XX
COPYRIGHT THROUGHOUT THE BRITISH EMPIRE
Copyright in America has been so much modeled on English and English statutes, decisions and precedents, that the American previous chapters have covered most of the points of °^^ *™' copyright law in the United Kingdom. There are two essential points of difference, however, between the English and American systems. British copyright has depended essentially upon first publication, not upon citizenship; and registration and deposit, which are here a sine qua non, have there been necessary only (except in the case of works of art) previous to, and as a basis for, an infringement suit.
A book first published in the United Kingdom First publi- (England, Scotland, Wales, and Ireland) has been cattonand ipso facto copyright, under the act of 1842, throughout British dominions ; and this protection was definitely extended, by the act of 1886, to a work first pub- lished elsewhere in the British dominions. This held whether the author were a natural-born or naturalized British subject, wherever resident; or a person who was at the time of publication on British soil, colonies included, and so " temporarily a subject of the Crown — bound by, subject to, and entitled to the benefit of the laws," even if he made a journey for this express purpose; or, probably but not certainly, an alien friend not resident in the United Kingdom nor in a country with which there was copyright reciprocity. Under the statute of Anne, it was decided by the Law Lords, in the case of Jefferys v. Boosey (over- ruling Boosey v. Jefferys), that a person not a Brit- ish subject or resident was not entitled to copyright
