the match had been lighted by the Bishop of Tarbes the full meaning of it does not seem to have occurred to her. Mendoza, on his arrival in England, had found her disturbed; she was irritated at the position which had been given to the Duke of Richmond; she was angry, of course, at the French alliance; she complained that she was kept in the dark about public affairs; she was exerting herself to the utmost among the friends of the imperial connection to arrest Wolsey's policy and maintain the ancient traditions; but of the divorce she had not heard a word. It was to come upon her like a thunderstroke.[1]
Before the drama opens a brief description will not be out of place of the two persons who were to play the principal parts on the stage, as they were seen a year later by Ludovico Falieri, the Venetian ambassador in England. Of Catherine his account is brief.
"The Queen is of low stature and rather stout; very good and very religious; speaks Spanish, French, Flemish, and English; more beloved by the Islanders than any queen that has ever reigned; about forty-five years old, and has been in England thirty years. She has had two sons and one daughter. Both the sons died in infancy. One daughter survives."
On the King, Falieri is more elaborate.
"In the 8th Henry such beauty of mind and body is combined as to surprise and astonish. Grand stature, suited to his exalted position, showing the superiority of mind and character; a face like an angel's, so fair it is; his head bald like Cæsar's, and he wears a beard, which is not the English custom. He is accomplished in every manly exercise, sits his
- ↑ Mendoza to Charles V., March 18, 1527.—Spanish Calendar, vol. iii. part 2, p. 110,
