A SHORT HISTORY OF ENGLAND
that its chief glories ended with it. Let the reader ask himself what strikes him specially in the Elizabethan magnificence, and he will generally find it is something of which there were at least traces in mediæval times, and far fewer traces in modern times. The Elizabethan drama is like one of its own tragedies—its tempestuous torch was soon to be trodden out by the Puritans. It is needless to say that the chief tragedy was the cutting short of the comedy; for the comedy that came to England after the Restoration was by comparison both foreign and frigid. At the best it is comedy in the sense of being humorous, but not in the sense of being happy. It may be noted that the givers of good news and good luck in the Shakespearian love-stories nearly all belong to a world which was passing, whether they are friars or fairies. It is the same with the chief Elizabethan ideals, often embodied in the Elizabethan drama. The national devotion to the Virgin Queen must not be wholly discredited by its incongruity with the coarse and crafty character of the historical Elizabeth. Her critics might indeed reasonably say that in replacing the Virgin Mary by the Virgin Queen, the English reformers merely exchanged a true virgin for a false one. But this truth does not dispose of a true, though limited, contemporary cult. Whatever we think of that particular Virgin Queen, the tragic heroines of the time offer us a whole procession of virgin queens. And it is certain that the mediævals would have understood much better than the
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