his coat, the turned-down collar, profile, and the arrangement of the hair, we take it that the person thus satirized is Lord Byron. Any doubts we may have on the subject seem removed by the words of the song he is supposed to be singing while waving his hat to the disconsolate woman on the shore:—
" All my faults perchance thou knowest,
All my madness none can know."
And the concluding stanza:—
"Fare thee well! thus disunited,
Torn from every nearer tie,
Seared in heart, and lone, and blighted,
More than this I scarce can die"!!
The foregoing contains a list and description of some of George Cruikshank's graphic satires, many of which we have reason to believe will be entirely new to the great majority of our readers. They support the description given of him by Lockhart at the opening of our chapter: "People consider him as a clever, sharp caricaturist, and nothing more—a free-handed, comical young fellow, who will do anything he is paid for, and who is quite content to dine off the proceeds of a 'George IV.' to-day, and those of a 'Hone,' or a 'Cobbett,' to-morrow." It must be remembered that these represent but a branch of his work; and that while content to design a satire as elaborate and as admirable as any which owe their origin to the hand of Gillray, or to dash off a rough and carelessly executed caricature, he was equally ready to etch the work of an inferior artist, or even of an amateur; to execute a drawing on wood for a ballad, or for one of the numerous political hits of the day, whether on the loyal or the popular side mattered but little to him; to do anything, in fact (to use the words of Lockhart), that "was suggested or thrown in his way." It is barely possible that the very imperfect series we have given may astonish those who have hitherto regarded George Cruikshank only as an illustrator of books, and supposed that, with the exception of the woodcuts for Hone's various jeux d'esprits, and the rough work which appears in "The Satirist," "The
