CHAPTER III THE NOVEL
TURNING now to the second literary achievement of the Mongols, the introduction of the Novel, we find ourselves face to face with the same mystery as that which shrouds the birth of the Drama. The origin of the Chinese novel is unknown. It probably came from Central Asia, the paradise of story-tellers, in the wake of the Mongol conquest. Three centuries had then to elapse before the highest point of development was reached. Fables, anec- dotes, and even short stories had already been familiar to the Chinese for many centuries, but between these and the novel proper there is a wide gulf which so far had not been satisfactorily bridged. Some, indeed, have maintained that the novel was developed from the play, pointing in corroboration of their theory to the Hsi Hsiang Chi, or Story of the Western Pavilion, described in the preceding chapter. This, however, simply means that the Hsi Hsiang Chi is more suited for private read- ing than for public representation, as is the case with many Western plays.
The Chinese range their novels under four heads, as dealing (i) with usurpation and plotting, (2) with love and intrigue, (3) with superstition, and (4) with brigand- age or lawless characters generally. Examples of each
class will be given.
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