might have been deaf, dumb, without any feeling as far as any expression of opinion went. Yet oft when her father had sought the refuge of the great dusty rooms of "Almayer's Folly," and her mother, exhausted by rhetorical efforts, squatted wearily on her heels with her back against the leg of the table, Nina would approach her curiously, guarding her skirts from betel juice besprinkling the floor, and gaze down upon her as one might look into the quiescent crater of a volcano after a destructive eruption. Mrs. Almayer's thoughts, after these scenes, were usually turned into a channel of childhood reminiscences, and she gave them utterance in a kind of monotonous recitative—slightly disconnected, but generally describing the glories of the Sultan of Sulu, his great splendour, his power, his great prowess; the fear which benumbed the hearts of white men at the sight of his swift piratical praus. And these muttered statements of her grandfather's might were mixed up with bits of later recollections, where the great fight with the "White Devil's" brig and the convent life in Samarang occupied the principal place. At that point she usually dropped the thread of her narrative, and pulling out the little brass cross, always suspended round her neck, she contemplated it with superstitious awe. That superstitious feeling connected with some vague talismanic properties of the little bit of metal, and the still more hazy but terrible notion of some bad Djinns and horrible torments invented, as she thought, for her especial punishment by the good Mother Superior in case of the loss of the above charm, were Mrs. Almayer's only theological luggage for the stormy road of life. Mrs. Almayer had at least something tangible to cling to, but Nina, brought up under the Protestant wing of the proper Mrs. Vinck, had not even a little piece of brass to remind her of past teaching.
