figure, leaving her tired out, as if after a struggle, sitting still for a long time in dreamy languor. Then she paddled home slowly in the afternoon, often letting her canoe float with the lazy stream in the quiet backwater of the river. The paddle hung idle in the water as she sat in the stern, one hand supporting her chin, her eyes wide open, listening intently to the whispering of her heart that seemed to swell at last into a song of extreme sweetness. Listening to that song she husked the rice at home; it dulled her ears to the shrill bickerings of Bulangi's wives, to the sound of angry reproaches addressed to herself. And when the sun was near its setting she walked to the bathing-place and heard it as she stood on the tender grass of the low bank, her robe at her feet, and looked at the reflection of her figure on the glass-like surface of the creek. Listening to it she walked slowly back, her wet hair hanging over her shoulders; laying down to rest under the bright stars, she closed her eyes to the murmur of the water below, of the warm wind above; to the voice of nature speaking through the faint noises of the great forest, and to the song of her own heart.
She heard, but did not understand, and drank in the dreamy joy of her new existence without troubling about its meaning or its end, till the full consciousness of life came to her through pain and anger. And she suffered horribly the first time she saw Nina's long canoe drift silently past the sleeping house of Bulangi, bearing the two lovers into the white mist of the great river. Her jealousy and rage culminated into a paroxysm of physical pain that left her lying panting on the river bank, in the dumb agony of a wounded animal. But she went on moving patiently in the enchanted circle of slavery, going through her task day after day with all the pathos of the grief she could not express, even to her-
