copy of the Fulham portrait was presented to the college in 1852 by Provost Edward Hawkins [q. v.] The bishop's widow presented to Oriel College a portrait of Queen Anne, which the latter had expressly ordered to be painted by Dahl in 1713 for presentation to Robinson.
[Foster's Alumni Oxon. 1500–1714; Foster's Peerage, 1882; Burnet's Own Time, 1823, ii. 535, 580, 607, 608, 630; Boyer's Annals of Queen Anne, 1735, pp. 243, 298, 476, 515, 523, 532, 557, 564, 569, 583, 614, 618, 649, 658, 682, 705, 713; Tindal's Contin. of Rapin, 1745, iv. 222, 247, 260, 275, 309–10, 407, 429, 580; Calendars of Treasury Papers, vols. iii. and iv. passim; Nichols's Lit. Anecd. i. 500, iv. 231, v. 495, viii. 4, ix. 85; Noble's Contin. of Granger, ii. 79; Lysons's Environs of London, ii. 385–6; Faulkner's Hist. Account of Fulham, 1813, p. 117; Gent. Mag. 1802, i. 129–30; Notes and Queries, 2nd ser. ii. 424, 4th ser. i. 436, 5th ser. iii. 187, v. 249, 335, 475, vi. 437, 545; Kemble's State Papers and Correspondence, 1857, pp. 90, 134, 219, 480; Zouch's Works, ii. 406; Whiston's Memoir of Clarke, p. 99; Calamy's Account, ii. 239, 270; Hearne's Collections, ed. Doble, iii. 37, 71, 81, 218, 364, and Reliquiæ Hearnianæ, ii. 133–4; Anderson's Colonial Church, iii. 49; Lady Cowper's Diary, p. 41; Addison's Works (Bohn), v. 245, 390; Stoughton's English Church under Anne, i. 76, 124; Milman's Annals of St. Paul's, p. 456; Abbey's English Bishops in the Eighteenth Century; Macray's Annals of the Bodleian Library, p. 175; Wentworth Papers, passim; Hyde Corresp. ed. Singer, i. 179; Marlborough's Letters and Despatches, ed. Murray, vols. i. iii. and iv. passim; Coxe's Memoirs of Marlborough, 1848, pp. 37–58; Swift's Works, ed. Scott, passim; Macknight's Life of Bolingbroke, passim; Stanhope's Hist. of England; Wyon's England under Queen Anne; Journal de P. de Courcillon, Marquis de Dangeau, t. xiii. and xiv.; Dumont's Lettres Historiques; Casimir Freschot's Hist. du Congrès et de la Paix d'Utrecht, 1716; Legrelle's Succession d'Espagne, iv. passim, esp. chap. viii.; Ottokar Weber's Friede von Utrecht, Gotha, 1891; Geijer und Carlson's Geschichte Schwedens, iv. 168; Luttrell's Brief Relation, iv. 125, v. 282–3, 321, vi. passim; Watt's Bibl. Brit.; Brit. Mus. Cat.; notes kindly supplied by Charles L. Shadwell, esq., fellow of Oriel, William Shand, esq., of Newcastle, and the Rev. Edward Hussey Adamson, of Gateshead.]
ROBINSON, JOHN (1715–1745), portrait-painter, was born at Bath in 1715. He studied under John Vanderbank [q. v.], and attained some success as a portrait-painter. Having married a wife with a fortune, he, on the death of Charles Jervas [q. v.], purchased that painter's house in Cleveland Court. He thus inherited a fashionable practice; but he had not skill enough to keep it up. He dressed many of his sitters in the costume of portraits by Vandyck. Robinson died in 1745, before completing his thirtieth year. A portrait of Lady Charlotte Finch by Robinson was engraved in mezzotint by John Faber, jun., and the title of the print subsequently altered to ‘The Amorous Beauty.’
[Redgrave's Dict. of Artists; Walpole's Anecdotes of Painting; Chaloner Smith's British Mezzotinto Portraits.]
ROBINSON, JOHN (1682–1762), organist, born in 1682, was in 1700 a child of the chapel royal under Dr. Blow. In 1710 he was appointed organist to St. Lawrence Jewry; in 1713 to St. Magnus, London Bridge (Bumpus). He enjoyed popularity both as a performer on the organ and as professor of the harpsichord, while as a composer there is extant by him the double chant in E flat at the end of vol. i. of Boyce's ‘Cathedral Music.’ On 20 Sept. 1727 Robinson succeeded as organist of Westminster Abbey Dr. William Croft [q. v.], whose assistant he had been for many years. Benjamin Cooke in 1746 became Robinson's assistant. Robinson died on 30 April 1762, aged 80, and was buried on 13 May in the same grave with Croft. A portrait by T. Johnson, engraved by Vertue, shows Robinson seated at a harpsichord.
Robinson married, on 6 Sept. 1716, Ann, daughter of Dr. William Turner (1651–1740) [q. v.] She was a vocalist, and appeared as Mrs. Turner Robinson in 1720 as Echo in Scarlatti's ‘Narcissus.’ On 5 Jan. 1741 she died, and on the 8th was buried in the west cloister of Westminster Abbey. Several daughters died young; one became a singer, often heard in Handel's oratorios. Robinson married a second wife, who survived him, and had by her a son, John Daniel.
[Hawkins's History of Music, p. 827; Bumpus's Organists; Grove's Dict. iii. 139; Notes and Queries, 3rd ser. x. 181; Boyce's Cathedral Harmony, i. 2, iii. 18; Chamberlayne's Angliæ Notitia; Chester's Westminster Abbey Reg. pp. 43, 308, 313, 357, 400; P. C. C. Administration Acts, June 1762.]
ROBINSON, JOHN (1727–1802), politician, born on 15 July 1727, and baptised at St. Lawrence, Appleby, Westmoreland, on 14 Aug. 1727, was the eldest son of Charles Robinson, a thriving Appleby tradesman, who died on 19 June 1760, in his fifty-eighth year (Bellasis, Church Notes, p. 23), having married, at Kirkby Thore on 19 May 1726, Hannah, daughter of Richard Deane of Appleby. John was educated until the age of seventeen at Appleby grammar school, and was then articled to his aunt's husband, Ri-
