enraged at this bit of deceit, again rose, broke into the palace, and killed the perjured bishop. The punishment inflicted on the town for this act was severe. However, the citizens were determined on resistance, and at last the controversy was submitted to arbitration, and they gained most of what they had demanded.
The cathedral is of the fourteenth century. The nave of three bays has side aisles and chapels on the south side, one of which, dedicated to S. Michael, is recessed behind richly moulded arches. The choir consists of two bays, with a nine-sided apse with lofty narrow two-light windows in each side. A curious arrangement is the walling up on each side of the choir so as to transform the continuation of the aisles into lengthy independent chapels. On the north side is the richly adorned chapel of S. Fulcran. The west front has no doorway in it, but a beautiful rose window between machicolated turrets. To see it one must enter the gendarmerie which occupies this end of the building. Poor fragmentary cloisters remain on the south. Ferdinand Fabre thus describes the interior of the cathedral:—
"It has a nave and side aisles. The choir is large, lengthy, and occupies almost half the church, which gives an impression of surprise, and awakes in one the unpleasant idea that there is a want of proportion in the general disposition of the monument. But when this vexatious impression has passed away, one admires the nine windows of the apse, of original design, enormously lofty, certainly not in the purest style. The Gothic of the South always retained something incomplete, coarse, disagreeable, and never attained to the marvellous proportion, to the supreme elegance, to the aerial grace of the North.