, ii. 140 a ;

Opera, ii. 5126 ; Porpora, iii.

ifa ; Roy. Academy of Mus.,

iii. 1846; Singing, iii. 506 a;

Tenducci, iv. 856. SENFF, B., iii. 4626; Mus.

Periodicals, ii. 4306; Schu- bert, iii. 346(1; Signale, iii.

4926. SENFL, L., iii. 463 a ; Isaac, ii.

23 a ; Luther, ii. 179 a ; Mus.

Lib., ii. 4236 ; Peutinger, ii.

69705; Rochlitz, iii. 141 &;

Schools of Comp., iii. 2666;

Song, iii. 620 a; Steffani, iii.

695 a ; Dodecachordon, iv.

6i6a.

SENN ; Schubert, iii. 3216, etc. SENNET, iii. 4636 ; iv. 792 a. SENZA, iii. 4636 ; iv. 79201. SENZA PIATTI, iii. 4636. SEPTET, iii. 463 i; Beethoven,

i. 1790; Hummel,i. 7576;

Spohr, iii. 6646.

SEPTUPLE TIME ; Time, iv. 120 a. SEQUENCE, iii. 464 a; Harmony,

i. 684a; Rosalia, iii. i6ob. SEQUENTIA, iii. 465 b ; Hymn, i.

760 i; Lauda Sion, ii. 1036;

Mass, ii. 2320; Motet, ii.

373& ; Noel, ii. 462 a; Plain

Song, ii. 7670 ; Prose, iii. 43 b;

Requiem, iii. 1090; Schools

of Comp., iii. 2686, note ;

Song, iii. 6176; Stabat Mater,

iii. 6836 ; Dies Irae, iv. 6136 ;

Veni Sancte Spiritus, iv.

8086; Victimae Paschali, iv.

8I2&.

SERACINI; Burney, iv. 5710.

SERAFIN, iii. 466 a; Violin, iv. 2826.

SERAGLIO, II, iii. 466 b ; Mozart, ii. 4056.

SERAPHINE, iii. 4666; Concer- tina, i. 3866; Harmonium, i. 667 a.

SERENA ; Song, iii. 5850.

SERENADE, iii. 4670 ; iv. 7920 ; Cassation, i. 3 19 a; Diverti- mento, i. 4506.

SERENATA, iii. 4676; Acis and Galatea, i. 2 6 a.

SERGEANT TRUMPETER, iii. 469 a ; Shore (M.), iii. 4886; Snow, iii. 542 a.

SERING, F. W. ; Wacht am Rhein, iv. 343 a.

SERINI; Latrobe, ii. 103 i.

SERMISY, C. de. (See CLAUDIN.)

��INDEX.

SERMONETA, C. da. (See CA- ROSO, i. 3166.)

SEROFF, A. N., iii. 4690; iv. 792 a ; Song, iii. 6 14 a.

SERPENT, iii. 4696 ; Euphonium, i. 497 b ; Instrument, ii. 66 ; Keys, ii. 556; Ophicleide, ii. 5316; Wind -band, iv. 4676, etc. ; Zinke, iv. 5116.

SERPENTCLEIDE ; Glen, i. 5996.

SERPETTE, G., iii. 4706; Gr. Prix deRome, i. 6186.

SERRA ; Sivori, iii. 5346.

SERRA; Solmisation, iii. 5526.

SERRAO, Paolo ; Martucci, iv. 7126.

SERVA PADRONE, La, iii. 471 a ; Intermezzo, ii. 9 a ; Pergolesi, ii. 68 7 a, etc.

SERVAIS, A. F., iii. 4710; Philh. Soc., ii. 6996 ; Stradi- vari, iii. 731 b; Swert, de, iv. 86 ; Vieuxtemps, iv. 262 & ; Violoncello-playing, iv. 3006, etc.

SERVAIS, F. M., iii. 4716.

SERVAIS, J., iii. 471 & ; iv. 792 a ; Conservatoire, Brussels, i. 5926; Stradivari, iii. 7316; Gre'goir, iv. 6550;.

SERVETTO, G. ; Paganini, ii. 628a.

