Page:EB1911 - Volume 07.djvu/336

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316
COUNTERSCARP—COUNTY
  

to give the utmost effect to their combination in the coda. Of course Mozart has not room for more than five of the 120 possible combinations, and from these he selects such as bring fresh themes into the outside parts, which are the most clearly audible. Sextuple Counterpoint may be found in Bach’s great double chorus, Nun ist das Heil, and in the finale of his concerto for three claviers in C, and probably in other places.

4. Added Thirds and Sixths.—An easy and effective imitation of triple and quadruple counterpoint, embodying much of the artistic value of inversion, is found in the numerous combinations of themes in thirds and sixths which arise from an extension of the principle which we mentioned in connexion with double counterpoint in the 10th, namely, the possibility of performing it in its original and inverted positions simultaneously. The Pleni sunt coeli of Bach’s B minor Mass is written in this kind of transformation of double into quadruple counterpoint; and the artistic value of the device is perhaps never so magnificently realized as in the place, at bar 84, where the trumpet doubles the bass three octaves and a third above while the alto and second tenor have the counter subjects in close thirds in the middle.

Almost all other contrapuntal devices are derived from the principle of the canon and are discussed in the article Contrapuntal Forms.

As a training in musical grammar and style, the rhythms of 16th-century polyphony were early codified into “the five species of counterpoint” (with various other species now forgotten) and practised by students of composition. The classical treatise on which Haydn and Beethoven were trained was Fux’s Gradus ad Parnassum (1725). This was superseded in the 19th century by Cherubini’s, the first of a long series of attempts to bring up to date as a dead language what should be studied in its original and living form.  (D. F. T.) 


COUNTERSCARP ( = “opposite scarp,” Fr. contrescarpe), a term used in fortification for the outer slope of a ditch; see Fortification and Siegecraft.


COUNTERSIGN, a military term for a sign, word or signal previously arranged and required to be given by persons approaching a sentry, guard or other post. In some armies the “countersign” is strictly the reply of the sentry to the pass-word given by the person approaching.


COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntrée; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood), an extent of land without definite limits, or such a region with some peculiar character, as the “black country,” the “fen country” and the like. The extension from such descriptive limitation to the limitation of occupation by particular owners or races is easy; this gives the common use of the word for the land inhabited by a particular nation or race. Another meaning is that part of the land not occupied by towns, “rural” as opposed to “urban” districts; this appears too in “country-house” and “country town”; so too “countryman” is used both for a rustic and for the native of a particular land. The word appears in many phrases, in the sense of the whole population of a country, and especially of the general body of electors, as in the expression “go to the country,” for the dissolution of parliament preparatory to a general election.


COUNTY (through Norm. Fr. counté, cf. O. Fr. cunté, conté, Mod. Fr. comté, from Lat. comitatus, cf. Ital. comitato, Prov. comtat; see Count), in its most usual sense the name given to certain important administrative divisions in the United Kingdom, the British dominions beyond the seas, and the United States of America. The word was first introduced after the Norman Conquest as the equivalent of the old English “shire,” which has survived as its synonym, though occasionally also applied to divisions smaller than counties, e.g. Norhamshire, Hexhamshire and Hallamshire. The word “county” is also sometimes used, alternatively with “countship,” to translate foreign words, e.g. the French comté and the German Grafschaft, which connote the territorial jurisdiction of a count (q.v.). The present article is confined to a sketch of the origin and development of English counties, which have served in a greater or less degree as the model for the county organizations in the various countries of the English-speaking world which are described under their proper headings.

About one-third of the English counties represent ancient kingdoms, sub-kingdoms or tribal divisions, such as Kent, Sussex, Norfolk, Devon; but most of the remaining counties take their names from some important town within their respective boundaries. The counties to the south of the Thames (except Cornwall) already existed in the time of Alfred, but those of the midlands seem to have been created during the reign of Edward the Elder (901–925) and to have been artificially bounded areas lying around some stronghold which became a centre of civil and military administration. There is reason, however, for thinking that the counties of Bedford, Cambridge, Huntingdon and Northampton are of Danish origin. Northumberland, Cumberland and Westmorland were not recognized as English counties until some time after the Norman Conquest, the last two definitely appearing as fiscal areas in 1177. The origin of Rutland as a county is obscure, but it had its own sheriff in 1154.

In the period preceding the Norman Conquest two officers appear at the head of the county organization. These are the ealdorman or earl, and the scirgerefa or sheriff. The shires of Wessex appear each to have had an ealdorman, whose duties were to command its military forces, to preside over the county assembly (scirgemot), to carry out the laws and to execute justice. The name ealdorman gave way to that of earl, probably under Danish influence, in the first half of the 11th century, and it is probable that the office of sheriff came into existence in the reign of Canute (1017–1035), when the great earldoms were formed and it was no longer possible for the earl to perform his various administrative duties in person in a group of counties. After the Norman Conquest the earl was occasionally appointed sheriff of his county, but in general his only official connexion with it was to receive the third penny of its pleas, and the earldom ceased to be an office and became merely a title. In the 12th century the office of coroner was created, two or more of them being chosen in the county court as vacancies occurred. In the same century verderers were first chosen in the same manner for the purpose of holding inquisitions on vert and venison in those counties which contained royal forests. It was the business of the sheriff (vicecomes) as the king’s representative to serve and return all writs, to levy distresses on the king’s behalf, to execute all royal precepts and to collect the king’s revenue. In this work he was assisted by a large staff of clerks and bailiffs who were directly responsible to him and not to the king. The sheriff also commanded the armed forces of the crown within his county, and either in person or by deputy presided over the county court which was now held monthly in most counties. In 1300 it was enacted that the sheriffs might be chosen by the county, except in Worcestershire, Cornwall, Rutland, Westmorland and Lancashire, where there were then sheriffs in fee, that is, sheriffs who held their offices hereditarily by royal grant. The elective arrangement was of no long duration, and it was finally decided in 1340 that the sheriffs should be appointed by the chancellor, the treasurer and the chief baron of the exchequer, but should hold office for one year only. The county was from an early period regarded as a community, and approached the king as a corporate body, while in later times petitions were presented through the knights of the shire. It was also an organic whole for the purpose of the conservation of the peace. The assessment of taxation by commissioners appointed by the county court developed in the 13th century into the representation of the county by two knights of the shire elected by the county court to serve in parliament, and this representation continued unaltered save for a short period during the Protectorate, until 1832, when many of the counties received a much larger representation, which was still further increased by later acts.

The royal control over the county was strengthened from the 14th century onward by the appointment of justices of the peace.