'I venture to allude to him because I have an idea I used to know him.' I went on.
'Oh, I see.' Beyond this remark she manifested no interest in my having known him.
'That is if it's the same one.' It seemed to me it would be silly to say nothing more; so I added 'My Mr. Porterfield was called David.'
'Well, so is ours.' 'Ours' struck me as clever.
'I suppose I shall see him again if he is to meet you at Liverpool,' I continued.
'Well, it will be bad if he doesn't.'
It was too soon for me to have the idea that it would be bad if he did: that only came later. So I remarked that I had not seen him for so many years that it was very possible I should not know him.
'Well, I have not seen him for a great many years, but I expect I shall know him all the same.'
'Oh, with you it's different,' I rejoined, smiling at her. 'Hasn't he been back since those days?'
'I don't know what days you mean.'
'When I knew him in Paris—ages ago. He was a pupil of the Ecole des Beaux Arts. He was studying architecture.'
'Well, he is studying it still,' said Grace Mavis.
'Hasn't he learned it yet?'
'I don't know what he has learned. I shall see.' Then she added: 'Architecture is very difficult and he is tremendously thorough.'
'Oh, yes, I remember that. He was an admirable worker. But he must have become quite a foreigner, if it's so many years since he has been at home.'
'Oh, he is not changeable. If he were change-
