Page:A Portrait of the Artist as a Young Man (Huebsch 1916).djvu/66

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whose names were in Richmal Magnall's Questions. History was all about those men and what they did and that was what Peter Parley's Tales about Greece and Rome were all about. Peter Parley himself was on the first page in a picture. There was a road over a heath with grass at the side and little bushes: and Peter Parley had a broad hat like a protestant minister and a big stick and he was walking fast along the road to Greece and Rome.

It was easy what he had to do. All he had to do was when the dinner was over and he came out in his turn to go on walking but not out to the corridor but up the staircase on the right that led to the castle. He had nothing to do but that: to turn to the right and walk fast up the staircase and in half a minute he would be in the low dark narrow corridor that led through the castle to the rector's room. And every fellow had said that it was unfair, even the fellow out of second of grammar who had said that about the senate and the Roman people.

What would happen? He heard the fellows of the higher line stand up at the top of the refectory and heard their steps as they came down the matting: Paddy Rath and Jimmy Magee and the Spaniard and the Portuguese and the fifth was big Corrigan who was going to be flogged by Mr Gleeson. That was why the prefect of studies had called him a schemer and pandied him for nothing: and, straining his weak eyes, tired with the tears, he watched big Corrigan's broad shoulders and big hanging black head passing in the file. But he had done something and besides Mr Gleeson would not flog him hard: and he remembered how big Corrigan looked in the bath. He had skin the same colour as the turf-

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