Returning to England with his wife and newly born child, Wingfield served as master of the ordnance under Sir John Norris (1547?-1597) [q. v.] in Brittany against the forces of the league in 1591, and the following year he is mentioned as being in charge of the storehouse at Dieppe (Cal. State Papers, Dom. 1591-4, pp. 57, 218). He was one of the committee appointed in 1593 for conference touching the relief of poor maimed soldiers and mariners (Hatfield MSS. iv, 295); and in June 1596 he sailed on board the Vanguard, as camp-master with the rank of colonel, in the expedition under the Earl of Essex against Cadiz. After the attack on the Spanish fleet, in which he bore his share (Markham, Fighting Veres, p. 227), he was one of the first to enter the town; but despising the warning of Sir Francis Vere not to expose himself recklessly without his armour, he was struck down by a shot in the market-place just when all resistance ceased (Cal. State Papers, Dom. 1595-7, pp. 191, 249, 272; Motley, United Netherlands, iii 364). He was buried with military honours in the principal church in Cadiz (Camden, Annals, 1615, ii. 119), and the following year the queen granted his widow an annuity of 100l. (Cal. State Papers, Dom. 1596-7, p. 454). Wingfield married, about 1582, Susan, sister of Peregrine Bertie, lord Willoughby de Eresby, and widow of Reginald Grey, fourth earl of Kent, by whom he had one son, Peregrine, born in Holland.
[Authorities quoted; Powerscourt's Wingfield Muniments, p. 30.]
WINGFIELD, LEWIS STRANGE (1842–1891), traveller, actor, writer, and painter, third and youngest son of Richard Wingfield, sixth viscount Powerscourt, by his wife, Lady Elizabeth Frances Charlotte, eldest daughter of Robert Jocelyn, second earl of Roden, was born on 25 Feb. 1842, and educated at Eton and Bonn. He was intended for the army, which he relinquished only at the request of his mother, subsequently Marchioness of Londonderry, who knew the delicacy of his constitution and feared the risks of the profession. Of a remarkably adventurous disposition and volatile nature, he engaged in a strange and varied succession of pursuits, few of which were prosecuted long. On 21 Aug. 1865 he was at the Haymarket Theatre Roderigo to the Othello of Ira Aldridge, the Iago of Walter Montgomery, and the Desdemona of Madge Robertson (Mrs. Kendal). He had previously played in burlesque. Besides making many whimsical experiments, such as going to the Derby as a negro minstrel, spending nights in workhouses and pauper lodgings, becoming attendant in a madhouse and in a prison, he travelled in various parts of the east, and was one of the first Englishmen to journey in the interior of China. His first published work was ‘Under the Palms in Algeria and Tunis,’ 1868, 2 vols. During the Franco-German war he went to Paris, where he stayed through the siege, attending the wounded and qualifying as a surgeon. During the siege he communicated by balloon and otherwise with the ‘Times,’ the ‘Daily Telegraph,’ and other newspapers. After returning to London he went back to Paris immediately on hearing of the trouble with the commune, and remained there until its suppression by the Versailles troops. Having taken a house, No. 8 Maida Vale, with a large studio attached, he devoted himself to painting, and became a member of the Royal Hibernian Academy. Between 1869 and 1875 he exhibited four domestic scenes at the Royal Academy, and one at the Suffolk Street Gallery. He arranged during his stay in Paris for a panorama of the siege to be exhibited in London, and forwarded to England designs executed by various French artists. The failure of an American financier brought the scheme to nothing.
After abandoning painting, Wingfield took to designing costumes for the theatres, and was responsible for the dressing of many Shakespearean revivals, including ‘Romeo and Juliet’ at the Lyceum for Miss Mary Anderson, and ‘Antony and Cleopatra’ at the Princess's for Mrs. Langtry. For a time Wingfield contributed theatrical criticisms to the ‘Globe’ newspaper, under the title ‘Whyte Tyghe.’ For Madame Modjeska he adapted Schiller's ‘Mary Stuart,’ produced at the Court on 9 Oct. 1880. He also wrote some unacted dramas. He tempted fortune in many other forms of literature. ‘Slippery Ground,’ a novel in 3 vols., appeared in 1876; ‘Lady Grizzle: an Impression of a momentous Epoch,’ 1878, 3 vols.; ‘My Lords of Strogue: a Chronicle of Ireland from the Convention to the Union,’ 1879, 3 vols.; ‘For Good or Evil’ appeared in ‘Eros; Four Tales,’ vol. i. 1880; ‘In Her Majesty's Keeping,’ 1880, 3 vols.; ‘Gehenna, or Havens of Unrest,’ 1882, 3 vols.; ‘Abigail Rowe: a Chronicle of the Regency,’ 1883, 3 vols.; ‘Notes on Civil Costume in England,’ 1884, 1 vol. 4to; ‘Barbara Philpot: a Study of Manners,’ 1886, 3vols.; ‘Lovely Wang: a Bit of China,’ 1887, 12mo; ‘The Curse of Koshin: a Romance,’ 1888, 8vo; ‘Wanderings of a Globe-trotter in the Far East,’ 1889, 8vo; and ‘The Maid of Honour: a Tale of the Dark Days of
