trembled and swayed for a long time in the moonlight before they rested motionless and gleaming, like a design of silver sprays embroidered on a sombre background.
Mrs. Almayer lighted the cocoanut lamp, and lifting cautiously the red curtain, gazed upon her husband, shading the light with her hand.
Almayer, huddled up in the chair, one of his arms hanging down, the other thrown across the lower part of his face as if to ward off an invisible enemy, his legs stretched straight out, slept heavily, unconscious of the unfriendly eyes that looked upon him in disparaging criticism. At his feet lay the overturned table, amongst a wreck of crockery and broken bottles. The appearance as of traces left by a desperate struggle was accentuated by the chairs, which seemed to have been scattered violently all over the place, and now lay about the verandah with a lamentable aspect of inebriety in their helpless attitudes. Only Nina's big rocking- chair, standing black and motionless on its high runners, towered above the chaos of demoralised furniture, unflinchingly dignified and patient, waiting for its burden.
With a last scornful look towards the sleeper, Mrs. Almayer passed behind the curtain into her own room. A couple of bats, encouraged by the darkness and the peaceful state of affairs, resumed their silent and oblique gambols above Almayer's head, and for a long time the profound quiet of the house was unbroken, save for the deep breathing of the sleeping man and the faint tinkle of silver in the hands of the woman preparing for flight. In the increasing light of the moon that had risen now above the night mist, the objects on the verandah came out strongly outlined in black splashes of shadow with all the uncompromising ugliness of their disorder, and a caricature of the sleeping Almayer appeared on
