lished by John Hilton,' 1652; second edition, corrected and enlarged by John Playford, 1658, 1663; 'Catch..., &c., or the Musical Companion, to which is added a Second Book contayning Dialogues, Glees, Ayres, and Ballads, for Two, Three, and Four Voyces,' 1667; 'The Musical Companion, in Two Books: I. Catches...; II. Dialogues..,' 1673 (the second book dated 1672); 'Catch that catch can, or the second part of the Musical Companion,' contains seventy new catches and songs, 1685;' The Second Book of the Pleasant Musical Companion,' 2nd ed. 1686, a reprint, 1687. Henry Playford published a fifth edition,' Pleasant Musical Companion,' 1707; other publishers issued later editions, including the tenth, 1726. 5. 'Musick's Recreation on the Lyra- Viol,' in lute tablature, 1652, 1656; '... on the Viol, Lyraway,' 1661, 1669, 1682; there was announced in 1674 'Musick's Recreation on the Bass- Viol, Lyra-way.' 6. 'Select Musical Ayres and Dialogues for One and Two Voyces to sing to the Theorbo-Lute or Bass- Violl...' in two books, 1652; in three books, 1653; other editions,' Select Ayres,' 1659, second book and third book, consisting chiefly of compositions by Henry Lawes, and reprinted as the second and third books of 'The Treasury of Musick,' 1669. 7. 'Court Ayres or Pavins, Almains, Corants, and Sarabands of two parts, Treble and Bass, for Viols and for Violins, which may be performed in Consort to the Theorbo-Lute or Virginalls,' obi. 8vo, 1655; 'Courtly Masquing Ayres...' two books in 4to, 1664. 8. ' A Breif Introduction to the Skill of Music for Song and Viol,' in two books, 8vo; 2nd ed. 1658; third edition, enlarged, with portrait, 'A Brief Introduction... to which is added a third book, entituled The Art of Setting or Composing Musick in Parts, by Dr. Thomas Campion, with Annotations thereon by Mr. Christopher Simpson,' 1660, 1662, 1664, 1666, 'An Introduction,' 1672 ;' With the Order of Singing Divine Service,' 1674, 1679; 10th ed. 1683; by Henry Playford, llth ed. 1687, 1694; ' With the Art of Descant,' by H. Purccell, 1697; 14th ed. 1700; 15th ed. 1703, continued by other publishers to 19th ed. 1730. 9. 'Cantica Sacra,' Dering's Latin anthems, first set, 1662 ; second set, Latin and English, by various composers, 1673, 1674. 10. 'Musick's Hand-maide, presenting New and Pleasant Lessons for the Virginalls or Harpcycon' (afterwards Harpsychord or Spinet), 1663, 1673, 1678 ; by Henry Playford, second book, 1689; the whole reprinted, engraven on copper-plates, 1690, 1695. 11. 'Apollo's Banquet for the Treble Violin,' 1670, 1673; with tunes of French dances, 1676; with rules, 1678; in two parts, 1685; by Henry Playford, 6th ed. 1690; 7th, 1695; 8th, with 'New Ayres and Instructions,' 1701. 12. 'The Pleasant Companion Lessons on the Flagilet' (Greeting), 1671, 1676, 1684. 13. 'Psalms and Hymns in Solemn Musick of Four Parts, on the Common Tunes to the Psalms in Metre, used Parish Churches; also Six Hymns for One Voice to the Organ,' 1671. 14. 'Choice Songs and Ayres...,' 1673, 1675, 1676; second book, 1679; third book, 1681; collected in 3 vols. as 'Choice Banquet of Musick,' 1682; fourth book, 1683; fifth book, 1684. 15. 'The whole Book of Psalms with the usual Hymns and Spiritual Son... composed in Three Parts,' 1677; Henry Playford, 2nd ed. 1695; 8th, 1702 continued by other publishers, 20th ed. 1757. 16. 'The Delightful Companion [some times 'Musick's Delight'], Lessons for the Recorder or Flute,' 1682. 17. 'The Division Violin,' 1685; 3rd ed. 1688; 4th, 1699.
After Playford's death, his only surviving son, Henry Playford (1657–1706?), born on 5 May 1657, and christened at the Temple Church, when Henry Lawes and an elder Henry Playford, stood godfathers, carried or the business at the shop near the Temple Church. In partnership with Robert Carr, Henry published three books of 'The Theatre of Musick;' the fourth book and his other undertakings appeared independently of Carr. In 1694 he sold to Heptinstall his copyright in 'The Dancing Master.' From 1696 to 1703 Playford traded in the Temple Change 'over against St. Dunstan's Church in Fleet Street.' He employed as printers, John Playford the younger, 1685; Charles Peregrine, 1687; E. Jones, 1687, 1696; J. Heptinstall, 1696; William Pearson, 1698. About 1701 he instituted weekly clubs for the practice of music, which flourished in Oxford as we as in London.
Playford, in his effort to withstand the competition of purveyors of cheap music established in 1699 a concert of music to held three evenings in the week at a coffee house. Here his music was to be sold, and might be heard at the request of any propective purchaser. He complained of the dearness of good paper, and of the scandalous abuse of selling single songs at a penny apiece, a practice 'which hindered good collections.' In 1703 Playford invited subscriptions to the 'Monthly Collections of Music' to be sent to his house in Arundel Street Strand, 'over against the Blue Ball.' From 1703 to 1707 he seems to have engaged desultorily in selling prints, paintings, 'and other adornments.' In 1706 his warehouse
