to the sculptor Samuel at Le Puy. The pupil speedily surpassed his master, and went to Lyons, and thence to Paris, where he was under Coustin, sculptor to the King. He was elected to the Academy in 1778, and was highly favoured by Louis XVI. But evil days came, not for nobles only, but also for artists. The Revolution broke out, and men were more busy in framing constitutions than in fostering art. Not till the times of the Consulate and Empire was occupation found for sculptors and painters. However, Julien had made sufficient money before the upheaval to be able to purchase for himself a little estate near Le Puy, and to that he retired till better days came. He was born in 1731, and died in the Louvre, in 1804. His bust as a shepherd boy adorns a fountain at S. Paulien.
After traversing the basin of Emblavès below Le Puy, the Loire enters a second defile, where its passage was barred by a great current of clinkstone, or laminated lava, poured forth from Mézenc, and of this two colossal remnants exist, the rocks Miaune and Gerbison, rising one on each side of the river to a height of 1,800 feet above it. This enormous dyke suddenly thrown across the valley must have caused the waters of the Loire to accumulate into a vast lake, till they effected their escape by sawing through it.
Where, further up, the Arzon flows into the Loire is Vorey, lapped in a fold of the mountains, facing Gerbison, which is striated with rills descending in small cascades.
On June 16th, annually, is celebrated at Vorey a Mass "de la Lepreuse," which is attended by the people of the hamlets of Vertaure and Eyravazet. Once upon
