Turner followed. In the second innings the wicket was much faster, and I felt quite at home and played forward with perfect confidence.
Back play is most effective on a drying sticky wicket. That is about the worst you can play on; for the ball not only gets up high, but the bowler can get a great amount of work on it, and you have no course but to watch it until the last moment and play back to it. Keep your eye on the bowler; watch how he holds the ball and runs up to the wicket before delivering it, and you may be able to detect any alteration in length and pace. And never get flurried whatever his action may be; for if you take your eyes off his arm or lose your head for a second, he has you at a disadvantage.
And now I come to a point which is fast becoming a characteristic of all good batsmen; and that is, playing the ball with the bat, and not allowing the ball to hit the bat. Your forward play and back play may be perfect; but if you can only stop the ball, you will never belong to the ranks of first-class batsmen. Make an effort to play the ball away from you with some force, and with practice you will do it as readily as merely stopping it and allowing it to roll a yard or two away. In Chapter III. I pointed out that it was years before I gained sufficient command of the bat to enable me to place the ball where I wished. At first I was content to be able to play it away anywhere; but with constant practice I gained the power of placing it between the fieldsmen.
I firmly believe most players can do the same if they only try hard enough. Eye and wrist will respond when the brain commands; but here and there you may find a batsman who seems to be able to do better than another. Timing the ball is the secret of all good play; and timing, as far as I can make out, means the harmonious working of eye, wrist, arms, legs, and
