touch of the graver. Contrary to western usage, the blocks are cut from wood sawed in boards, or sawed parallel with the fibres. The thickness of the boards or blocks is about a half-inch, but, in the Chinese method, it is not important that the blocks be made of uniform thickness.[1] Each block is cut large enough to contain two pages, and is carefully planed and truly squared. The surface is then sized with a thick solution of boiled rice, which saturates the pores of the wood. When the sizing is hard, the block is ready for the engraver.
The writing or design to be engraved is neatly drawn or written on thin, strong, transparent paper, and is transferred, face downward, to the surface of the block. The rubbing of the back of the paper permanently transfers the writing in its inverted position to the block. The engraver then cuts away the field, leaving the transferred lines in high relief. If the graver slips and spoils a letter, the defective part is cut out; the vacant space is plugged with new wood, on which plug the letter is redrawn and cut. Labor is cheap, and skill is abundant: the cutting of a block of Chinese characters which conveys as many ideas as a page of large Roman book types costs no more, often less, than the composition of the types. The block has advantages over metal types or stereotypes. It is, practically, a stereotype: correct to copy, it needs no proof-reading; light, portable, and not so liable to damage as the stereotype, it can be used for printing copies as they are needed from time to time.
For printing the block, a press is not needed. The block is adjusted upon a level table, before which the printer stands, with a bowl of fluid ink on one side, and a pile of paper, cut to proper size, on the other. In his right hand the printer holds two flat-faced brushes, fixed on the opposite ends of the same handle. One brush is occasionally dipped into the ink,
- ↑ American engravers on wood use box which has been cut across the fibres in flat disks, ninety-two hundredths of an inch thick. Wood so cut, with its fibres like columns, perpendicular to the touch of the graver and to the line of impression, can be engraved with more delicacy, and, for printing, has more strength than wood cut in line with the fibres.