SERVICE, iii. 471 6; Accents, i. I7a ; Aldrich, i. 52 a ; Bene- dicite, i. 2 22 a; Benedictus, i. 223&; Cantate Domino, i. 3056 ; Canticle, i. 3056 ; Clif- ford, i. 3746 ; Deus Miserea- tur, i. 441 a ; Jubilate, ii. 43 b; Magnificat, ii. 1956; Mus. Lib., ii. 42oa ; Nunc Dimittis, ii. 4846; Ouseley, ii. 6i8a ; Schools of Comp., iii. 273 J, etc.; Spriiche, iii. 6826; Tallys, iv. 536; Te Deum, iv. 68 a; Venite, iv. 237a ; Verse, iv. 257*1 ; Wes- ley (S. S.), iv. 447 &.

SESQUI, iii. 475 a ; Hemiolia, i. 7276.

SESQUIALTERA, iii. 475 a ; He- miolia, i. 7276 ; Organ, ii. 5836, etc.; Partial Tones, ii. 6550; Rank, iii. 750.

SESTET, iii. 4756; Bennett (Sterndale), i. 2266, etc.; Boccherini, i. 2516; Brahms, i. 2710; Mozart, ii. 4056; Spohr, iii. 6736; Dvorak, iv. 6246.

SESTINI, G., iii. 4760.

SETTIMETTO, iii. 4760.

SETTLE, L. ; Sunderland, iv. 7976.

SEURIOT; Pre'vost, iii. 296;

��Reber, iii. 82 J; Reicha, Hi. 986.

SEVEN LAST WORDS, The, iii. 476 a ; Haydn, i. 708 6, etc.

SEVENTH, iii. 4766; Harmony, i. 68ob; Monteverde, ii. 3576, etc.; Thoroughbass, iv. 1096.

SEVERIN; Castro (J. de), i. 3196.

SEVERN, T. H., iii. 4776.

SEXT, iii. 4776.

SEXTETT. (See SESTET, iii. 4756.)

SEXTOLET, iii. 478 a; Triplet, iv. I73&.

SEXTON, W.; Adcock (J.), i. 30 a; Page, ii. 6326.

SEXTUS, iii. 478 a; Voices, iv. 3340; Part-books, iv. 7406.

SEYFRIED, I. X. Ritter von, iii. 478 a ; Albrechtsberger, i. 51 a; Beethoven, i. 164 a, etc.; Ernst, 1.4920; Extem- pore-playing, i. 498 b ; Has- linger, i. 69401 ; Haydn, i. 7i6&, etc.; Krebs (K. A.), ii. 7o&; Kuhlau, ii. 756; Marxsen, ii. 2236; Mus. Pe- riodicals, ii. 431 a; Orpheus, ii. 613 a; Ox-Minuet, ii. 6246; Part Song, ii. 6590; Schloesser, iii. 2540; Schup- panzigh, iii. 4246 ; Sowinski, iii. 6476; Strauss (J.), iii. 737 a; Sulzer, iii. 7646; Sup- p, iv. 4 a ; Z^mire et Azor, iv. 505 & ; Goldberg, iv. 6506 ; Mozart, iv. 7210.

SFOGATO, iii. 4786.

SFORZANDO, iii. 4786; iv. 792 a; Accinccatura, i. n8& ; Scherz- ando, iii. 2456.

SFORZANDO-PEDAL ; Organ, ii. 6oi&.

SGAMBATI, G., iii. 4790 ; iv. 792 a; PF.-playing, ii. 745 a; Symphony, iv. 426; Tosti, iv. 1520; Bandini, iv. 5306; Philh. Soc., iv. 7466 ; Koine, iv. 775 a.

SHADAND, J. B. ; United States, iv. 203 a.

SHAKE, iii. 479 &; iv. 7926; Agre"- niens, i. 440; Beat, i. 1586; Cavalieri, i. 32 7 & ; Grace-notes, i. 6150; Notation, ii. 4776; Trill, iv. 1696; Turn, iv. 1926.

SHARED BEAT; Agrdmens, i.

43 &

SHAKESPEARE, W., iii. 4846; Lamperti, ii. 890; Mendels- sohn Scholarship, ii. 3 1 1 a ; Philh. Soc., ii. 7006; Royal Academy of Mus., iii. i86&; Singing, iii. 5126; Liszt, iv. 703 a.

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