published a descriptive catalogue of the antiquities found in the excavations at the new Royal Exchange, 1848, and several of his papers and addresses were privately printed. He was a good linguist, and had an extensive knowledge of English literature. He was a munificent contributor to funds raised for charitable and educational purposes, and founded the Tite scholarship in the City of London School. He died without issue at Torquay on 20 April 1873, and was buried in Norwood cemetery.
In 1832 Tite married Emily, daughter of John Curtis of Herne Hill, Surrey, who survived him. His personal property was sworn under 400,000l. His valuable library, consisting chiefly of early English books, biblical and liturgical rarities, and historical autographs, was sold at Sotheby's after his death.
A portrait of Tite as a young man by Renton, and a bust by William Theed, 1870, are at the London Institution. A copy of Theed's bust and a portrait painted by J. P. Knight, R.A., are at the Institute of British Architects. There is a marble bust of Tite in the Guildhall, Bath.
[Papers read at the Royal Institute of British Architects, 1873–4, pp. 209–12; Dict. of Architecture; Times, 22 April 1873; Redgrave's Dict. of Artists; Builder, 3 May 1873.]
TITIENS (correctly TIETJENS), TERESA CAROLINE JOHANNA (1831–1877), operatic singer, born of Hungarian parents at Hamburg on 17 July 1831 (Riemann, Dict. of Music), was musically educated in her native town. Her voice was a soprano of singular sweetness and power, and in 1849 she made a successful début at Hamburg in the title part of ‘Lucrezia Borgia.’ From that year until 1856 she sang principally at Frankfort and Vienna, where she was engaged for Benjamin Lumley [q. v.] of Her Majesty's Theatre for the season of 1858. It is said to have been due to Lumley that her name was simplified to Titiens. On 13 April 1858 she appeared at Her Majesty's as Valentine in ‘Les Huguenots,’ with much success (Cox, Musical Recollections, ii. 318). Titiens's success in England induced her to make her home there. She ultimately became a naturalised British subject. For years she sang at Her Majesty's and Drury Lane under Mapleson and E. T. Smith, and also at Covent Garden and, later, at the Haymarket. Her best parts included Lucrezia, Semiramide, Countess Almaviva, Medea in Cherubini's opera of that name, and Lenora in Beethoven's ‘Fidelio,’ though in this last her triumph was vocal, since her figure was unsuited to the part. She also sang Ortrud in ‘Lohengrin.’
As a singer of sacred music Titiens was no less successful than as an opera singer, and her services for the provincial and Handel festivals were in continual demand. In 1863 she visited Paris, and during 1876 America. At the end of the last year she was accorded at the Albert Hall, London, her last benefit. In May 1877 she made as Lucrezia her last appearance on the stage, her health at that time being very weak. She died on 3 Oct. 1877, and was buried at Kensal Green.
[Musical Times, 1877, p. 534; Musical Opinion, September 1892; Grove's Dict. of Music and Musicians.]
TITLEY, WALTER (1700–1768), envoy-extraordinary at Copenhagen, born in 1700, was son of Abraham Titley, a Staffordshire man. He was admitted a king's scholar at Westminster in 1714, and was three years later elected to Cambridge. While at Westminster he acted as ‘help’ to Osborn Atterbury, son of Francis Atterbury [q. v.], bishop of Rochester, and was afterwards his tutor. From Trinity College, Cambridge, he graduated B.A. in 1722 and M.A. in 1726. He laid down a regular plan of life, which was approximately carried out. The first thirty years were to be given to study, the next thirty to public business, and after the age of sixty study was to be resumed. Having entered the diplomatic service, he became secretary of the British embassy at Turin. On 3 Jan. 1728–9 he was selected to act as chargé d'affaires at Copenhagen in the absence of Lord Glenorchy, and on 3 Nov. 1730 was named envoy-extraordinary. In 1733 Richard Bentley (1662–1742) [q. v.], master of Trinity, appointed him to the physic-fellowship at that college. Titley resigned his diplomatic position to accept it, but had become so attached to his life at Copenhagen that he was unable to leave it. He accordingly resumed his post, and held it for the remainder of his life. On his application in 1761, the king of Denmark agreed to order the seizure and extradition of deserters from the British army and navy, on condition of a similar service being performed for him in England. Two years later, in 1763, Titley was, on the ground of age and infirmity, granted an assistant. He died at Copenhagen, greatly respected and lamented, in February 1768. He bequeathed 1,000l. each to Westminster school, Trinity College, and the university of Cambridge. Part of the last bequest was to be devoted to buildings.
Titley wrote an ‘Imitation’ in English of the second ode of the third book of Horace, which was much admired by Bentley, who
