be noted Braunton, Lapford, Colebrook, Horwood, Broadwood Widger (dated 1529), North Lew (also dated), Plymtree, Lew Trenchard, Peyhembury. Several early fonts remain of Norman style, and even in some cases perhaps earlier. The finest Norman fonts are Stoke Canon, Alphington, S. Mary Steps (Exeter), Hartland, and Bere Ferrers. In the west, about the Tamar, one particular pattern of Norman font was reproduced repeatedly; and it is found in several churches. There are a number of village crosses remaining, a very fine one at South Zeal; also at Meavy, Mary Tavy, Staverton, Sampford Spiney, Holne, Hele, and some extremely rude on Dartmoor.
There was a churchyard cross at Manaton. The Rev. C. Carwithen, who was rector, found that the people carried a coffin thrice round it, the way of the sun, at a funeral; although he preached against the usage as superstitious, they persisted in doing so. One night he broke up the cross, and removed and concealed the fragments. It is a pity that the cross did not fall on and break his stupid head.
It is interesting to observe how late the Perpendicular style maintained itself in the West. At Plymouth is Charles Church, erected after the Restoration, of late Gothic character. So also are there aisles to churches, erected after the Reformation, of debased style, but nevertheless distinctly a degeneration of the Perpendicular.
In domestic architecture this is even more noticeable. Granite-mullioned windows and four-centred doorways under square hoods, with shields and flowers
