poems were printed by Dafydd Ddu Eryri in 'Corph y Gaine' (1810), and in 1816 he published a volume of Welsh verse himself, entitled 'Ffrwyth Awen.' In 1811 he again won a prize for an ode to 'Agriculture.' During the rest of his life he was less successful; his ode on 'Belshazzar's Feast' was second at Denbigh in 1828, but was printed with the winner's in the 'Transactions' of the eisteddfod (Chester, 1830); at Beaumaris also in 1832 he took the second place in the competition for the best ode on the 'Wreck of the Rothesay Castle.' His knowledge of the Welsh metres was thorough, but he had few of the gifts of a poet.
[There is a full memoir, with a portrait, in the Gwladgarwr for 1839; letters which passed between the poet and his brother bards will be found in Adgof uwch Anghof, Penygroes, 1883.]
WILLIAMS, HELEN MARIA (1762–1827), authoress, daughter of Charles Williams, an officer in the army, was born in London in 1762. While still a child, apparently on the death of her father, her family moved to Berwick-on-Tweed, 'where her sole instruction was derived from a virtuous, amiable, and sensible mother ' (Kippis). In 1781 she came up to London, bringing with her 'Edwin and Eltruda,' a legendary tale in verse, which Dr. Andrew Kippis [q. v.], an old family friend, undertook to see through the press, himself writing a short introduction. It was published in 1782, and was so far successful as to induce her to continue a literary career. During the next few years she produced several poems, including 'An Ode on the Peace' (1783) and 'Peru' (1784), which were published by subscription and brought in considerable profit. These, with other pieces, were included in her 'Poems' published in 1786 (2nd edit. 1791), in which was also an epistle to Dr. John Moore (1729-1802) [q. v.], expressing her gratitude for his friendship and his attention to her during a serious illness. She was at this time living 'where Epping spreads a woody waste,' at Grange Hill, Essex. In 1788 she went over to France on a visit to her elder sister, Cecilia, who married Athanase Coquerel, a protestant minister; and from that time she for the most part resided there, intermittently at first, but afterwards continuously. She adopted with enthusiasm the principles and ideas of the revolution, and wrote of it with a fervour that amounted almost to frenzy. She became acquainted with many of the leading Girondists, was on terms of intimacy with Madame Roland, was thrown into prison by Robespierre (from October 1793 she was in the Luxembourg), and narrowly escaped the fate of so many of her friends.
Both before her arrest and after her release she freely wrote her impressions of the events which she witnessed or heard of, impressions frequently formed on very imperfect, one-sided, and garbled information, travestied by the enthusiasm of a clever, badly educated woman, and uttered with the cocksureness of ignorance. It was in the nature of things that such writings should make her many enemies; and while some of these contented themselves with denouncing her works as unscrupulous fabrications, others attacked her reputation as a woman, and accused her of carrying her love of liberty to a detestation of all constraint, legal or social. She was apparently living at Paris from 1794 to 1796 under the protection of John Hurford Stone [q.v.], who had deserted his own wife for her. Wolfe Tone met them walking through the Tuileries on 19 July 1796, and three days later dined with them. 'Miss H. M. Williams,' he wrote, 'is Miss Jane Bull completely' (Autobiogr. 1893, ii. 86-7). In spite of her intrigue with Stone, and of, it is said, another with Captain Imlay, Miss Williams retained, with her religious sentiment, her association with the protestant set of her sister's family; and the tradition of her which remained to the younger members of it was as of one to admire and love. And in fact her writings are very much what might be expected from a warm-hearted and ignorant woman. The honesty with which she wrote carried conviction to many of her readers; and there can be little doubt that her works were the source of many erroneous opinions—as to facts, which have been largely accepted as matters of history, instead of as they really were, in their origin—the wilful misrepresentations of interested parties.
In 1817 she and Stone took out letters of naturalisation in France, it being then officially (but erroneously) noted that she was born in London in 1769, a date contrary to all available evidence, and shown to be absurd by the publication of 'Edwin and Eltruda' in 1782. During her later years she resided much at Amsterdam with her nephew, Athanase Laurent Charles Coquerel, pastor there of a congregation of French protestants. She died in Paris on 15 Dec. 1827, and was buried beside Stone in Pere-Lachaise. Her portrait was painted by Ozias Humphry; another was engraved by R. Scott in 1786 (Bromley, p. 447). A lithographed portrait is said (Gent. Mag. 1828, i. 373) to have been published shortly before her death. Two smaller ones of an earlier date are in the British Museum (print-room).
