time of the great pilgrimages. At the foot of the ascent is a fountain erected in commemoration of a choirboy, supposed to have been murdered by the Jews in 1320 and thrown into a well. He was given up as lost, when on Palm Sunday he reappeared, took his place in the procession, and told how he had been slaughtered, and how, by the intervention of Our Lady, he had been resuscitated. The mob believed the story, burst into the Jew's house, tore him to pieces, and cast his dismembered limbs to be devoured by dogs.
If they had but looked closer into the matter, they would have discovered that the urchin had been playing truant, and disguised his idleness by a lie.
From the Rue des Tables the remarkable west front of the minster may be seen in full. It is Romanesque in style, of the Auvergnat character, the façade is enriched with stones white and red and black, arranged in alternating bands, in lozenges and in lattice work. The zebra-like appearance is not pleasing. The eye desires repose, and is teased with the intricacy of the pattern.
This western façade is actually the frontispiece of a vast porch or narthex that stretches back through four of the bays of the nave, with flights of steps, eleven in each, and with landings between. Half-way up the porch are two chapels, one on each side, with large oak doors carved and painted. They represent groups of figures from the story of the Gospel. The background is sunk, but the surface left smooth, and is painted. The chapel on the right is dedicated to S. Stephen, that on the left to S. Giles. Neither is now used.
On two of the steps of the ascent is inscribed in Latin, "Ni caveas crimen, caveas contingere limen,
