Page:A Portrait of the Artist as a Young Man (Huebsch 1916).djvu/284

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washed himself every morning to the waist and had black hair on his chest. Let her.

Cranly had taken another dried fig from the supply in his pocket and was eating it slowly and noisily. Temple sat on the pediment of a pillar, leaning back, his cap pulled down on his sleepy eyes. A squat young man came out of the porch, a leather portfolio tucked under his armpit. He marched towards the group, striking the flags with the heels of his boots and with the ferrule of his heavy umbrella. Then, raising the umbrella in salute, he said to all:

—Good evening, sirs.—

He struck the flags again and tittered while his head trembled with a slight nervous movement. The tall consumptive student and Dixon and O’Keeffe were speaking in Irish and did not answer him. Then, turning to Cranly, he said:

—Good evening, particularly to you.—

He moved the umbrella in indication and tittered again. Cranly, who was still chewing the fig, answered with loud movements of his jaws.

—Good? Yes. It is a good evening.—

The squat student looked at him seriously and shook his umbrella gently and reprovingly.

—I can see—he said—that you are about to make obvious remarks.—

—Um—Cranly answered, holding out what remained of the half chewed fig and jerking it towards the squat student’s mouth in sign that he should eat.

The squat student did not eat it but, indulging his special humour, said gravely, still tittering and prodding his phrase with his umbrella:

—Do you intend that . . .—

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