Page:Edgar Allan Poe - how to know him.djvu/15

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.

CONTENTS


chapter
page
I
The World-Author
....................................................................................................................................................................................................................................................
1
 
Biography—Centennial—Russia—Germany—Italy—Spain—Latin-America—France—England—Retrospect and Prospect.
                                                                                                                                                                                                                                                    
II
The Man
....................................................................................................................................................................................................................................................
26
 
Relation to Time and Place—Accurate Observer—Interest in Public Education—Slavery—Alleged Sectionalism—Americanism—Humor—At Home—Religion—Intemperance—Not the Poet Laureate of Darkness.
                                                                                                                                                                                                                                                    
III
The CriticIntroduction
....................................................................................................................................................................................................................................................
73
 
"The Faculty of Identification"
....................................................................................................................................................................................................................................................
76
 
"The Novel as History and Philosophy"
....................................................................................................................................................................................................................................................
78
 
"An Omen of Better Days for Southern Literature"
....................................................................................................................................................................................................................................................
80
 
"Comparison vs. Ideality"
....................................................................................................................................................................................................................................................
82
 
"A Present Tense Wrongly Used"
....................................................................................................................................................................................................................................................
93
 
"The Spirit of Research in Our Navy"
....................................................................................................................................................................................................................................................
94
 
"Government and the Forms of Government"
....................................................................................................................................................................................................................................................
97
 
"William Cullen Bryant"
....................................................................................................................................................................................................................................................
98
 
"Indefinitiveness in Song"
....................................................................................................................................................................................................................................................
106
 
"Fancy and Imagination"
....................................................................................................................................................................................................................................................
110
 
"The Nature and Interest of Plot"
....................................................................................................................................................................................................................................................
116
 
"Defects in the Technique of Barnaby Rudge"
....................................................................................................................................................................................................................................................
124
 
"Longfellow's Ballads"
....................................................................................................................................................................................................................................................
142
 
"The Technique of the Short Story"
....................................................................................................................................................................................................................................................
149
 
"Repetition an Aid to Quaintness"
....................................................................................................................................................................................................................................................
158
 
"Shelley and After"
....................................................................................................................................................................................................................................................
160
 
"Plagiarism"
....................................................................................................................................................................................................................................................
163
 
"How to Improve Our Drama"
....................................................................................................................................................................................................................................................
166
 
"German Criticism"
....................................................................................................................................................................................................................................................
171